<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1982-0305</journal-id>
<journal-title><![CDATA[Revista Teias]]></journal-title>
<abbrev-journal-title><![CDATA[Revista Teias]]></abbrev-journal-title>
<issn>1982-0305</issn>
<publisher>
<publisher-name><![CDATA[Programa de Pós-Graduação em Educação - ProPEd/UERJ]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1982-03052020000500294</article-id>
<article-id pub-id-type="doi">10.12957/teias.%y.50008</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[CINEMA NEGRO NA EDUCAÇÃO ANTIRRACISTA: uma possibilidade de reeducação do olhar]]></article-title>
<article-title xml:lang="en"><![CDATA[ON BLACK CINEMA TOWARDS AN ANTI-RACIST EDUCATION: a possible way to reshape one's (point of) view]]></article-title>
<article-title xml:lang="es"><![CDATA[CINE NEGRO EN LA EDUCACIÓN ANTIRRACISTA: una posibilidad de reeducación de la mirada]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ventura]]></surname>
<given-names><![CDATA[Hélio Lucio dos Reis]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Oliveira]]></surname>
<given-names><![CDATA[Samuel Silva Rodrigues de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Borges]]></surname>
<given-names><![CDATA[Roberto]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Mestrando do Programa de Pós-graduação em Relações Étnico-raciais do Cefet-RJ e professor do PVNC e da SEEDUC-RJ  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<aff id="Af2">
<institution><![CDATA[,Professor do Programa de Pós-graduação em Relações Étnico-raciais do Cefet-RJ  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>07</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>07</month>
<year>2020</year>
</pub-date>
<volume>21</volume>
<numero>62</numero>
<fpage>294</fpage>
<lpage>303</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1982-03052020000500294&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1982-03052020000500294&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1982-03052020000500294&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo parte da atual disputa de conceituação daquilo que tem sido chamado &#8220;Cinema Negro&#8221;. Analisa o &#8220;Cinema Novo&#8221;, por onde os corpos negros passaram a surgir nas telas do cinema não mais como exceção, mas ainda com graves problemas de representação. Nesse caminho, perpassa por uma análise do &#8220;Dogma Feijoada&#8221;, manifesto marco das grandes inflexões que se deram na produção de cinema no Brasil. Argumenta que as lutas estéticas e políticas do Cinema Negro operam transformações no imaginário social, rompendo com o embranquecimento da linguagem cinematográfica e fomentando novas formas de narrar as experiências dos afro-brasileiros. Para finalizar, inserimos uma breve discussão da Lei n. 10.639/2003 e argumentamos que espaços de formação para além da escola oficial são importantes e necessários na construção de cidadão conscientes de seu papel antirracista.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This text takes it as a starting issue the present dispute on the concept of the so-called "Black Cinema". It analyzes the Brazilian New Wave / Nouvelle Vague movement on Cinema ("Cinema Novo"), whose films began to depict black bodies under a different approach/light, i.e., no longer as 'exceptions'. Nonetheless, such films still bear serious problems about the representation. Therefore, this text presents an analysis of the film "Dogma Feijoada" ("Bean Stew Dogma" &#8212; an approximated translation), which is a landmark manifest on the great inflections that have taken place in the Brazilian film production. The present article also arguments that the Black Cinema, in both aesthetical and political disputes, make changes possible on the social's common sense, breaking apart from the whitening of the cinematographic language, and increasing new ways of narrating African-Brazilian people's experience. In order to wrap up the discussion presented here, we briefly debate on Law n. 10.639/2003, and we argue that the loci aimed at educating, besides and beyond the official educational system, are of paramount importance and extremely necessary for the construction of fully aware citizens regarding their roles in an anti-racist agenda.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo parte de la actual disputa de conceptualización de lo que se ha llamado "Cine Negro" en Brasil. Analiza el movimiento artístico brasileño "Cinema Novo", donde los cuerpos negros comenzaron a aparecer en las pantallas de cine ya no como una excepción, sin embargo, con serios problemas de la representación. De esta manera, desarrolla un análisis del "Dogma Feijoada", un hito manifiesto de las grandes inflexiones que tuvieron lugar en la producción de cine en Brasil. También argumenta que las luchas estéticas y políticas del "Cine Negro" provocan transformaciones en el imaginario social, rompiendo con el blanqueamiento del lenguaje cinematográfico y fomentando nuevas formas de narrar las experiencias de los afrobrasileños. Para concluir, insertamos una breve discusión de la Ley n. 10.639 / 2003 y argumentamos que los espacios de capacitación más allá de la escuela oficial son importantes y necesarios para la construcción de ciudadanos conscientes de su papel antirracista.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[cinema negro]]></kwd>
<kwd lng="pt"><![CDATA[educação antirracista]]></kwd>
<kwd lng="pt"><![CDATA[Lei n]]></kwd>
<kwd lng="pt"><![CDATA[10.639/2003]]></kwd>
<kwd lng="en"><![CDATA[black cinema]]></kwd>
<kwd lng="en"><![CDATA[anti-racist education]]></kwd>
<kwd lng="en"><![CDATA[Law n]]></kwd>
<kwd lng="en"><![CDATA[10.639/2003]]></kwd>
<kwd lng="es"><![CDATA[cine negro]]></kwd>
<kwd lng="es"><![CDATA[educación antirracista]]></kwd>
<kwd lng="es"><![CDATA[Ley n]]></kwd>
<kwd lng="es"><![CDATA[10639/2003]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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