<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1809-3876</journal-id>
<journal-title><![CDATA[Revista e-Curriculum]]></journal-title>
<abbrev-journal-title><![CDATA[e-curriculum]]></abbrev-journal-title>
<issn>1809-3876</issn>
<publisher>
<publisher-name><![CDATA[Pontifícia Universidade Católica de São Paulo]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1809-38762018000300788</article-id>
<article-id pub-id-type="doi">10.23925/1809-3876.2018v16i3p788-806</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[POR UMA PEDAGOGIA DA CRIAÇÃO COM O CINEMA BRASILEIRO: CURADORIA E EXPANSÃO DO REPERTÓRIO]]></article-title>
<article-title xml:lang="en"><![CDATA[FOR A PEDAGOGY OF CREATION WITH THE BRAZILIAN CINEMA: CURATORSHIP AND EXPANSION OF THE REPERTOIRE]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Langie]]></surname>
<given-names><![CDATA[Cíntia]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rodrigues]]></surname>
<given-names><![CDATA[Carla Gonçalves]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal de Pelotas  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,UFPel  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>07</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>07</month>
<year>2018</year>
</pub-date>
<volume>16</volume>
<numero>3</numero>
<fpage>788</fpage>
<lpage>806</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1809-38762018000300788&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1809-38762018000300788&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1809-38762018000300788&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO A proposta deste texto &#233; analisar as potencialidades de uma curadoria diversificada no que se refere ao audiovisual, dentro do campo da educa&#231;&#227;o na contemporaneidade. Partindo de uma inquieta&#231;&#227;o inicial - o pouco acesso da popula&#231;&#227;o brasileira aos filmes independentes realizados no pa&#237;s -, o artigo busca compartilhar algumas possibilidades de expans&#227;o do repert&#243;rio, a partir de uma pedagogia da cria&#231;&#227;o (BERGALA, 2008) com o filme brasileiro independente contempor&#226;neo. Busca-se enriquecer o debate com as teoriza&#231;&#245;es de Deleuze e Guattari (1988-2016) a respeito da for&#231;a do encontro com a arte para o movimento do pensamento. A justificativa que move este estudo baseia-se no fato de que o conhecimento que se tem a respeito das obras audiovisuais n&#227;o pode vir somente da m&#237;dia de massa, visto que esta imp&#245;e certo padr&#227;o est&#233;tico por conta de uma pol&#237;tica financeira de mercado. Como resultado parcial da pesquisa, defende-se que o trabalho de curadoria que busca vasculhar o panorama audiovisual para encontrar filmes que tragam alguma disrup&#231;&#227;o com o senso comum, para al&#233;m do que j&#225; &#233; ofertado na m&#237;dia hegem&#244;nica, valorizando obras brasileiras relevantes, de valor art&#237;stico e cultural, pode desencadear experi&#234;ncias est&#233;ticas e educativas, que ultrapassa qualquer modelo de escolariza&#231;&#227;o institu&#237;do.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT The proposal of this text is to analyze the potentialities of a diversified curatorship of the audio-visual in the field of contemporary education. Starting from an initial uneasiness - the lack of access of the Brazilian population to the independent films made in the country - the paper seeks to share some possibilities of expansion of the repertoire, based on a pedagogy of creation (BERGALA, 2008) with contemporary Brazilian independent film. We seek to enrich the debate with the theorizations of Deleuze and Guattari (1988-2016) regarding the strength of the encounter with art for the movement of thought. The justification for this study is based on believing that the knowledge about audio-visual pieces cannot come only from mass media, since it imposes a certain aesthetic standard due to a market financial policy. As a partial result of the research, we defend that the curatorial work that searches the audiovisual panorama to find films that bring some disruption with common sense in addition to what is already offered in the hegemonic media, valuing relevant Brazilian works of artistic and cultural relevance, can trigger aesthetic and educational experiences, which surpasses any model of instituted schooling.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[cinema brasileiro]]></kwd>
<kwd lng="pt"><![CDATA[Curadoria]]></kwd>
<kwd lng="pt"><![CDATA[Currículo]]></kwd>
<kwd lng="pt"><![CDATA[Repertório]]></kwd>
<kwd lng="pt"><![CDATA[Pedagogia da criação.]]></kwd>
<kwd lng="en"><![CDATA[Brazilian cinema]]></kwd>
<kwd lng="en"><![CDATA[Curatorship]]></kwd>
<kwd lng="en"><![CDATA[Curriculum]]></kwd>
<kwd lng="en"><![CDATA[Repertoire]]></kwd>
<kwd lng="en"><![CDATA[Pedagogy of creation.]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[BERGALA]]></surname>
<given-names><![CDATA[Alain]]></given-names>
</name>
</person-group>
<source><![CDATA[A hipótese-cinema. Pequeno tratado de transmissão do cinema dentro e fora da escola]]></source>
<year></year>
<publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[Booklink; CINEAD-LISE/FE/UFRJ]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[BERNARDET]]></surname>
<given-names><![CDATA[Jean-Claude]]></given-names>
</name>
</person-group>
<source><![CDATA[Brasil em tempo de cinema: ensaio sobre o cinema brasileiro]]></source>
<year></year>
<edition>2</edition>
<publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[Paz e Terra]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[DELEUZE]]></surname>
<given-names><![CDATA[Gilles]]></given-names>
</name>
</person-group>
<source><![CDATA[A imagem-tempo]]></source>
<year></year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Brasiliense]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[DELEUZE]]></surname>
<given-names><![CDATA[Gilles]]></given-names>
</name>
</person-group>
<source><![CDATA[Diferença e repetição]]></source>
<year></year>
<publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[Graal]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[DELEUZE]]></surname>
<given-names><![CDATA[Gilles]]></given-names>
</name>
<name>
<surname><![CDATA[GUATTARI]]></surname>
<given-names><![CDATA[Félix]]></given-names>
</name>
</person-group>
<source><![CDATA[O que é a filosofia?]]></source>
<year></year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[34]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[DELEUZE]]></surname>
<given-names><![CDATA[Gilles]]></given-names>
</name>
<name>
<surname><![CDATA[PARNET]]></surname>
<given-names><![CDATA[Claire]]></given-names>
</name>
</person-group>
<source><![CDATA[L&#8217; Abécédaire de Gilles Deleuze]]></source>
<year></year>
<publisher-loc><![CDATA[Paris ]]></publisher-loc>
<publisher-name><![CDATA[Editions Montparnasse]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[FRESQUET]]></surname>
<given-names><![CDATA[Adriana]]></given-names>
</name>
</person-group>
<source><![CDATA[Cinema e educação: reflexões e experiências com professores e estudantes de educação básica, dentro e &#8220;fora&#8221; da escola]]></source>
<year></year>
<publisher-loc><![CDATA[Belo Horizonte ]]></publisher-loc>
<publisher-name><![CDATA[Autêntica]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[GOMES]]></surname>
<given-names><![CDATA[Paulo Emílio Sales]]></given-names>
</name>
</person-group>
<source><![CDATA[Uma situação colonial?]]></source>
<year></year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Companhia das Letras]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[GUATTARI]]></surname>
<given-names><![CDATA[Félix]]></given-names>
</name>
</person-group>
<source><![CDATA[Caosmose: um novo paradigma estético]]></source>
<year></year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[34]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[GUATTARI]]></surname>
<given-names><![CDATA[Félix]]></given-names>
</name>
<name>
<surname><![CDATA[ROLNIK]]></surname>
<given-names><![CDATA[Suely]]></given-names>
</name>
</person-group>
<source><![CDATA[Micropolítica: cartografias do desejo]]></source>
<year></year>
<publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[Vozes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[KIAROSTAMI]]></surname>
<given-names><![CDATA[Abbas]]></given-names>
</name>
</person-group>
<source><![CDATA[Abbas Kiarostami: duas ou três coisas que sei de mim]]></source>
<year></year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Cosac Naify]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[LOUREIRO]]></surname>
<given-names><![CDATA[Robson]]></given-names>
</name>
</person-group>
<article-title xml:lang="en"><![CDATA[Educação, Cinema e Estética: elementos para uma reeducação do olhar]]></article-title>
<source><![CDATA[Educação &amp; Realidade]]></source>
<year></year>
<volume>1</volume>
<numero>33</numero>
<issue>33</issue>
<page-range>135-54</page-range><publisher-loc><![CDATA[Porto Alegre ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MIGLIORIN]]></surname>
<given-names><![CDATA[Cezar]]></given-names>
</name>
</person-group>
<source><![CDATA[Inevitavelmente cinema: educação, política e mafuá]]></source>
<year></year>
<publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[Beco do Azougue]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MOGADOURO]]></surname>
<given-names><![CDATA[Cláudia]]></given-names>
</name>
</person-group>
<source><![CDATA[Educadores, por que o preconceito com o cinema brasileiro?]]></source>
<year></year>
<publisher-name><![CDATA[Instituto NET, Claro e Embratel: Educação]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[PINTO]]></surname>
<given-names><![CDATA[Ivonete]]></given-names>
</name>
</person-group>
<source><![CDATA[Cinema irrelevante: uma análise do cinema nacional contemporâneo a partir das percepções do crítico Jean-Claude Bernardet]]></source>
<year></year>
<publisher-name><![CDATA[ABRACCINE]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[ROLNIK]]></surname>
<given-names><![CDATA[Suely]]></given-names>
</name>
</person-group>
<source><![CDATA[O saber-do-corpo nas práticas curatoriais: driblando o inconsciente colonial-capitalístico. In: Seminário Curadoria em artes visuais: um panorama histórico e prospectivo]]></source>
<year></year>
<publisher-loc><![CDATA[Porto Alegre ]]></publisher-loc>
<publisher-name><![CDATA[Santander Cultural]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Costa]]></surname>
<given-names><![CDATA[Petra]]></given-names>
</name>
</person-group>
<source><![CDATA[ELENA]]></source>
<year></year>
<publisher-loc><![CDATA[Brasil ]]></publisher-loc>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
