Resumo

BOM-TEMPO, Juliana Soares  e  GUIDO, Humberto. Creation of and in the thought workshop: the event as the opening of philosophy to arts. Educação e Filosofia [online]. 2017, vol.31, n.63, pp.1625-1642.  Epub 09-Mar-2021. ISSN 1982-596X.  https://doi.org/10.14393/revedfil.issn.0102-6801.v31n63a2017-16.

Thinking as an event is inseparable from a creation workshop which operates in machinic assemblage. When considering the creation of and in the thought workshop, we bet on interdisciplinary practices that put philosophy in the non-discursive field in relation to arts. Other thought images are caught by surprise before its production, making new connections, building other machines and following the thinking that goes into variations, differentiating themselves in the diagrams that make up the virtual and actual interfaces, when we are in the face of an event. This machine dislocates philosophy from its static site and places it in rhizomatic terrains, opening the realms of thinking to creation. The crossing of the territories between arts and philosophies entails the adoption of a non-philosophical posture - including and mainly of the philosopher - without which the workshop will incur a risk of being a sterile experimentation, still attached to the territorialities previously fixed in specialties. Thus, we propose the operation of a creation of and in the thought workshop from the interfaces built between literature, cinema and theater together with the works of Sacher-Masoch and Roman Polanski, both entitled Venus in Fur.

Palavras-chave : Deleuze; Experimentation; Cinema; Literature.

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