<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1517-9702</journal-id>
<journal-title><![CDATA[Educação e Pesquisa]]></journal-title>
<abbrev-journal-title><![CDATA[Educ. Pesqui.]]></abbrev-journal-title>
<issn>1517-9702</issn>
<publisher>
<publisher-name><![CDATA[Faculdade de Educação da Universidade de São Paulo]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1517-97022025000100825</article-id>
<article-id pub-id-type="doi">10.1590/s1678-4634202551290078</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Afirmação da vida e (des)aprendizagem dos ritmos contemporâneos: experiências formativas no filme Dias perfeitos]]></article-title>
<article-title xml:lang="en"><![CDATA[Life affirmation and (un)learning contemporary rhythms: formative experiences in the film Perfect days]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Cabral]]></surname>
<given-names><![CDATA[Arthur Simões Caetano]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Almeida]]></surname>
<given-names><![CDATA[Rogério de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Estadual Paulista Júlio de Mesquita Filho  ]]></institution>
<addr-line><![CDATA[Bauru SP]]></addr-line>
<country>Brasil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade de São Paulo  ]]></institution>
<addr-line><![CDATA[São Paulo SP]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<volume>51</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1517-97022025000100825&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1517-97022025000100825&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1517-97022025000100825&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo discute aspectos da (des)aprendizagem dos ritmos contemporâneos e suas implicações para a formação subjetiva tendo por horizonte a intersecção entre cinema e educação. O referencial teórico busca articular o pensamento trágico de Nietzsche e a antropologia urbana de Pierre Sansot, por meio de uma metodologia baseada na hermenêutica. Tem como objetivo estudar a obra cinematográfica Dias Perfeitos (2023) de Wim Wenders para compreender como o cinema pode contribuir para a reorganização de imaginários contemporâneos e promover uma ecologia da atenção, desafiando as normativas da produtividade e do alto desempenho. As reflexões sobre o filme buscam desdobrar a incidência metafórica de Komorebi &#8211; termo japonês que descreve a luz do sol que escapa sob as árvores a desse jardim &#8211;, cuja expressão poética traduz uma afirmação inconteste da vida. Como modo de (des)aprendizagem, investiga-se procedimentos de resistência e de equivalência, embora eternamente precária, entre o presente e o instante. Os principais resultados indicam que o filme, por meio de sua narrativa contemplativa e poética, propõe uma reflexão sobre a cadência e o bom uso do tempo como alternativas às dinâmicas aceleradas da vida contemporânea nas grandes cidades. Conclui-se que o filme, ao propor novos modos de atenção e relação com o tempo, contribui para os debates sobre o cinema como partícipe da formação de subjetividades, intensificação da vida pela experiência estética e valorização do tempo presente.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article discusses aspects of (un)learning contemporary rhythms and their implications for subjective formation, taking the intersection of cinema and education as a horizon. The theoretical framework seeks to articulate Nietzsche&#8217;s tragic thought and Pierre Sansot&#8217;s urban anthropology through a hermeneutic-based methodology. Its objective is to study Wim Wenders&#8217; cinematic work Perfect Days (2023) to understand how cinema can contribute to reorganizing contemporary imaginaries and promoting an ecology of attention, challenging the norms of productivity and high performance. Reflections on the film explore the metaphorical resonance of Komorebi &#8211; a Japanese term describing the sunlight filtering through the trees &#8211; which poetically expresses an unquestionable affirmation of life. As a mode of (un)learning, the study investigates resistance procedures and equivalences, although eternally precarious, between the present and the moment. The main results indicate that the film, through its contemplative and poetic narrative, invites reflection on cadence and the wise use of time as alternatives to the accelerated dynamics of contemporary urban life. It concludes that the film, by proposing new ways of attending to and relating to time, contributes to debates on cinema as a participant in the formation of subjectivities, the intensification of life through aesthetic experience, and the appreciation of the present moment.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Cinema e educação]]></kwd>
<kwd lng="pt"><![CDATA[(Des)aprendizagem]]></kwd>
<kwd lng="pt"><![CDATA[Formação de subjetividades]]></kwd>
<kwd lng="pt"><![CDATA[Imaginários contemporâneos]]></kwd>
<kwd lng="pt"><![CDATA[Ecologia da atenção]]></kwd>
<kwd lng="en"><![CDATA[Cinema and education]]></kwd>
<kwd lng="en"><![CDATA[(Un)learning]]></kwd>
<kwd lng="en"><![CDATA[Formation of subjectivities]]></kwd>
<kwd lng="en"><![CDATA[Contemporary imaginaries]]></kwd>
<kwd lng="en"><![CDATA[Ecology of attention]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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