<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1676-2592</journal-id>
<journal-title><![CDATA[ETD Educação Temática Digital]]></journal-title>
<abbrev-journal-title><![CDATA[ETD]]></abbrev-journal-title>
<issn>1676-2592</issn>
<publisher>
<publisher-name><![CDATA[Universidade Estadual de Campinas - UNICAMP]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1676-25922013000300008</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Potências da carne, poesias do corpo]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Peretta]]></surname>
<given-names><![CDATA[Éden Silva]]></given-names>
</name>
</contrib>
</contrib-group>
<aff id="A08">
<institution><![CDATA[,Universidade Federal de Ouro Preto  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2013</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2013</year>
</pub-date>
<volume>15</volume>
<numero>03</numero>
<fpage>507</fpage>
<lpage>522</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1676-25922013000300008&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1676-25922013000300008&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1676-25922013000300008&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[A dança Butô apresentou para o mundo ocidental intrigantes métodos de construção da presença cênica, contaminando de forma contundente os processos de treinamento de atores e dançarinos. Mas para, além disso, o percurso de investigação arqueológica da materialidade do “corpo de carne”, colocado em movimento por essa dança, pode também nos apresentar interessantes matrizes para repensarmos radicalmente a educação do corpo, justamente na fricção entre carne, poesia e política.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[The Butoh Dance has introduced to the Western world intriguing methods of constructing of scenic presence, contaminating incisively the training processes of actors and dancers. But beyond that, the course of archaeological investigation into the materiality of the "body of flesh", as suggested by this dance, can also present us interesting matrixes for radically rethink the education of the body, precisely in the friction between flesh, poetry and politics.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[La danza Butoh presentó al mundo occidental los intrigantes métodos de construcción de presencia en el escenario, contaminando fuertemente los procesos de formación de actores y bailarines. Pero más allá de eso, el curso de la investigación arqueológica de la materialidad del "cuerpo de carne", puesto en marcha por esta danza, también nos puede presentar con arreglos interesantes para repensar radicalmente la educación del cuerpo, al igual que la fricción entre la carne, la poesía y la política.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Butô]]></kwd>
<kwd lng="pt"><![CDATA[Corpo]]></kwd>
<kwd lng="pt"><![CDATA[Educação]]></kwd>
<kwd lng="en"><![CDATA[Butoh]]></kwd>
<kwd lng="en"><![CDATA[Body]]></kwd>
<kwd lng="en"><![CDATA[Education]]></kwd>
<kwd lng="es"><![CDATA[Butoh]]></kwd>
<kwd lng="es"><![CDATA[Cuerpo]]></kwd>
<kwd lng="es"><![CDATA[Educación]]></kwd>
</kwd-group>
</article-meta>
</front><body><![CDATA[ <font face="Arial, Helvetica, sans-serif"> <h2>Pot&ecirc;ncias  da carne, poesias do corpo.</h2> <h3>Powers of flesh body poetry.</h3> <h3>Poderes de carne, poes&iacute;a del cuerpo</h3>     <p>&nbsp;</p> <h4>&Eacute;den  Silva Peretta    <br> </h4> </font>      ]]></body><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<source><![CDATA[Asiatica Venetiana]]></source>
<year></year>
<numero>8/9</numero>
<issue>8/9</issue>
<page-range>21-36</page-range><publisher-loc><![CDATA[Venezia ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="journal">
<source><![CDATA[Bulzoni]]></source>
<year></year>
<publisher-loc><![CDATA[Roma ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[SALERNO]]></surname>
<given-names><![CDATA[Giorgio]]></given-names>
</name>
</person-group>
<article-title xml:lang="it"><![CDATA[Ritorno a Hijikata: il But&#333; e la danza moderna nel XX secolo. Biblioteca Teatrale]]></article-title>
<source><![CDATA[Trimestrale di Studi e Ricerche sullo Spettacolo]]></source>
<year>dic.</year>
<month> 2</month>
<day>00</day>
<numero>79-80</numero>
<issue>79-80</issue>
<publisher-loc><![CDATA[Roma ]]></publisher-loc>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
