<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2238-121X</journal-id>
<journal-title><![CDATA[Comunicações]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Comunic.]]></abbrev-journal-title>
<issn>2238-121X</issn>
<publisher>
<publisher-name><![CDATA[Universidade Metodista de Piracicaba]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2238-121X2016000200145</article-id>
<article-id pub-id-type="doi">10.15600/2238-121X/comunicacoes.23n2p145-165</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[ESTUDOS SOBRE O PROCESSO CRIATIVO &#8211; UM OLHAR SOBRE FRIDA KAHLO]]></article-title>
<article-title xml:lang="en"><![CDATA[STUDIES ON THE CREATIVE PROCESS &#8211; A LOOK AT FRIDA KAHLO]]></article-title>
<article-title xml:lang="es"><![CDATA[ESTUDIOS SOBRE EL PROCESO CREATIVO &#8211; UNA MIRADA A FRIDA KAHLO]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[CUNHA]]></surname>
<given-names><![CDATA[BEATRIZ WETZEL DA]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[RATTO]]></surname>
<given-names><![CDATA[CLEBER GIBBON]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="A01">
<institution><![CDATA[,Centro Universitário Metodista  ]]></institution>
<addr-line><![CDATA[Porto Alegre RS]]></addr-line>
<country>Brasil</country>
</aff>
<aff id="A02">
<institution><![CDATA[,Centro Universitário La Salle  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>05</month>
<year>2016</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>05</month>
<year>2016</year>
</pub-date>
<volume>23</volume>
<numero>2</numero>
<fpage>145</fpage>
<lpage>165</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S2238-121X2016000200145&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S2238-121X2016000200145&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S2238-121X2016000200145&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO Este trabalho busca estudar o sofrimento e o processo criativo atrav&#233;s de um olhar sobre a vida e a obra da artista mexicana Frida Kahlo. Consistiu de um estudo eminentemente qualitativo, de car&#225;ter explorat&#243;rio e descritivo, que envolveu revis&#227;o bibliogr&#225;fica, pesquisa te&#243;rica e um exerc&#237;cio hermen&#234;utico acerca de fragmentos da vida/obra da artista. Aproximando-nos dos conceitos psicanal&#237;ticos de Donald Winnicott, exercitamos a separa&#231;&#227;o da obra de arte e do viver criativo, valorizando as possibilidades de integra&#231;&#227;o e vida atrav&#233;s e al&#233;m da obra. A proposta de uma psicologia concreta, ocupada com o acontecer humano a partir de uma perspectiva existencial, ou seja, a vida acontecendo na cena, nas rela&#231;&#245;es com o ambiente e com o outro. Este trabalho desvenda possibilidades para pensar o viver criativo mesmo nas situa&#231;&#245;es-limite, numa psicologia da exist&#234;ncia onde a finitude, a solid&#227;o, os limites da liberdade humana e a precariedade do sentido da vida s&#227;o a mat&#233;ria-prima da pr&#243;pria exist&#234;ncia. Revelando que a import&#226;ncia da Frida n&#227;o est&#225; na Frida-obra e sim, na Frida-processo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT This paper intends to study the suffering and the creative process through a gaze on life and work of Mexican artist Frida Kahlo. It consists in a predominantly qualitative, exploratory and descriptive study case involving literature review, theoretical research and a hermeneutic exercise on fragments of the artist&#8217;s life/work. Moving toward Donald Winnicott&#8217;s psychoanalytical concepts, it is exerted the separation of work of art and creative living, enhancing the possibilities for integration and life through and beyond the work. Thus, this paper puts forward the proposal of a concrete psychology, concerned with the human events from an existential perspective, i.e., the life happening in the scene, in relations with the environment and with the other. This paper unravels possibilities for thinking creative living even throughout extreme situations, in a psychology of existence where finitude, solitude, the limits of human freedom and the precariousness of life sense are the raw material to existence itself. Revealing that Frida&#8217;s main contribution is not in a Frida&#8217;s work of art, but, most of all, in a Frida&#8217;s-process.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN Este trabajo tiene como objetivo estudiar el proceso creativo y el sufrimiento a trav&#233;s de una mirada a la vida y obra de la artista mexicana Frida Kahlo. Consisti&#243; en un estudio eminentemente cualitativo, de car&#225;cter exploratorio y descriptivo, que involucr&#243; a revisi&#243;n de la literatura, la investigaci&#243;n te&#243;rica y ejercicio hermen&#233;utico en fragmentos de la vida/obra del artista. Acercarse a los conceptos psicoanal&#237;ticos de Donald Winnicott, ejercer la separaci&#243;n de la obra y la vida creativa, valorando las posibilidades de integraci&#243;n y vivir a trav&#233;s y m&#225;s all&#225; del trabajo. La propuesta de una psicolog&#237;a concreta, ocupado con el Humano, sucede desde una perspectiva existencial, es decir, la vida pasando en la escena, en las relaciones con el entorno y con los dem&#225;s. Este trabajo descubre posibilidades para pensar en la vida creativa, incluso en situaciones extremas, una psicolog&#237;a de la existencia, donde la finitud, la soledad, los l&#237;mites de la libertad humana y la precariedad del sentido de la vida son la materia prima de la existencia misma. Revelando la importancia de Frida no est&#225; en la mano de obra, pero en Frida-proceso.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[PSICOLOGIA]]></kwd>
<kwd lng="pt"><![CDATA[OBRA DE ARTE]]></kwd>
<kwd lng="pt"><![CDATA[VIVER CRIATIVO]]></kwd>
<kwd lng="pt"><![CDATA[FRIDA KAHLO]]></kwd>
<kwd lng="pt"><![CDATA[D. WINNICOTT]]></kwd>
<kwd lng="en"><![CDATA[PSYCHOLOGY]]></kwd>
<kwd lng="en"><![CDATA[WORK OF ART]]></kwd>
<kwd lng="en"><![CDATA[CREATIVE LIVING]]></kwd>
<kwd lng="en"><![CDATA[FRIDA KAHLO]]></kwd>
<kwd lng="en"><![CDATA[D. WINNICOTT]]></kwd>
<kwd lng="es"><![CDATA[PSICOLOGÍA]]></kwd>
<kwd lng="es"><![CDATA[OBRA DE ARTE]]></kwd>
<kwd lng="es"><![CDATA[VIDA CREATIVA]]></kwd>
<kwd lng="es"><![CDATA[FRIDA KAHLO]]></kwd>
<kwd lng="es"><![CDATA[D. WINNICOTT]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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