<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1517-9702</journal-id>
<journal-title><![CDATA[Educação e Pesquisa]]></journal-title>
<abbrev-journal-title><![CDATA[Educ. Pesqui.]]></abbrev-journal-title>
<issn>1517-9702</issn>
<publisher>
<publisher-name><![CDATA[Faculdade de Educação da Universidade de São Paulo]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1517-97022018000100441</article-id>
<article-id pub-id-type="doi">10.1590/s1678-4634201844175009</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Cinema, educação e imaginários contemporâneos: estudos hermenêuticos sobre distopia, niilismo e afirmação nos filmes O som ao redor, O cavalo de Turim e Sono de inverno]]></article-title>
<article-title xml:lang="en"><![CDATA[Cinema, education, and contemporary imaginaries: hermeneutic studies on dystopia, nihilism, and affirmation in the films O som ao redor, The Turin Horse and Winter sleep]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Almeida]]></surname>
<given-names><![CDATA[Rogério de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de São Paulo  ]]></institution>
<addr-line><![CDATA[São Paulo SP]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2018</year>
</pub-date>
<volume>44</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1517-97022018000100441&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1517-97022018000100441&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1517-97022018000100441&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O presente trabalho apresenta os resultados de pesquisa pós-doutoral2 que teve como objetivo estudar a relação entre cinema, educação e os imaginários contemporâneos da distopia, do niilismo e da afirmação por meio da investigação hermenêutica de três filmes da presente década: O som ao redor (2012), do brasileiro Kleber Mendonça Filho; O cavalo de Turim (2011), do húngaro Béla Tarr; e Sono de inverno (2014), do turco Nuri Bilge Ceylan. O artigo apresenta uma síntese da fundamentação educativa do cinema a partir de sete eixos &#8211; cognitivo, filosófico, estético, mítico, existencial, antropológico e poético &#8211;, justifica as opções metodológicas adotadas e a abordagem hermenêutico-simbólica, para então efetuar a análise dos referidos filmes em confrontação com os imaginários contemporâneos. Os resultados da pesquisa mostram que os três enfoques selecionados &#8211; distopia, niilismo e afirmação &#8211;, embora distintos entre si, não aparecem isoladamente nos filmes, mas matizados. Assim, O som ao redor não é puramente distópico, mas, em certa medida, também niilista; N&#8217;O cavalo de Turim, o imaginário niilista é acompanhado de certo grau de afirmação; e Sono de inverno só atinge a afirmação depois de percorrer degraus niilistas. Como conclusão, é possível sustentar que o contemporâneo se apresenta multifacetado, espaço de tensão de forças imaginário-discursivas que disputam uma imagem de mundo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article presents the results of the postdoctoral research whose aims was to study the relation between cinema, education, and the contemporary imaginaries of dystopia, nihilism and affirmation through the hermeneutic investigation of three films released in this decade: O Som ao Redor (Neighboring Sounds, 2012) by Brazilian filmmaker Kleber Mendonça Filho, The Turin Horse (2011) by Hungarian director Béla Tarr and Winter Sleep (2014) by Turkish filmmaker Nuri Bilge Ceylan. This work presents a synthesis of the educative grounds of cinema in seven axes &#8211; cognitive, philosophical, aesthetic, mythical, existential, anthropological and poetic &#8211;, justifies the methodological options adopted and the hermeneutic-symbolic approach in order to carry out the analysis of the films in confrontation with contemporary imaginaries. The results of the research show that the selected approaches &#8211; dystopia, nihilism and affirmation &#8211; do not appear isolated in the films but are nuanced. Neighboring Sounds is not purely dystopic but rather a little nihilistic. In The Turin Horse the nihilistic imaginary is accompanied by a certain degree of affirmation. Winter Sleep only reaches the affirmation after traveling nihilistic steps. The conclusion is that the contemporary is multifaceted, a space of tension of imaginary-discursive forces that compete for an image of the world.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Cinema e educação]]></kwd>
<kwd lng="pt"><![CDATA[Imaginários contemporâneos]]></kwd>
<kwd lng="pt"><![CDATA[Distopia]]></kwd>
<kwd lng="pt"><![CDATA[Niilismo]]></kwd>
<kwd lng="pt"><![CDATA[Afirmação]]></kwd>
<kwd lng="en"><![CDATA[Cinema and education]]></kwd>
<kwd lng="en"><![CDATA[Contemporary imaginaries]]></kwd>
<kwd lng="en"><![CDATA[Dystopia]]></kwd>
<kwd lng="en"><![CDATA[Nihilism]]></kwd>
<kwd lng="en"><![CDATA[Affirmation]]></kwd>
</kwd-group>
</article-meta>
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