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vol.25TRANSFORMANDO EL TERRITORIO: LA IMPORTANCIA DE LA UNIVERSIDAD DE INTEGRACIÓN LATINOAMERICANA PARA LA CULTURA EN LA TRIPLE FRONTERA BRASIL-PARAGUAY-ARGENTINAGESTO DE ARCHIVO Y ACTITUD CRÍTICA COMO LEITMOTIV ANALÍTICO EN LA INVESTIGACIÓN EDUCATIVA índice de autoresíndice de materiabúsqueda de artículos
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Revista Brasileira de Educação

versión impresa ISSN 1413-2478versión On-line ISSN 1809-449X

Resumen

PEREIRA, Marcus Vinícius Medeiros. Higher education music programs, coloniality, and curriculum. Rev. Bras. Educ. [online]. 2020, vol.25, e250054.  Epub 25-Nov-2020. ISSN 1809-449X.  https://doi.org/10.1590/s1413-24782020250054.

The text aims at inspiring a reflection on the curricula of Brazilian higher education Music programs, highlighting the possibility of naturalization of their structure engendered by habitus dispositions incorporated throughout history. It proposes coloniality as a doxa of music teaching that, based on conservatory dispositions incorporated in the form of habitus, becomes nomos in curriculum documents. Thus, in dialogue with proposals of a decolonial turn and a transmodern project, the study seeks first to denaturalize this doxa, this habitus, and then proceed to redistribute legitimate knowledge and recognize other commonly silenced knowledge. To this end, we do not need to forget the conservatory and silence classical music; however, we must open spaces not only to other sound practices but also to other ways of thinking and organizing them.

Palabras clave : music education; coloniality; curriculum.

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