<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1981-0431</journal-id>
<journal-title><![CDATA[Linhas Críticas]]></journal-title>
<abbrev-journal-title><![CDATA[Linhas Críticas]]></abbrev-journal-title>
<issn>1981-0431</issn>
<publisher>
<publisher-name><![CDATA[Universidade de Brasília]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1981-04312008000200009</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Reflexões sobre arte e indústria cultural]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Subtil]]></surname>
<given-names><![CDATA[Maria José Dozza]]></given-names>
</name>
</contrib>
</contrib-group>
<aff id="A09">
<institution><![CDATA[,Universidade Estadual de Ponta Grossa  ]]></institution>
<addr-line><![CDATA[PR ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2008</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2008</year>
</pub-date>
<volume>14</volume>
<numero>27</numero>
<fpage>283</fpage>
<lpage>299</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1981-04312008000200009&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1981-04312008000200009&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1981-04312008000200009&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[No presente texto discute-se a relação entre arte - particularmente a música - e Indústria Cultural, considerando-se as contradições inerentes a essa idéia formulada pelos autores frankfurtianos. Entendendo-se o campo cultural em que se situam os objetos musicais como um espaço de relações e de disputas pelo poder simbólico, discutem-se os gêneros erudito, popular e massivo, apontando-se para o hibridismo desses conceitos, tendo em vista os imperativos da sociedade capitalista de consumo. Também se historiciza, no texto, a produção, circulação e consumo artístico, enfocando-se novas possibilidades de fruição pela reprodutibilidade técnica dos objetos estéticos. Por fim, apresenta-se uma reflexão sobre a necessária relação entre fruição, consumo e formação a partir do ponto de vista adorniano, que considera a substituição da dimensão instrumental da razão pela dimensão emancipatória como condição para a desalienação.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[This paper discusses the relationship between art (especially music) and cultural industry, taking into consideration the contradictions inherent to this idea pointed out by the Frankfurtian authors. Understanding the cultural field in which musical objects are situated as a space of relationships and struggles for symbolic power, the erudite, popular and mass cultures are discussed. The hybridism of these concepts is emphasized considering the imperatives of the capitalist consumer society. The paper also presents historical aspects related to the production, circulation and artistic consumption enhancing the new possibilities of fruition by the technical reproducibility of the aesthetical objects. Finally, it presents a reflection on the necessary relationship between fruition, consumption and formation from the Adornian point of view which considers the substitution of the instrumental dimension of reason by the emancipatory dimension as a condition for des-alienation.]]></p></abstract>
<abstract abstract-type="short" xml:lang="fr"><p><![CDATA[Ce travail discute la relation entre art (spécialement la musique) et l’industrie culturelle, en prenant en considération les contradictions inhérentes à cette idée formulée par les auteurs frankfurtiens. Comprennant le champs culturel dans lequel se situe les objets musicaux comme un espace de relations et de disputes pour le pouvoir symbolique, l’on discute les genres érudit, populaire et de masse, mettant en relief l’hybridisme de ces concepts, tenant compte des impératifs de la société capitaliste de consomption. L’on fait aussi l’historique dans le texte de la production, circulation et consomption artistique, mettant l’emphase sur les nouvelles possibilités de fruition par la reproductibilité technique des objets esthétiques. Pour fin, l’on présente une réflexion sur la nécessaire relation entre la fruition, consomption et formation à partir du point de vue adornien, qui considère la substitution de la dimension instrumentale de la raison par la dimension émancipatoire comme condition pour la désaliénation.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[En el presente texto se discute la relación entre arte - particularmente la música - e indústria cultural, considerándose las contradicciones inerentes a esa idea formulada por los autores frankfurtianos. Comprendéndose el campo cultural en que se sitúan los objetos musicales como un espacio de relaciones y de disputas por el poder simbólico, se discuten los géneros erudito, popular y masivo apuntándose para el hibridismo de eses conceptos, considerando los imperativos de la sociedad capitalista de consumo. También se aborda en el texto la historicidad de la producción, circulación y consumo artístico, enfocándose nuevas posibilidades de fruición por la reproducción técnica de los objetos estéticos. Por fin, se presenta una reflexión acerca de la relación necesaria entre fruición, consumo y formación a partir del punto de vista adorniano, que considera la sustitución de la dimensión instrumental de la razón por la dimensión emancipatoria como condición para la desalienación.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Arte]]></kwd>
<kwd lng="pt"><![CDATA[Indústria Cultural]]></kwd>
<kwd lng="pt"><![CDATA[História da Produção Estética]]></kwd>
<kwd lng="pt"><![CDATA[Formação]]></kwd>
<kwd lng="en"><![CDATA[Art]]></kwd>
<kwd lng="en"><![CDATA[Cultural Industry]]></kwd>
<kwd lng="en"><![CDATA[History of Aesthetical Production]]></kwd>
<kwd lng="en"><![CDATA[Formation]]></kwd>
<kwd lng="fr"><![CDATA[Art]]></kwd>
<kwd lng="fr"><![CDATA[Industrie Culturelle]]></kwd>
<kwd lng="fr"><![CDATA[Histoire de la Production Esthétique]]></kwd>
<kwd lng="fr"><![CDATA[Formation]]></kwd>
<kwd lng="es"><![CDATA[Arte]]></kwd>
<kwd lng="es"><![CDATA[Industria Cultural]]></kwd>
<kwd lng="es"><![CDATA[Historia de la Producción Estética]]></kwd>
<kwd lng="es"><![CDATA[Formación]]></kwd>
</kwd-group>
</article-meta>
</front><body><![CDATA[ <font face="Arial, Helvetica, sans-serif"> <h2>Reflex&otilde;es sobre arte e  ind&uacute;stria cultural.</h2> <h3>Reflections on art and culture industry.</h3> <h3>R&eacute;flections sur l&rsquo;art et l&rsquo;industrie culturelle.</h3> <h3>Reflexiones acerca del arte y del industria cultural.</h3> <h3>&nbsp;</h3> <h4>Maria Jos&eacute; Dozza Subtil    <br> </h4> </font>       ]]></body>
<back>
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</article>
