Resumo

NOGUEIRA, Fernanda. Itinerant metamorphosis the carnivalesque disidentification of Ney Matogrosso in the brazilian militarship. ETD [online]. 2016, vol.18, n.4, pp.769-788. ISSN 1676-2592.  https://doi.org/10.20396/etd.v18i4.8646425.

This essay is a critical account of Ney Matogrosso's career in the 1970s. We have tried here to read the aesthetic and political repertoire of the artist as part of a Brazilian philosophical and critical production that confronts the military dictatorship and the binary sexual order imposed on bodies, both alive heritages of control and domination balls implemented since colonization. The text also makes a call to break with the traditional historiography, based on the accumulation of information typical of a cognitive capitalism era, in favor of a sensitive epistemology, to be able to reread popular local repertoires excluded from the academic environment and, thus, find there a situated gender theory. The first part of this report provides an overview of motivations that led to develop this research; then it seeks to connect interventional characteristics of Ney Matogrosso's work, the break of expectations elaborated by him, and the confrontation of perceptual schemes in a society marked by colonialism and dictatorship. It also offers some perception from that period on the gender issue in his work and of other artists, and ends with fragments of histories in first person from different moments of his career, where Ney Matogrosso clearly mentions the topics such as gender, sexuality and forms of artistic activism marked by chameleonic, metamorphic, unclassifiable strategies. The ideas presented in the text have as background the history of the military dictatorship in Brazil, the history of gay and feminist movements, post- Marxist and post-structural theories, and peripheral existential politics.

Palavras-chave : Coloniality; Brazilian Military Dictatorship; Musical Critical Philosophy; Sensitive Epistemology; Ney Matogrosso.

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