<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0102-4698</journal-id>
<journal-title><![CDATA[Educação em Revista]]></journal-title>
<abbrev-journal-title><![CDATA[Educ. rev.]]></abbrev-journal-title>
<issn>0102-4698</issn>
<publisher>
<publisher-name><![CDATA[Faculdade de Educação da Universidade Federal de Minas Gerais]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0102-46982024000100224</article-id>
<article-id pub-id-type="doi">10.1590/0102-4698-48820</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[UM CURRÍCULO DEBOCHADO RISCADO NO CHÃO DE ESTRELAS]]></article-title>
<article-title xml:lang="es"><![CDATA[UN CURRÍCULO BURLÓN RAYADO EN EL SUELO DE LAS ESTRELLAS]]></article-title>
<article-title xml:lang="en"><![CDATA[AN MOCKED CURRICULUM SCRATCHED ON THE FLOOR OF STARS]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[SILVA JUNIOR]]></surname>
<given-names><![CDATA[ALCIDESIO OLIVEIRA DA]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[MAKNAMARA]]></surname>
<given-names><![CDATA[MARLÉCIO]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal da Paraíba  ]]></institution>
<addr-line><![CDATA[João Pessoa PE]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2024</year>
</pub-date>
<volume>40</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S0102-46982024000100224&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S0102-46982024000100224&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S0102-46982024000100224&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO: Por meio das teorias pós-críticas do currículo, temos como objetivo, neste texto, cartografar as dissidências de masculinidade produzidas no filme Tatuagem (Brasil, 2013, direção de Hilton Lacerda), entendendo a potência do filme na educação do olhar para as diferenças de gênero e de sexualidade. O filme, um dos representantes da nova seara do cinema pernambucano, conta a história da relação amorosa entre Clécio, um artista tropicalista, e Arlindo, um tímido soldado que serve ao regime militar em pleno ano de 1978. Como metodologia, a cartografia, inspirada nos filósofos da diferença Gilles Deleuze e Félix Guattari, nos serviu de guia para uma atenção criativa e inventiva em torno das imagens. Concluímos que a experiência contracultural dos personagens de Tatuagem produz um currículo-desbunde, que opera dissidências nas masculinidades em dois movimentos: 1) através da força da ironia e do deboche, da anarquia da linguagem e da performance e 2) por meio de um devir-mulher que vaza por trás, um território de prazer abjetificado pela cultura heterossexual, mas que ganha força de rizoma no filme.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN: A través de las teorías poscríticas del currículum, nuestro objetivo en este texto es mapear las disidencias de masculinidad que se producen en la película Tatuagem (Brasil, 2013, dirigida por Hilton Lacerda) entendiendo el poder de la película en la educación de las diferencias de género y sexualidad. La película, una de las representantes de la nueva era del cine pernambucano, cuenta la historia de la relación amorosa entre Clécio, un artista tropicalista, y Arlindo, un tímido soldado que sirve al régimen militar en el año 1978. Como metodología, la cartografía, inspirada en los filósofos de la diferencia Gilles Deleuze y Félix Guattari, nos sirvió de guía para una atención creativa e inventiva en torno a las imágenes. Concluimos que la experiencia contracultural de los personajes de Tatuagem produce un currículo-anárquico que opera disidencias en las masculinidades en dos movimientos: 1) mediante la fuerza de la ironía y el libertinaje, la anarquía del lenguaje y la performance y 2) a través de un devenir mujer que se filtra por detrás, un territorio de placer abyectado por la cultura heterosexual, pero que cobra fuerza de rizoma en la película.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT: Through post-critical theories of the curriculum, the aim of this text is to map the dissidences of masculinity portrayed in the movie Tatuagem (Brazil, 2013, directed by Hilton Lacerda) understanding the power of the film in educating the viewer's perspective towards gender and sexuality differences. The film, which is one of the representatives of the new wave of cinema fromPernambuco, tells the story of the romantic relationship between Clécio, a tropicalist artist, and Arlindo, a shy soldier under the military regime in the year 1978. As a methodology, cartography, inspired by the philosophers of difference Gilles Deleuze and Félix Guattari, guided us ina creative and inventive attention around images. We conclude that the countercultural experience of the characters in Tatuagem produces an anarchic-curriculum that operates dissidences in masculinities through two movements: 1) through the power of irony and debauchery, the anarchy of language and performance and 2) through a becoming-woman that leaks from behind, a territory of pleasure abjectified by heterosexual culture, but which gains rhizome strength in the film]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Currículo]]></kwd>
<kwd lng="pt"><![CDATA[gênero]]></kwd>
<kwd lng="pt"><![CDATA[sexualidade]]></kwd>
<kwd lng="pt"><![CDATA[cinema]]></kwd>
<kwd lng="pt"><![CDATA[cartografia]]></kwd>
<kwd lng="es"><![CDATA[Currículo]]></kwd>
<kwd lng="es"><![CDATA[género]]></kwd>
<kwd lng="es"><![CDATA[sexualidad]]></kwd>
<kwd lng="es"><![CDATA[cine]]></kwd>
<kwd lng="es"><![CDATA[cartografía]]></kwd>
<kwd lng="en"><![CDATA[Curriculum]]></kwd>
<kwd lng="en"><![CDATA[gender]]></kwd>
<kwd lng="en"><![CDATA[sexuality]]></kwd>
<kwd lng="en"><![CDATA[cinema]]></kwd>
<kwd lng="en"><![CDATA[cartography]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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