<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0102-7735</journal-id>
<journal-title><![CDATA[Revista Educação em Questão]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Educ. Questão]]></abbrev-journal-title>
<issn>0102-7735</issn>
<publisher>
<publisher-name><![CDATA[Universidade Federal do Rio Grande do Norte]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0102-77352024000100102</article-id>
<article-id pub-id-type="doi">10.21680/1981-1802.2024v62n71id35542</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Sendo macho sob luz neon: currículo e nordestinidade]]></article-title>
<article-title xml:lang="en"><![CDATA[Being masculine under neon light: curriculum and northeasternness]]></article-title>
<article-title xml:lang="es"><![CDATA[Ser macho a la luz del neón: currículum y nordestidad]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Oliveira da Silva Junior]]></surname>
<given-names><![CDATA[Alcidesio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Maknamara]]></surname>
<given-names><![CDATA[Marlécio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Grupo de Pesquisa em Estudos Culturais e Arte/Educação (UFRPE/CNPq)  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>01</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>01</month>
<year>2024</year>
</pub-date>
<volume>62</volume>
<numero>71</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S0102-77352024000100102&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S0102-77352024000100102&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S0102-77352024000100102&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Em um Nordeste cuja potência brinca com o imaginário, este artigo volta-se para o filme Boi Neon (2015), dirigido por Gabriel Mascaro, buscando ampliar a reflexão pedagógica, em especial do currículo, para o cinema, evidenciando a potência subjetivadora das imagens em composição com suas narrativas Sob a inspiração das teorias pós-críticas de currículo, sobretudo da Filosofia da Diferença, argumenta-se que o devir-mulher de Iremar, protagonista do filme, transmuta-se no movi- mento surrealista e espacial de um currículo-neon. O Nordeste, como recorte espacial prenhe de imagens e representações de masculinidade, apresenta uma topografia de poder com contornos rígidos que simulam uma naturalidade nas relações de gênero. Concluímos que o currículo-neon opera uma resistência nesta geografia, pondo em funcionamento novas espacialidades, reconfigu- rando o espaço-tempo nas narrativas hegemônicas. Neste currículo, linhas coloridas e reluzentes põem em variação as representações de masculinidade nordestina, transmutando os processos de subjetivação através de novos desejos.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract In a Northeast whose power plays with the imaginary, this article turns to the film Boi Neon (2015), directed by Gabriel Mascaro, in an attempt to extend pedagogical reflection, especially on the cur- riculum, to the cinema, highlighting the subjectivizing power of images in the composition with their narratives. Inspired by post-critical theories of the curriculum, especially the philosophy of difference, it is argued that the becoming-woman of Iremar, the protagonist of the film, is transformed into the surreal and spatial movement of a neon-curriculum. The northeast, as a spatial area full of images and representations of masculinity, presents a topography of power, rigid contours that simulate a naturalness in gender relations. We conclude that the neon-curriculum operates a resistance in this geography, putting new trajectories into operation, reconfiguring space-time in hegemonic narra- tives. In this curriculum, colored lines vary representations of northeastern masculinity, transforming processes of subjectivation through new desires.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En un Nordeste cuyo poder juega con el imaginario, este artículo recurre a la película Boi Neon (2015), dirigida por Gabriel Mascaro, buscando ampliar la reflexión pedagógica, especialmente sobre el currículum, al cine, destacando el poder subjetivador de las imágenes en composición con sus narrativas Inspirado en las teorías poscríticas del currículum, especialmente en la Filosofía de la Diferencia, se argumenta que el devenir-mujer de Iremar, protagonista de la película, se transmuta en el movimiento surrealista y espacial de un currículum-neón. El Nordeste, como área espacial repleta de imágenes y representaciones de la masculinidad, presenta una topografía del poder, contornos rígidos que simulan una naturalidad en las relaciones de género. Concluimos que el currículum-neón opera una resistencia en esta geografía, poniendo en funcionamiento nuevas espa- cialidades, reconfigurando el espacio-tiempo en las narrativas hegemónicas. En este currículum, las líneas de colores vivos varían las representaciones de la masculinidad del Nordeste, transmutando los procesos de la subjetivación a través de nuevos deseos. Palabras clave: Cine. Masculinidades. Currículum. Filosofía de la diferencia.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Cinema]]></kwd>
<kwd lng="pt"><![CDATA[Masculinidades]]></kwd>
<kwd lng="pt"><![CDATA[Currículo]]></kwd>
<kwd lng="pt"><![CDATA[Filosofia da diferença]]></kwd>
<kwd lng="en"><![CDATA[Cinema]]></kwd>
<kwd lng="en"><![CDATA[Masculinities]]></kwd>
<kwd lng="en"><![CDATA[Curriculum]]></kwd>
<kwd lng="en"><![CDATA[Philosophy]]></kwd>
<kwd lng="es"><![CDATA[Cine]]></kwd>
<kwd lng="es"><![CDATA[Masculinidades]]></kwd>
<kwd lng="es"><![CDATA[Currículum]]></kwd>
<kwd lng="es"><![CDATA[Filosofía de la diferencia]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
