<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1982-0305</journal-id>
<journal-title><![CDATA[Revista Teias]]></journal-title>
<abbrev-journal-title><![CDATA[Revista Teias]]></abbrev-journal-title>
<issn>1982-0305</issn>
<publisher>
<publisher-name><![CDATA[Programa de Pós-Graduação em Educação - ProPEd/UERJ]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1982-03052020000600248</article-id>
<article-id pub-id-type="doi">10.12957/teias.%y.53650</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[OBRA-AULA: prática e poética do banal de uma artistagem docente]]></article-title>
<article-title xml:lang="en"><![CDATA[WORKING-ART: banal poetic and practice of a teaching-acting in teaching]]></article-title>
<article-title xml:lang="es"><![CDATA[OBRA-CLASE: práctica y poética de lo banal de un artistagem docente]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rodeghiero]]></surname>
<given-names><![CDATA[Thiago Heinemann]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rodrigues]]></surname>
<given-names><![CDATA[Carla Gonçalves]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,UFPel  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brasil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,PPGE/UFPel  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>10</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>10</month>
<year>2020</year>
</pub-date>
<volume>21</volume>
<numero>63</numero>
<fpage>248</fpage>
<lpage>264</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1982-03052020000600248&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1982-03052020000600248&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1982-03052020000600248&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo trata da contribuição que a arte contemporânea vem a oferecer à prática docente e é justificado pela relevância de pensar a criação de uma aula que não dependa de modelos. Objetiva evidenciar a poética artística do pesquisador e sua relação com a artistagem docente de Corazza. Mostrando os encontros e experimentações entre arte e filosofía, vaza na educação. Desenha-se num plano de consistência nas margens filosóficas, artísticas e educacionais. Nas Filosofías da Diferença de Deleuze e Guattari, encontra vetores que colocam os significados hegemônicos a se transformar. Partindo desse esboço, constrói um agenciamento que mostra desterritorializações entre as relações estabelecidas. Busca referências na produção do fazer junto de Kaprow, nas sensações de Malevich e na zona invisivel de Duchamp, uma orientação para modular com a prática artística do pesquisador. Logo, desenha-se num método que se monta fazendo. Um passarinhar à maneira de uma cartografía que voa por um território, encontrando forças.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This research deals with the contribution that contemporary art can make to teaching practice and is justified by the relevance of thinking about the creation of a class that does not depend models. It aims to evidence a Class-Artwork through the artistic production of the researcher and its relation with the acting of Corazza. Perceives the leaks that contemporary art brings to education, he shows the encounters and experiments with these areas. It outlines a plan of consistency on the blurred frontiers of philosophy, art, and education. In the Philosophies of Difference of Deleuze and Guattari, they find power to manifest the transformations of hegemonic meanings embedded in signifiers and signified. Starting from this design, an Assemblage is set up that shows deterritorializations between established relations. He looks for art references in making with of Kaprow, in the sensations of Malevich and in the invisible zone of Duchamp, orientation for the artistic practice of the researcher. Thus, one draws on a method that is assembled by doing. A to Bird in the manner of a cartography that flies through a territory, finding strength.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo aborda el aporte que el arte contemporáneo ofrece a la práctica docente y se justifica por la relevancia de pensar en crear una clase que no dependa de modelos. Tiene como objetivo resaltar la poética artística de la investigadora y su relación con la artistagem docente de Corazza. Mostrando los encuentros y experimentos entre el arte y la filosofía, la educación filtra un pensamiento sobre ella como una artistagem. Está diseñado sobre un plan de consistencia en los márgenes filosófico, artístico y educativo. En las Filosofías de la diferência de Deleuze y Guattari, encuentran vectores que sitúan significados hegemónicos a transformar. A partir de este esquema, construye una agencia que muestra desterritorializaciones entre las relaciones establecidas. Busca referências en la producción del hacer junto a Kaprow, en las sensaciones de Malevich y en la zona invisible de Duchamp, una orientación para modular con la práctica artística del investigador. Por lo tanto, está diseñado en un método que se ensambla haciendo. Un paseo a la manera de la cartografía que vuela por un territorio, encontrando fuerzas.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[educação]]></kwd>
<kwd lng="pt"><![CDATA[arte]]></kwd>
<kwd lng="pt"><![CDATA[filosofías da diferença]]></kwd>
<kwd lng="pt"><![CDATA[cartografía]]></kwd>
<kwd lng="pt"><![CDATA[artistagem]]></kwd>
<kwd lng="en"><![CDATA[education]]></kwd>
<kwd lng="en"><![CDATA[art]]></kwd>
<kwd lng="en"><![CDATA[philosophies of difference]]></kwd>
<kwd lng="en"><![CDATA[cartography]]></kwd>
<kwd lng="en"><![CDATA[teaching-acting]]></kwd>
<kwd lng="es"><![CDATA[educación]]></kwd>
<kwd lng="es"><![CDATA[arte]]></kwd>
<kwd lng="es"><![CDATA[filosofías de la diferência]]></kwd>
<kwd lng="es"><![CDATA[cartografía]]></kwd>
<kwd lng="es"><![CDATA[artistagem]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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