<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1984-6444</journal-id>
<journal-title><![CDATA[Educação UFSM]]></journal-title>
<abbrev-journal-title><![CDATA[Educação. Santa Maria]]></abbrev-journal-title>
<issn>1984-6444</issn>
<publisher>
<publisher-name><![CDATA[Universidade Federal de Santa Maria]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1984-64442024000100226</article-id>
<article-id pub-id-type="doi">10.5902/1984644468762</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Arquivos artísticos: práticas discursivas e suas visualidades]]></article-title>
<article-title xml:lang="en"><![CDATA[Art archives: discursive practices and their visualities]]></article-title>
<article-title xml:lang="fr"><![CDATA[Archives d'art : pratiques discursives et leurs visualités]]></article-title>
<article-title xml:lang="es"><![CDATA[Archivos artísticos: prácticas discursivas y sus visualidades]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Trindade]]></surname>
<given-names><![CDATA[Rogerio Vanderlei de Lima]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal de Pelotas  ]]></institution>
<addr-line><![CDATA[Pelotas RS]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2024</year>
</pub-date>
<volume>49</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1984-64442024000100226&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1984-64442024000100226&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1984-64442024000100226&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO Este artigo investiga possíveis relações entre as noções de arquivo e os conteúdos de algumas obras de arte para averiguar as possibilidades teóricas de uma aproximação conceitual entre o pensamento de Foucault, as obras de arte - que, nessa abordagem, alinham-se ao que denominaremos de arquivos artísticos - e algumas práticas discursivas. A pesquisa é eminentemente teórica, com revisão de literatura e seus operadores conceituais foram Michel Foucault, Giorgio Agamben, Nicolas Bourriaud. A reflexão discute aproximações e distinções sobre alguns artefatos africanos, arquivos de arte não europeia que foram arrancados de seus sítios-origem e transpostos para contextos distintos. A tentativa de englobar e trazer para as sintaxes visuais europeias os autos culturais estrangeiros evidenciaram as abordagens formalistas e exóticas convencionadas a partir da apropriação e do intercâmbio dos viveres e saberes africanos. Distintos artefatos africanos quando descontextualizados de sua função simbólica contribuem para um litígio conceitual presente nas discursividades e nos dispositivos de arte discutidos nessa investigação.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT This article investigates possible relations between the notions of archive and the contents of some works of art in order to investigate the theoretical possibilities of a conceptual approximation between Foucault's thought, the works of art - which, in this approach, align themselves to what we will call artistic archives - and some discursive practices. The research is eminently theoretical, with literature review, and its conceptual operators were Michel Foucault, Giorgio Agamben, and Nicolas Bourriaud. The reflection discusses approximations and distinctions about some African artifacts, archives of non-European art that have been plucked from their sites-origin and transposed to distinct contexts. The attempt to encompass and bring foreign cultural autos into European visual syntaxes has highlighted the formalist and exotic approaches conventionalized from the appropriation and exchange of African lives and knowledges. Distinct African artifacts when decontextualized from their symbolic function contribute to a conceptual dispute present in the discursivities and art devices discussed in this research.]]></p></abstract>
<abstract abstract-type="short" xml:lang="fr"><p><![CDATA[RÉSUMÉ Cet article étudie les relations possibles entre les notions d'archive et le contenu de certaines &#339;uvres d'art pour vérifier les possibilités théoriques d'un rapprochement conceptuel entre la pensée de Foucault, les &#339;uvres d'art - qui, dans cette approche, s'alignent sur ce que nous appellerons des archives artistiques - et certaines pratiques discursives. La recherche est éminemment théorique, avec une revue de la littérature et ses opérateurs conceptuels étaient Michel Foucault, Giorgio Agamben, Nicolas Bourriaud. La réflexion porte sur des approximations et des distinctions concernant certains artefacts africains, des archives artistiques non européennes qui ont été arrachées à leur site d'origine et transposées dans des contextes distincts. La tentative d'englober et d'introduire des autos culturels étrangers dans les syntaxes visuelles européennes a mis en évidence les approches formalistes et exotiques qui ont été conventionnées à partir de l'appropriation et de l'échange de vies et de savoirs africains. Lorsqu'ils sont décontextualisés de leur fonction symbolique, les artefacts africains distincts contribuent à une dispute conceptuelle présente dans les discours et les dispositifs artistiques discutés dans cette recherche.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN Este artículo indaga en posibles relaciones entre las nociones de archivo y los contenidos de algunas obras de arte para indagar en las posibilidades teóricas de un acercamiento conceptual entre el pensamiento de Foucault y las obras de arte -que, en este acercamiento, se alinean con lo que llamaremos archivos artísticos-. y algunas prácticas discursivas. La investigación es eminentemente teórica, con una revisión de la literatura y sus operadores conceptuales fueron Michel Foucault, Giorgio Agamben, Nicolas Bourriaud. La reflexión analiza aproximaciones y distinciones con respecto a algunos artefactos africanos, archivos de arte no europeo que fueron arrancados de sus sitios originales y transpuestos a diferentes contextos. El intento de abarcar y incorporar registros culturales extranjeros a las sintaxis visuales europeas destacó los enfoques formalistas y exóticos acordados a través de la apropiación y el intercambio de la vida y el conocimiento africanos. Distintos artefactos africanos, cuando se descontextualizan de su función simbólica, contribuyen a una disputa conceptual presente en las discursividades y dispositivos artísticos discutidos en esta investigación.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Arquivo]]></kwd>
<kwd lng="pt"><![CDATA[História da arte]]></kwd>
<kwd lng="pt"><![CDATA[Eurocentrismo]]></kwd>
<kwd lng="pt"><![CDATA[Diáspora africana]]></kwd>
<kwd lng="en"><![CDATA[Archive]]></kwd>
<kwd lng="en"><![CDATA[Art history]]></kwd>
<kwd lng="en"><![CDATA[Eurocentrism]]></kwd>
<kwd lng="en"><![CDATA[African diaspora]]></kwd>
<kwd lng="fr"><![CDATA[Archives]]></kwd>
<kwd lng="fr"><![CDATA[Histoire de l'art]]></kwd>
<kwd lng="fr"><![CDATA[Eurocentrisme]]></kwd>
<kwd lng="fr"><![CDATA[Diaspora africaine]]></kwd>
<kwd lng="es"><![CDATA[Archivo]]></kwd>
<kwd lng="es"><![CDATA[Historia del Arte]]></kwd>
<kwd lng="es"><![CDATA[Eurocentrismo]]></kwd>
<kwd lng="es"><![CDATA[Diáspora africana.]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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