<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2178-2679</journal-id>
<journal-title><![CDATA[Revista Práxis Educacional]]></journal-title>
<abbrev-journal-title><![CDATA[Práx. Educ.]]></abbrev-journal-title>
<issn>2178-2679</issn>
<publisher>
<publisher-name><![CDATA[Universidade Estadual do Sudoeste da Bahia]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2178-26792023000100203</article-id>
<article-id pub-id-type="doi">10.22481/praxisedu.v19i50.12049</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[ARTE E ESTÉTICA DECOLONIAL: UM DIÁLOGO A PARTIR DA COLONIALIDADE DO VER]]></article-title>
<article-title xml:lang="en"><![CDATA[ART AND UNCOLONIZING AESTHETICS: A DIALOGUE FROM THE COLONIALITY OF SEEING]]></article-title>
<article-title xml:lang="es"><![CDATA[ARTE Y ESTÉTICA DECOLONIAL: UN DIÁLOGO ACERCA DE LA COLONIALIDAD DEL VER]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Peloso]]></surname>
<given-names><![CDATA[Franciele Clara]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Mota Neto]]></surname>
<given-names><![CDATA[João Colares da]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Machado]]></surname>
<given-names><![CDATA[Érico Ribas]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Tecnológica Federal do Paraná  ]]></institution>
<addr-line><![CDATA[Pato Branco Paraná]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade do Estado do Pará  ]]></institution>
<addr-line><![CDATA[Belém Pará]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidade Estadual de Ponta Grossa  ]]></institution>
<addr-line><![CDATA[Ponta Grossa Paraná]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<volume>19</volume>
<numero>50</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S2178-26792023000100203&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S2178-26792023000100203&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S2178-26792023000100203&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO: As perspectivas decoloniais buscam questionar e transformar o padrão cultural eurocêntrico imposto aos países do sul global, da América Latina, África e Ásia pelos movimentos de invasão, conquista e colonização. O campo das artes, da estética e suas variadas formas de expressão passa, também, por essa discussão. Assim, esse ensaio teórico tem por objetivo destacar o conceito de colonialidade do ver e, a partir dele, refletir sobre a representação nas/das artes visuais dos povos indígenas da Amazônia, bem como apresentar algumas obras da artista visual amazonense Duhigó Tukano em diálogo com o conceito de estética da re-existência. Afirmamos o papel fundamental da arte, como estética da re-existência, quando coloca no cenário da vida narrativas e cosmopercepções outras, possibilitando uma decolonialidade do ser que se abra num diálogo interepistêmico e intercultural crítico.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT: Decolonial perspectives seek to question and transform the Eurocentric cultural pattern imposed on the contries of the global South, Latin America, Africa and Asia by the movements of invasion, conquest and colonization. The fiel of arts, aesthetics and their various forms of expression also go through this discussion. Thus, this theoretical essay aims to highligt the concept of coloniality of seeing and, based on it, to reflect on the representation in/of the visual arts of indigenous peoples of the Amazônia, as well as to present some Works by the amazonian visual artist Duhigó Tukano in dialogue with the concept of aesthetics of re-existence. We affirm the fundamental role of art, as na aesthetics of re-existence, when it places other narratives and cosmovisions in the scenario of life, enabling a decoloniality of the being that opens up in a critical interepistemic and intercultural dialogue.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN: Las perspectivas decoloniales buscan cuestionar y transformar el estándar cultural eurocéntrico impuesto a los países del sur global, América Latina, África y Asia por los movimientos de invasión, conquista y colonización. El campo de las artes, la estética y sus diversas formas de expresión también pasa por esta discusión. Así, este ensayo teórico tiene como objetivo resaltar el concepto de colonialidad del ver y, a partir de él, reflexionar sobre la representación en/de las artes visuales de los pueblos indígenas de la Amazonía, así como presentar algunas obras del artista visual amazónico Duhigó. Tukano en diálogo con el concepto de estética de la reexistencia. Afirmamos el papel fundamental del arte, como estética de la reexistencia, cuando coloca en el escenario de la vida otras narrativas y cosmopercepciones, posibilitando una decolonialidad del ser que se abre en un diálogo crítico interepistémico e intercultural.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[decolonialidade]]></kwd>
<kwd lng="pt"><![CDATA[artes visuais]]></kwd>
<kwd lng="pt"><![CDATA[colonialidade do ver]]></kwd>
<kwd lng="pt"><![CDATA[estéticas]]></kwd>
<kwd lng="pt"><![CDATA[re-existências]]></kwd>
<kwd lng="en"><![CDATA[uncolonizing]]></kwd>
<kwd lng="en"><![CDATA[visual arts]]></kwd>
<kwd lng="en"><![CDATA[coloniality of seeing]]></kwd>
<kwd lng="en"><![CDATA[aesthetics]]></kwd>
<kwd lng="en"><![CDATA[re-existences]]></kwd>
<kwd lng="es"><![CDATA[decolonialidad]]></kwd>
<kwd lng="es"><![CDATA[artes visuales]]></kwd>
<kwd lng="es"><![CDATA[colonialidad del ver]]></kwd>
<kwd lng="es"><![CDATA[estética]]></kwd>
<kwd lng="es"><![CDATA[reexistencia]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
