<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1981-0431</journal-id>
<journal-title><![CDATA[Linhas Críticas]]></journal-title>
<abbrev-journal-title><![CDATA[Linhas Críticas]]></abbrev-journal-title>
<issn>1981-0431</issn>
<publisher>
<publisher-name><![CDATA[Universidade de Brasília]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1981-04312022000100201</article-id>
<article-id pub-id-type="doi">10.26512/lc28202241203</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Totalitarismo epistemológico vs saber sensível na escola a partir do filme Druk]]></article-title>
<article-title xml:lang="es"><![CDATA[Totalitarismo epistemológico vs conocimiento sensible en la escuela desde la película Druk]]></article-title>
<article-title xml:lang="en"><![CDATA[Epistemological totalitarianism vs sensitive knowledge at school from the film Druk]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Aquino]]></surname>
<given-names><![CDATA[Thaís Lobosque]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Oliveira]]></surname>
<given-names><![CDATA[Keyla Andrea Santiago]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal de Goiás  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brasil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Estadual de Mato Grosso do Sul  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>01</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>01</month>
<year>2022</year>
</pub-date>
<volume>28</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1981-04312022000100201&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1981-04312022000100201&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1981-04312022000100201&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este ensaio busca desenvolver uma discussão estético-crítica acerca do totalitarismo epistemológico da razão instrumental presente em uma escola ficcional representada no filme Druk - Mais uma rodada (Vinterberg, 2020). Enfatizando a falta de saberes sensíveis no âmbito educativo em questão, dedicamo-nos a perscrutar sonora e imageticamente a obra cinematográfica, a partir da metodologia da análise fílmica, tendo como arcabouço teórico autores da Teoria Crítica. Concluímos que, apesar das circunstâncias inaugurais na escola dinamarquesa nos remeterem à construção de saberes aparentemente inovadores, em seu cerne conservavam opacidade e submissão a epistemologias tradicionais e totalitárias.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este ensayo busca desarrollar una discusión estético-crítica sobre el totalitarismo epistemológico de la razón instrumental presente en una escuela de ficción representada en la película Druk - Una ronda más (Vinterberg, 2020). Enfatizando la falta de conocimiento sensible en el ámbito educativo en cuestión, nos dedicamos a escudriñar la obra cinematográfica, sus sonidos e imágenes, con base en la metodología del análisis cinematográfico, teniendo como marco teórico los autores de la Teoría Crítica. Concluimos que a pesar de las circunstancias inaugurales en la escuela danesa que nos llevaron a la construcción de saberes aparentemente innovadores, en su núcleo conservaron la opacidad y el sometimiento a epistemologías tradicionales y totalitarias.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This essay aims to develop an aesthetical-critical discussion about the epistemological totalitarianism of instrumental reason present in a fictional school represented in the film Druk - Another Round (Vinterberg, 2020). Emphasizing the lack of sensitive knowledge, we dedicated ourselves to scrutinize the cinematographic work soundly and imagetically, using the methodology of film analysis and having as theoretical framework authors of Critical Theory. We conclude that despite the inaugural circumstances in the Danish school leading us to the construction of apparently innovative knowledge, at its core they preserved opacity and submission to traditional and totalitarian epistemologies.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Epistemologia]]></kwd>
<kwd lng="pt"><![CDATA[Teoria Crítica]]></kwd>
<kwd lng="pt"><![CDATA[Escola]]></kwd>
<kwd lng="pt"><![CDATA[Cinema]]></kwd>
<kwd lng="es"><![CDATA[Epistemología]]></kwd>
<kwd lng="es"><![CDATA[Teoría Crítica]]></kwd>
<kwd lng="es"><![CDATA[Escuela]]></kwd>
<kwd lng="es"><![CDATA[Cine]]></kwd>
<kwd lng="en"><![CDATA[Epistemology]]></kwd>
<kwd lng="en"><![CDATA[Critical Theory]]></kwd>
<kwd lng="en"><![CDATA[School]]></kwd>
<kwd lng="en"><![CDATA[Cinema]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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