<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0104-026x</journal-id>
<journal-title><![CDATA[Revista Estudos Feministas]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Estud. Fem.]]></abbrev-journal-title>
<issn>0104-026x</issn>
<publisher>
<publisher-name><![CDATA[Centro de Filosofia e Ciências Humanas e Centro de Comunicação e Expressão da Universidade Federal de Santa Catarina]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0104-026x2022000200216</article-id>
<article-id pub-id-type="doi">10.1590/1806-9584-2022v30n278463</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Cinema feminista pioneiro na América Latina entre as décadas de 1960 e 1980]]></article-title>
<article-title xml:lang="en"><![CDATA[Pioneering Feminist cinema in Latin America between the 1960s and 1980s]]></article-title>
<article-title xml:lang="es"><![CDATA[Cine pionero feminista en América Latina entre las décadas de 1960 y 1980]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Tedesco]]></surname>
<given-names><![CDATA[Marina Cavalcanti]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal Fluminense Departamento de Cinema e Vídeo Programa de Pós-Graduação em Cinema e Audiovisual]]></institution>
<addr-line><![CDATA[Niterói RJ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>05</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>05</month>
<year>2022</year>
</pub-date>
<volume>30</volume>
<numero>2</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S0104-026x2022000200216&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S0104-026x2022000200216&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S0104-026x2022000200216&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: A partir dos anos 1960, mulheres latino-americanas começaram, individualmente ou dentro de coletivos, a dirigir filmes que podem ser considerados feministas. Até então, a maior parte da bibliografia sobre cinema feminista pioneiro na América Latina tendeu a se concentrar em países e/ou em realizadoras. No entanto, é igualmente importante olharmos para tal filmografia a partir de uma perspectiva subcontinental e que também dê destaque aos coletivos. Por isso, apresentamos, neste texto, um panorama (parcial) do cinema feminista latino-americano entre as décadas de 1960 e 1980, composto por obras dos coletivos Cine Mujer do México, Cine Mujer da Colômbia e Grupo Feminista Miércoles, e das cineastas Helena Solberg, Kitico Moreno, María Luisa Bemberg e Sara Gómez.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: From the 1960s, Latin American feminists started to make movies, individually or through collectives. The bibliography pioneering Feminist cinema in Latin America tended to focus on countries and female filmmakers, but it is equally important to look at such filmography from a subcontinental perspective and to give prominence to collectives. For this reason, we present in this text a partial overview of Latin American feminist cinema between the 1960s and 1980s, composed of works by the collectives Cine Mujer of Mexico, Cine Mujer of Colombia and Grupo Feminista Miércoles, and by filmmakers Helena Solberg, Kitico Moreno, María Luisa Bemberg and Sara Gómez.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: A partir de la década de 1960, las feministas latinoamericanas empezaron, individualmente o en colectivos, a realizar películas. Hasta el momento, gran parte de la bibliografía sobre cine pionero feminista en América Latina tendió a centrarse en países y en realizadoras, pero es igualmente importante mirar dicha filmografía desde una perspectiva subcontinental y que de protagonismo a los colectivos. Por ello, presentamos en este texto un panorama (parcial) del cine feminista latinoamericano entre las décadas de 1960 y 1980, compuesto por obras de los colectivos Cine Mujer de México, Cine Mujer de Colombia y Grupo Feminista Miércoles, y de las cineastas Helena Solberg, Kitico Moreno, María Luisa Bemberg y Sara Gómez.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[cinema feminista pioneiro]]></kwd>
<kwd lng="pt"><![CDATA[América Latina]]></kwd>
<kwd lng="pt"><![CDATA[décadas de 1960 a 1980]]></kwd>
<kwd lng="pt"><![CDATA[diretoras]]></kwd>
<kwd lng="pt"><![CDATA[coletivos]]></kwd>
<kwd lng="en"><![CDATA[Pioneering Feminist cinema]]></kwd>
<kwd lng="en"><![CDATA[Latin America]]></kwd>
<kwd lng="en"><![CDATA[from the 1960s to the 1980s]]></kwd>
<kwd lng="en"><![CDATA[Directors]]></kwd>
<kwd lng="en"><![CDATA[Collective]]></kwd>
<kwd lng="es"><![CDATA[cine feminista]]></kwd>
<kwd lng="es"><![CDATA[América Latina]]></kwd>
<kwd lng="es"><![CDATA[décadas de 1960 a 1980]]></kwd>
<kwd lng="es"><![CDATA[directoras]]></kwd>
<kwd lng="es"><![CDATA[colectivos]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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