<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2317-0972</journal-id>
<journal-title><![CDATA[Leitura: Teoria e Prática ]]></journal-title>
<abbrev-journal-title><![CDATA[LTP]]></abbrev-journal-title>
<issn>2317-0972</issn>
<publisher>
<publisher-name><![CDATA[Associação de Leitura do Brasil (ALB)]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2317-09722018000200105</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Ética como jogo de cena]]></article-title>
<article-title xml:lang="en"><![CDATA[Ética como juego de escena]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Araújo]]></surname>
<given-names><![CDATA[Pedro Felipe M. de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Baptista]]></surname>
<given-names><![CDATA[Luis Antonio dos Santos]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal Fluminense  ]]></institution>
<addr-line><![CDATA[Niterói RJ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Federal Fluminense  ]]></institution>
<addr-line><![CDATA[Niterói RJ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>05</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>05</month>
<year>2018</year>
</pub-date>
<volume>36</volume>
<numero>73</numero>
<fpage>105</fpage>
<lpage>118</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S2317-09722018000200105&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S2317-09722018000200105&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S2317-09722018000200105&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Tendo como foco o documentário Jogo de cena, de Eduardo Coutinho, o artigo objetiva propor questionamentos acerca das posturas dominantes de interpretação sobre o sujeito de uma história narrada. Deseja também apresentar outras possibilidades de sentido do que seja a alteridade no convívio com a diferença. O filme, ao situar a cena da fala como um jogo aberto, se desloca da busca de uma estável verdade sobre si que o outro revelaria. Esse deslocamento desprivatiza a esfera do íntimo, possibilitando a produção de uma obra aberta, que torna inoperante uma leitura única. Inspirado nas contribuições de Walter Benjamin, entre outros autores, pretende-se ressaltar a aposta de uma ética que promova percepções de mundo que não se esgotem na tentativa de classificar uma narrativa no âmbito identitário ou privatizante da subjetividade. A ética como jogo político onde histórias recusam a conclusividade do fim.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Focusing on Eduardo Coutinho&#8217;s documentary Jogo de Cena, this article proposes questioning dominant postures of interpretation of characters of a narrated story. It also presents other possible meanings to what otherness is when dealing with difference. The film, by situating the speech scene as an open game, shifts from the search for a stable truth that the other might reveal. This shift de-privatizes the intimate sphere, enabling the production of an open artwork, which renders a single reading inoperative. Inspired on contributions by Walter Benjamin, among other autors, we have emphasized the commitment of an ethics that promotes perceptions of the world that are not exhausted in the attempt of classifying a narrative in the identity or privatizing scope of the subjectivity. Ethics is understood as a political game where stories refuse the conclusiveness of an end.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Cinema documentário]]></kwd>
<kwd lng="pt"><![CDATA[subjetividade]]></kwd>
<kwd lng="pt"><![CDATA[ética]]></kwd>
<kwd lng="en"><![CDATA[Documentary]]></kwd>
<kwd lng="en"><![CDATA[subjectivity]]></kwd>
<kwd lng="en"><![CDATA[ethics]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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