<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1984-7114</journal-id>
<journal-title><![CDATA[Contrapontos]]></journal-title>
<abbrev-journal-title><![CDATA[Contrapontos]]></abbrev-journal-title>
<issn>1984-7114</issn>
<publisher>
<publisher-name><![CDATA[Univali]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1984-71142020000200357</article-id>
<article-id pub-id-type="doi">10.14210/contrapontos.v20n2.p357-371</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[CORPO E ARTE MARCIAL NO CINEMA: UMA LEITURA DA RELAÇÃO MESTRE-DISCÍPULO NO FILME KARATÊ KID]]></article-title>
<article-title xml:lang="en"><![CDATA[BODY AND MARTIAL ARTS IN THE CINEMA: A READING OF THE MASTER-DISCIPLE RELATIONSHIP IN THE FILM THE KARATE KID]]></article-title>
<article-title xml:lang="es"><![CDATA[CUERPO Y ARTE MARCIAL EN EL CINE: UNA LECTURA DE LA RELACIÓN MAESTRO-DISCÍPULO EN LA PELÍCULA KARATÊ KID]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Silva]]></surname>
<given-names><![CDATA[Luiz Arthur Nunes da]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Campelo]]></surname>
<given-names><![CDATA[Camila Barbosa]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal do Rio Grande do Norte Programa de Pós-Graduação em Educação Física ]]></institution>
<addr-line><![CDATA[Natal RN]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<volume>20</volume>
<numero>2</numero>
<fpage>357</fpage>
<lpage>371</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1984-71142020000200357&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1984-71142020000200357&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1984-71142020000200357&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: Nesse texto, buscamos acessar o imaginário mítico e poético das Artes Marciais por meio da linguagem cinematográfica, posto que esta relação com a arte traz à tona uma dimensão sensível que pode disparar reflexões acerca da relação mestre e discípulo. Nessa análise estética, partimos da compreensão de corpo apresentado nos estudos fenomenológicos propostos pelo filósofo francês Maurice Merleau-Ponty, que nos mostra que o corpo não tem outra maneira de ser corpo senão vivenciando as experiências, criando significações na sua relação primordial com o mundo. Da mesma forma, assumimos também a atitude fenomenológica na condição de método, permitindo que as reflexões aqui anunciadas sobre o corpo, o cinema e as Artes Marciais possam vislumbrar o fenômeno educativo que atravessa e é atravessado pela relação mestre e discípulo. Pensamos que o acesso à linguagem expressiva na obra cinematográfica constitui-se como um arquivo memorável e imemorial de acontecimentos que nos transportam para realidades e mundos compartilhados pela presença perceptiva, despertando nossas sensações e acendendo nossa reflexão sobre temas, eventos, emoções, entre outros aspectos que permeiam a vida e a existência humana.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: In this text, we seek to access the mythical and poetic imaginary of Martial Arts through cinematographic language, as this relationship with art brings to light a sensitive dimension that can prompt reflections about the relationship between master and disciple. The basis of this aesthetic analysis is the understanding of the body as presented in the phenomenological studies of the French philosopher Maurice Merleau-Ponty, who shows that the body has no way of being such, other than through experiences, creating meanings in its primordial relationship with the world. In the same way, we also assume the phenomenological attitude as a method, allowing the reflections offered here, on the body, cinema and the Martial Arts to glimpse the educational phenomenon that influences, and is influenced by the master-disciple relationship. We believe access to expressive language in the cinematographic work constitutes a memorable and immemorial archive of events that transports us to realities and worlds shared by the perceptive presence, awakening our sensations and illuminating our reflection on themes, events, and emotions, among other aspects that permeate life and human existence.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: En este texto buscamos acceder al imaginario mítico y poético de las Artes Marciales a través del lenguaje cinematográfico, ya que esta relación con el arte saca a la luz una dimensión sensible que puede desencadenar reflexiones sobre la relación entre maestro y discípulo. En este análisis estético partimos de la comprensión del cuerpo presentada en los estudios fenomenológicos propuestos por el filósofo francés Maurice Merleau-Ponty, donde nos muestra que el cuerpo no tiene otra forma de ser un cuerpo si no vive las experiencias, creando significados en su relación primordial con el mundo. De la misma manera, también asumimos la actitud fenomenológica como método, permitiendo que las reflexiones anunciadas aquí sobre el cuerpo, el cine y las Artes Marciales vislumbren el fenómeno educativo que atraviesa y es atravesado por la relación maestro-discípulo. Pensamos que el acceso al lenguaje expresivo en la obra cinematográfica constituye un archivo memorable e inmemorial de acontecimientos que nos transporta a realidades y mundos compartidos por la presencia perceptiva, despertando nuestras sensaciones e iluminando nuestra reflexión sobre temas, acontecimientos, emociones, entre otros aspectos que impregnan la vida y la existencia humana.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Corpo]]></kwd>
<kwd lng="pt"><![CDATA[Artes Marciais]]></kwd>
<kwd lng="pt"><![CDATA[Cinema]]></kwd>
<kwd lng="en"><![CDATA[Body]]></kwd>
<kwd lng="en"><![CDATA[Martial Arts]]></kwd>
<kwd lng="en"><![CDATA[Cinema]]></kwd>
<kwd lng="es"><![CDATA[Cuerpo]]></kwd>
<kwd lng="es"><![CDATA[Artes Marciales]]></kwd>
<kwd lng="es"><![CDATA[El Cine]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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