Resumo

ALMEIDA, Marcia Furlan de. The derrida's deconstruction and the creative process of Pina Bausch. ETD [online]. 2018, vol.20, n.1, pp.118-136. ISSN 1676-2592.  https://doi.org/10.20396/etd.v20i1.8647809.

To Jacques Derrida, the western metaphysical thought is rooted in a dual logic whose poles are opposed and mutually exclusive. His philosophy through deconstruction seeks to shake the structures of this thought - named by him - logocentric. For this purpose, its propositions bring us to the constant movements in the search for meanings always delayed in the game of differences, and brings in its core the experience of otherness. Pina Bausch, through its spectacles, to continuously expose the body with its powers and vulnerabilities to the other, invites us to enter the game of differences. In its scenic language, the ‘other’ arises as a sine qua non in this game of multiple meanings that ended up producing and affirm differences. This article aims to present a possible crossings between the movement of the deconstruction of the philosopher Jacques Derrida and the creative process of the dancer and choreographer Pina Bausch in ‘Tanztheater Wuppertal’, in the search for destabilization of duality to undo the fixity of the essence and provide other meanings.

Palavras-chave : Derrida; Deconstruction; Pina Bausch; Creative Process.

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