Abstract

GONCALVES, Ingrid Rodrigues. A filmic bodies dance. ETD [online]. 2016, vol.18, n.4, pp.835-855. ISSN 1676-2592.  https://doi.org/10.20396/etd.v18i4.8646440.

This essay aims to accomplish a transversal analysis with a post-structuralist approach. We invoke as intercessors, thinkers such as Gilles Deleuze, Giorgio Agamben, Ana Francisca de Azevedo, filmmakers, technicians and projectionists, the latter, a case study that links our reflections, producing kind of whipping knot in the wires pulled. We develop a reflection about bodies as films and films as bodies. We take into account that the movement of our thoughts, can act similarly to movie projectors, providing images in time, at our lives "screens"; there is a process accuring, a replacement of photochemical film, as standard film format, to pixels; celluloid and its assemblages are being replaced by digital cinema, which demands and produces bodies with other paths, plowing through new possible fields in relation to audiovisual works because digital images beeing binary photographic points, can be copied and modified "ad infinitum", unsealing aesthetic possibilities; in its turn, experiments of the "ways to do" related to film constitute as singular experiences that run along other lines. This is an important discussion nowadays, considering that the technological transition has deterritorialized the knowledge related of doing cinema with photochemical film and, in other hand, that our interpersonal relations have been increasingly mediated by images-projected on screens and their production via pixel-body, in various devices.

Keywords : Cinema; Body; Subjectivity.

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