<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1983-9278</journal-id>
<journal-title><![CDATA[Eccos Revista Científica]]></journal-title>
<abbrev-journal-title><![CDATA[Eccos Rev. Cient.]]></abbrev-journal-title>
<issn>1983-9278</issn>
<publisher>
<publisher-name><![CDATA[Universidade Nove de Julho - UNINOVE]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1983-92782020000200101</article-id>
<article-id pub-id-type="doi">10.5585/eccos.n53.16666</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[AS POSSIBILIDADES DO OLHAR ESTÉTICO DO AFETO: O PROJETO OLHAR COMPLEXO]]></article-title>
<article-title xml:lang="en"><![CDATA[THE POSSIBILITIES OF THE AESTHETIC LOOK OF AFFECT: THE COMPLEX LOOK PROJECT]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Torraca]]></surname>
<given-names><![CDATA[Lia Beatriz Teixeira]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal do Rio de Janeiro  ]]></institution>
<addr-line><![CDATA[Rio de Janeiro Rio de Janeiro]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>04</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>04</month>
<year>2020</year>
</pub-date>
<numero>53</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1983-92782020000200101&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1983-92782020000200101&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1983-92782020000200101&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo apresenta o Projeto Olhar Complexo, criado e dirigido pelo Fotógrafo Bruno Itan, como possibilidade do olhar estético do afeto, uma técnica desenvolvida durante o curso de doutorado em Direito pela Universidade Federal do Rio de Janeiro (PPGD/UFRJ), que buscou oferecer uma alternativa para o enfrentamento da violência no Rio de Janeiro a partir da hipótese que esta violência reflete uma dinâmica circular de comunicação, sendo possível alterá-la através da experiência perceptiva. É a possibilidade de transformar o padrão comunicativo em uma cidade cuja projeção de imagens rotuladas instauram um fluxo permanente de manifestações de violência entre dois territórios, entre morro e asfalto. Uma técnica que pretende não só fazer visível as formas dessa violência, mas alterar a percepção sobre aquilo que é comunicado como violência, tendo como referência metodológica a Fenomenologia da Percepção, de Maurice Merleau-Ponty. A experiência fotográfica pode ser o medium desta técnica que &#8220;faz ver&#8221; e &#8220;faz agir sobre&#8221;, permitindo a reterritorialização da cidade e suas relações.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article presents the Complex Look project, created and directed by Photographer Bruno Itan, as a possibility of the aesthetic look of affect, a technique developed during the doctoral course in Law at the Federal University of Rio de Janeiro (PPGD/UFRJ), which sought to offer an alternative to face violence in Rio de Janeiro, based on the hypothesis that this violence reflects a circular dynamic of communication, being possible to change it through the perceptual experience. It is the possibility of transforming the communicative pattern in a city whose projection of labeled images establishes a permanent flow of manifestations of violence between two territories, between slum and asphalt. A technique that aims not only to make visible the forms of this violence, but to change the perception of what is communicated as violence, having as methodological reference the Phenomenology of Perception, by Maurice Merleau-Ponty. The photographic experience can be the medium of this technique that &#8220;makes you see&#8221; and &#8220;makes you act on&#8221;, allowing the reterritorialization of the city and its relations.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Comunicação]]></kwd>
<kwd lng="pt"><![CDATA[Educação]]></kwd>
<kwd lng="pt"><![CDATA[Estética]]></kwd>
<kwd lng="pt"><![CDATA[Fotografia]]></kwd>
<kwd lng="pt"><![CDATA[Violência.]]></kwd>
<kwd lng="en"><![CDATA[Communication]]></kwd>
<kwd lng="en"><![CDATA[Education]]></kwd>
<kwd lng="en"><![CDATA[Aesthetics]]></kwd>
<kwd lng="en"><![CDATA[Photography]]></kwd>
<kwd lng="en"><![CDATA[Violence.]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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