<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1983-9278</journal-id>
<journal-title><![CDATA[Eccos Revista Científica]]></journal-title>
<abbrev-journal-title><![CDATA[Eccos Rev. Cient.]]></abbrev-journal-title>
<issn>1983-9278</issn>
<publisher>
<publisher-name><![CDATA[Universidade Nove de Julho - UNINOVE]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1983-92782017000200069</article-id>
<article-id pub-id-type="doi">10.5585/eccos.n43.7372</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Entre tempos e história da arte: por um processo de apropriação]]></article-title>
<article-title xml:lang="en"><![CDATA[Between time and history of art: for an appropriation process]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Oliveira]]></surname>
<given-names><![CDATA[Marilda Oliveira de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Dahmer]]></surname>
<given-names><![CDATA[Carin Cristina]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal de Santa Maria Programa de Pós-Graduação em Educação ]]></institution>
<addr-line><![CDATA[Santa Maria RS]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Federal de Santa Maria Programa de Pós-Graduação em Educação ]]></institution>
<addr-line><![CDATA[Santa Maria RS]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>05</month>
<year>2017</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>05</month>
<year>2017</year>
</pub-date>
<numero>43</numero>
<fpage>69</fpage>
<lpage>83</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1983-92782017000200069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1983-92782017000200069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1983-92782017000200069&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: Neste artigo, busca-se abordar o tempo, a história da arte e as imagens do passado que a compõem. Apresenta-se como alternativa conceitual o processo de apropriação, que pela diferença nos proporciona meios para problematizar as imagens. Nesse sentido, dialoga-se com Deleuze e Guattari (2011; 2005), Cherem (2009) e Archer (2012), buscando caminhos ou percursos para a movimentação com os detritos das leituras realizadas e as experiências docentes. Ao abordar a história da arte que não pela sua linearidade ou cronologia buscam-se algumas brechas por entre o passado e o presente, em entre-tempos que se atravessam. Para tanto, traz-se a cartografia como possibilidade metodológica para articular a sobreposição desses tempos: as trajetórias e experiências educativas com as imagens do passado. Destaca-se como resultado desta pesquisa as imagens que nos cercam como detritos que orbitam o espaço-tempo e que irrompem em fraturas e brechas, potencializando outros sentidos ao presente.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: In this article is searched to approach time, the history of art and the images of the past that compose it. The process of appropriation is presented as a conceptual alternative, which by the dissemblance provide means to problematize the images. Accordingly, it generates a dialogue with Deleuze and Guattari (2011; 2005), Cherem (2009) e Archer (2012), searching pathways or tracks for the dynamic between the debris of the readings and the teaching experiences. Approaching the history of art not by its chronology or linearity, some breaches are sought out between past and present, in between-times that cross themselves. To achieve that, a cartography is used as a methodological possibility to articulate the interposing times in trajectories and teaching experiences with the images of the past. Stands out, as a result of this research the images that surround us as debris orbiting the space-time, and that erupt in fractures and breaches potencializing other senses for the present time.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Apropriação]]></kwd>
<kwd lng="pt"><![CDATA[Docência]]></kwd>
<kwd lng="pt"><![CDATA[História da Arte]]></kwd>
<kwd lng="en"><![CDATA[Appropriation]]></kwd>
<kwd lng="en"><![CDATA[Teaching]]></kwd>
<kwd lng="en"><![CDATA[History of Art]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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