<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1517-9702</journal-id>
<journal-title><![CDATA[Educação e Pesquisa]]></journal-title>
<abbrev-journal-title><![CDATA[Educ. Pesqui.]]></abbrev-journal-title>
<issn>1517-9702</issn>
<publisher>
<publisher-name><![CDATA[Faculdade de Educação da Universidade de São Paulo]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1517-97022016000200477</article-id>
<article-id pub-id-type="doi">10.1590/S1517-9702201606140330</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[O ensino do design de moda: o uso da moulage como ferramenta pedag&#243;gica]]></article-title>
<article-title xml:lang="en"><![CDATA[Fashion design teaching: using draping as a pedagogical tool]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Lima]]></surname>
<given-names><![CDATA[Jonathan Gurgel de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Italiano]]></surname>
<given-names><![CDATA[Isabel Cristina]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="A">
<institution><![CDATA[,joaopassaromail@gmail.com  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<aff id="A">
<institution><![CDATA[,isabel.italiano@usp.br  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<aff id="Af1">
<institution><![CDATA[,Universidade de São Paulo  ]]></institution>
<addr-line><![CDATA[São Paulo SP]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2016</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2016</year>
</pub-date>
<volume>42</volume>
<numero>2</numero>
<fpage>477</fpage>
<lpage>490</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1517-97022016000200477&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1517-97022016000200477&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1517-97022016000200477&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O presente artigo discute quest&#245;es referentes ao papel da educa&#231;&#227;o formal no desenvolvimento do potencial criativo de jovens profissionais. Com enfoque na forma&#231;&#227;o universit&#225;ria em design de moda, aponta as poss&#237;veis causas para a desmotiva&#231;&#227;o dos alunos quando deparados com as disciplinas que envolvem pr&#225;ticas de criatividade. &#201; percebido que, al&#233;m das dificuldades t&#233;cnicas para expressar as ideias do projeto, h&#225; tamb&#233;m entraves em rela&#231;&#227;o &#224; n&#227;o exig&#234;ncia de resultados predefinidos. Tomando como base os estudos de pesquisadores que atribuem &#224;s causas do bloqueio criativo dos alunos a uma forma&#231;&#227;o educacional formal estagnada e que pouco privilegia o desenvolvimento humano, o texto levanta a hip&#243;tese do uso de uma ferramenta que, embora comum ao cotidiano dos profissionais da &#225;rea de moda, ainda &#233; pouco explorada em seu pleno potencial. Trata-se do manequim de moulage, mais comumente usado para a concep&#231;&#227;o de moldes de vestu&#225;rio em tr&#234;s dimens&#245;es. Este artigo defende que o processo criativo, fazendo uso das t&#233;cnicas de moulage, possui potencialidades pouco exploradas que podem contribuir para o aprimoramento do ensino do design de moda, desenvolver o potencial criativo, motivar o aprendizado, bem como servir de alternativa para a express&#227;o de ideias em vestu&#225;rio. Apresentam-se neste trabalho o conte&#250;do e os resultados de uma atividade de cria&#231;&#227;o em moulage desenvolvida com o intuito de experimentar e comprovar as hip&#243;teses aqui levantadas.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article discusses questions pertaining to the role of formal education in building the creative potential of young professionals. In approaching higher education in fashion, the paper indicates the possible causes of demotivation in students when faced with disciplines involving creative practice. In addition to students&#8217; technical difficulties to express their design ideas, another obstacle we found is that students are not required to provide predefined results. Building on studies of researchers that attribute students&#8217; creative block to a stagnant formal education that fails to privilege human development, this paper raises the hypothesis that a tool common in fashion professionals&#8217; daily practice is still unexplored to its full potential. This tool is draping, which is most commonly used in the creation of fashion molds in three dimensions. We advocate that the use of draping techniques in the creative process has underexplored potentialities which can contribute to enhance fashion design teaching, develop students&#8217; creative potential, motivate learning, and serve as an option in expressing ideas for clothing. In this work, we present the content and results of a creation activity using draping, which was conducted with the purpose of testing and verifying the hypotheses raised here.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Moulage]]></kwd>
<kwd lng="pt"><![CDATA[Educação]]></kwd>
<kwd lng="pt"><![CDATA[Design de moda]]></kwd>
<kwd lng="en"><![CDATA[Draping]]></kwd>
<kwd lng="en"><![CDATA[Education]]></kwd>
<kwd lng="en"><![CDATA[Fashion design]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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