<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0104-026x</journal-id>
<journal-title><![CDATA[Revista Estudos Feministas]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Estud. Fem.]]></abbrev-journal-title>
<issn>0104-026x</issn>
<publisher>
<publisher-name><![CDATA[Centro de Filosofia e Ciências Humanas e Centro de Comunicação e Expressão da Universidade Federal de Santa Catarina]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0104-026x2020000300221</article-id>
<article-id pub-id-type="doi">10.1590/1806-9584-2020v28n361738</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Comicidade crítica e riso autodepreciativo: um estudo com mulheres palhaças]]></article-title>
<article-title xml:lang="en"><![CDATA[Critic Comicality and Self-derogatory Laugh: A Study with Female Clowns]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Fuchs]]></surname>
<given-names><![CDATA[Ana Carolina Muller]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Icle]]></surname>
<given-names><![CDATA[Gilberto]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
<xref ref-type="aff" rid="Aaf"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal do Rio Grande do Sul Programa de Pós-Graduação em Educação ]]></institution>
<addr-line><![CDATA[Porto Alegre RS]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade de Brasília Programa de Pós-Graduação em Artes Cênicas ]]></institution>
<addr-line><![CDATA[Brasília DF]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>09</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>09</month>
<year>2020</year>
</pub-date>
<volume>28</volume>
<numero>3</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S0104-026x2020000300221&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S0104-026x2020000300221&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S0104-026x2020000300221&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: O presente artigo propõe uma reflexão sobre as questões de gênero que envolvem as práticas da palhaçaria feminina, a partir do convívio e de entrevistas com um grupo de mulheres palhaças no Brasil. Trabalha-se a ideia de que os discursos sociais forjam os corpos e os padrões de gênero e, portanto, perpassam os processos criativos na palhaçaria. Com base no conceito de práticas parodísticas desenvolvido por Judith Butler, este trabalho busca pensar nos processos da palhaçaria feminina no seu caráter de paródia de si e em suas reverberações na criação de uma comicidade crítica e não autodepreciativa. Propõe-se o conceito de paródia a partir dos trabalhos de Judith Butler, Linda Hutcheon e Giorgio Agamben como forma de delinear a noção de paródia na qualidade de distanciamento crítico e na possibilidade de afetar os modos de subjetivação das artistas.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This paper proposes a reflection on gender issues involving female clowning practices, based on the coexistence and interviews with a group of female clowns in Brazil. It develops the idea that social discourses forge bodies and gender standards, therefore crossing the creative processes in clowning. Founded on the concept of parodistic practices developed by Judith Butler, this work aims to think on the processes of female clowning in its character of parody of oneself, as well as on its reverberations in the creation of a critic and non-self-derogatory comicality. The concept of parody is proposed based on the works of Judith Butler, Linda Hutcheon and Giorgio Agamben as a way of outlining the notion of parody in the quality of critical detachment, and in the possibility of affecting the female artists&#8217; modes of subjectivation.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[gênero]]></kwd>
<kwd lng="pt"><![CDATA[palhaçaria feminina]]></kwd>
<kwd lng="pt"><![CDATA[paródia]]></kwd>
<kwd lng="pt"><![CDATA[subjetividade]]></kwd>
<kwd lng="en"><![CDATA[Gender]]></kwd>
<kwd lng="en"><![CDATA[Female clowning]]></kwd>
<kwd lng="en"><![CDATA[Parody]]></kwd>
<kwd lng="en"><![CDATA[Subjectivity]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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