Abstract

MONTI, Ednardo Monteiro Gonzaga do. Cinema as a place of memory of music training and teaching practice. Acta Educ. [online]. 2018, vol.40, n.4, e41964. ISSN 2178-5201.  https://doi.org/10.4025/actascieduc.v40i4.41964.

The present work refers to the Coleção Pianistas Brasileiras as a place of memory, into a History perspective in Education. It analyzes how Norma Bengell´s work guides explored the themes related to teaching practice and piano formation from the three brazilian pianists on the cinebiography that constitute the series, this is: Infinitamente Guiomar Novaes (2003); Antonietta Rudge: o êxtase em movimento (2003) e Magda Tagliaferro: o mundo dentro de um piano (2004). It is also highlighted through the course written articles, iconographic and oral sources mobilized by the filmmaker in these films. As a result, it was possible to get the comprehension that the cinematographic production in question highlights the musical formation consolidated and followed by the family support that involved overseas stages of studying, Europe, and the teaching action of these musicians as a mechanism of circularity of the musical knowledge in Brazil.

Keywords : history of education; biodocumentary; piano teaching.

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