Abstract

ANDRADE, Elenise Cristina Pires. (im)probable occupancies: what is the city becomming?. ETD [online]. 2016, vol.18, n.3, pp.651-669. ISSN 1676-2592.  https://doi.org/10.20396/etd.v18i3.8644678.

Wire-words-gestures in an almost exposed intimacy. Moments of images production that intend to desplace: graffiti in a public school wall in Feira de Santana and photographs of workshops with high school students from a public school in Ichu (both cities in the Bahian backcountry). Actions resulting from the research project "Cities (un)framed within images: experimentations crossing the conception of signs" that asks: What can the images do when they don't want to explain, to illustrate, to remember the cities? Instead of explanations and coherence, we aim to proliferate connections and provoke the invention of new ways of looking and experiment the world, the city, the production of knowledge, the cultural expression of artists and students. We propose that the city is not to be understood and exploited only as a backdrop, but it can be a producer machine of signs, expression, knowledge. The Deleuzian concept of diagram explore and enhance these productions, aiming at destabilization of political representation to look, learn and invent cities. To provoke (in art, life, writing, education, anywhere) chaos outbursts, slights to the ratings and moral judgments.

Keywords : Photographs; Philosophy of Difference; City.

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