SciELO - Scientific Electronic Library Online

 
vol.30 número2O futuro é feminino (e anticapitalista): A narrativa cli-fi escrita por mulheresAutonomia da mulher duplicada e sedução do estranho no Solaris, de Tarkovsky índice de autoresíndice de assuntospesquisa de artigos
Home Pagelista alfabética de periódicos  

Serviços Personalizados

Journal

Artigo

Compartilhar


Revista Estudos Feministas

versão impressa ISSN 0104-026Xversão On-line ISSN 1806-9584

Resumo

KEMPINSKA, Olga Donata Guerizoli. The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne Sexton. Rev. Estud. Fem. [online]. 2022, vol.30, n.2, e76548.  Epub 01-Maio-2022. ISSN 1806-9584.  https://doi.org/10.1590/1806-9584-2022v30n276548.

In analysing the complex aesthetic relationship established between the poetics of Gothic and the poetics of Surrealism, based on the experiences of the crisis of myth, of the formless, and consequently, of terror and horror, the paper proposes the reading of some poems that stage this difficult articulation. Paul Éluard, Julia Hartwig and Anne Sexton seek, in fact, the procedures capable of representing the painful subjective helplessness, which also concerns the issue of gender limits. The regime of negativity characteristic of Gothic poetics leads to the refusal of the search for new myths and new images of female creativity, typical of romanticism. By valuing the representation of space, Gothic prepared the path of criticism, poetic and feminist, of the discourses of psychoanalysis and phenomenology.

Palavras-chave : Surrealism; Gothic; Gender; Terror; Subjectivity.

        · resumo em Português | Espanhol     · texto em Português     · Português ( pdf )