<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1984-5987</journal-id>
<journal-title><![CDATA[Childhood & Philosophy]]></journal-title>
<abbrev-journal-title><![CDATA[child.philo]]></abbrev-journal-title>
<issn>1984-5987</issn>
<publisher>
<publisher-name><![CDATA[Universidade do Estado do Rio de Janeiro]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1984-59872020000100302</article-id>
<article-id pub-id-type="doi">10.12957/childphilo.2020.48283</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Ação de desenhar na infância como iniciação aos segredos do mundo]]></article-title>
<article-title xml:lang="es"><![CDATA[Acción de dibujar en la infancia como iniciación a los secretos del mundo]]></article-title>
<article-title xml:lang="en"><![CDATA[Drawing in childhood as initiation to the secrets of the world]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Richter]]></surname>
<given-names><![CDATA[Sandra Regina Simonis]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Murillo]]></surname>
<given-names><![CDATA[Márcia Vilma]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de Santa Cruz do Sul  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade de Santa Cruz do Sul  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<volume>16</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1984-59872020000100302&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1984-59872020000100302&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1984-59872020000100302&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[resumo Para destacar a íntima relação entre imaginar, desenhar e produzir mundos este ensaio interroga o sentido educacional das crianças iniciarem-se na ação de desenhar diante da crescente tendência cultural de ser o corpo cada vez menos exigido a produzir sentidos. A ação encarnada de desenhar, como ação estésica de tocar e ser tocado pelo mundo ao transpor os limites visíveis e adentrar na intimidade da invisibilidade mundana, constitui experiência tão recorrente e banalizada no cotidiano escolar quanto existencialmente complexa pela sua potência poética de adentrar o invisível e inaugurar visões de mundos. A histórica desqualificação da imagem e da imaginação no pensamento ocidental, dada pela cisão entre subjetividade do corpo e objetividade do mundo, não permite ao pensamento educacional considerar o fenômeno da imaginação poética como experiência existencial de inserção linguageira no mundo a partir do gesto de desenhar. Gesto que encontra sua especificidade no instante realizador da mão que traça e inscreve linhas na superfície dos suportes como escritura infinitamente inventável. O gesto estésico de desenhar, temporalizado pelo ritmo do corpo na emergência da fabulação que acompanha a repetição das marcas, implica uma experiência poética de linguagem que envolve a fusão de dois sentidos: o do gesto na materialidade e o da marca nela configurada, cicatrizada na superfície do suporte pela ação do corpo que a realizou. A aproximação entre educação, artes e infância permite destacar as tensões filosóficas e pedagógicas que envolvem a questão da imaginação poética e lançar outro olhar à ação de desenhar no âmbito da educação das crianças. O que emerge, a partir da interlocução entre Gaston Bachelard, Maurice Merleau-Ponty e Jean-Luc Nancy, é a relevância da intenção educativa do cuidado com a função vital da linguagem como experiência estésica e poética que se constitui na processualidade do corpo fazer aparecer algo que produza e contenha presença, aquela que promove e amplia a densidade existencial do real.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[resumen Para resaltar la íntima relación entre imaginar, dibujar y producir mundos, este ensayo cuestiona el sentido educacional de niños se iniciaren en la acción de dibujar frente a la creciente tendencia cultural del cuerpo ser cada vez menos exigido para producir sentidos. La acción encarnada del dibujar, como una acción estésica de tocar y ser tocado por el mundo al trasponer los límites visibles y adentrar en la intimidad invisiblemente mundana, se constituye en una experiencia recurrente y trivializada del cotidiano escolar, así como existencialmente compleja por su potencia poética de adentrar en lo invisible e inaugurar cosmovisiones. La histórica descalificación de la imagen y de la imaginación en el pensamiento occidental, dada por la cisión entre subjetividad del cuerpo y objetividad del mundo, no permite al pensamiento educacional considerar el fenómeno de la imaginación poética como una experiencia existencial de inserción de lenguaje en el mundo a partir del gesto de dibujar. Gesto temporalizado por el ritmo del cuerpo en la emergencia de fabulación que acompaña la repetición de marcas, gesto que también implica en una experiencia poética de lenguaje que envuelve la fusión de dos sentidos: del gesto en la materialidad y de marca en ella configurada, cicatrizada en la superficie de soporte por la acción del cuerpo que la realizó. La aproximación entre educación, artes e infancia permite resaltar las tensiones filosóficas y pedagógicas que envuelven la cuestión de imaginación poética y volver la mirada a la acción de dibujar en el ámbito de educación de niños y niñas. Lo que emerge, desde la interlocución entre Gaston Bachelard, Maurice Merleau-Ponty e Jean-Luc Nancy, es la relevancia de una intención educativa de cuidado para con la función vital del lenguaje como experiencia estética y poética que se constituye en el carácter procesal del cuerpo para hacer aparecer algo que produzca y contenga presencia, aquello que promueve y expande la densidad existencial de lo real.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[abstract In order to highlight the intimate relationship between imagining, drawing and making worlds, this essay questions the educational meaning of initiating children into the action of drawing, in the face of the growing cultural tendency of the body being less and less required to produce sensuous meaning. The incarnated action of drawing, as an aesthetic action of touching and being touched by the world when transposing the visible limits and entering into the intimacy of worldly invisibility, constitutes an experience that is as recurrent and trivialized in school daily life as it is existentially complex due to its poetic power to enter the invisible and inaugurate worldviews. The historical disqualification of the image and of imagination in Western thought, supported by the separation between the subjectivity of the body and the objectivity of the world, does not allow educational thought to consider the phenomenon of poetic imagination as an existential experience of language&#8217;s insertion in the world by way of the gesture of drawing. This gesture finds its specificity in the instant the hand traces and inscribes lines on a surface. The aesthetic gesture of drawing, temporalized by the rhythm of the body in the emergence of the fabulation that accompanies the repetition of lines, implies a poetic experience of a language that involves the fusion of two senses: that of the material gesture and that of the mark configured by that gesture--marked and cicatrized on the surface by the body&#8217;s action that performed it. The approximation between education, art and childhood allows us to highlight the philosophical and pedagogical tensions that involve the question of poetic imagination, and to take another look at the action of drawing in the context of children's education. What emerges, from the dialogue between Gaston Bachelard, Maurice Merleau-Ponty and Jean-Luc Nancy, is the relevance of the educational intention of caring for the vital function of language as an aesthetic and poetic experience that is constituted in the of the body by making something appear that produces and contains presence, and which promotes and expands the existential density of the real.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[educação infantil]]></kwd>
<kwd lng="pt"><![CDATA[imaginação poética]]></kwd>
<kwd lng="pt"><![CDATA[desenhar]]></kwd>
<kwd lng="pt"><![CDATA[experiência de linguagem]]></kwd>
<kwd lng="pt"><![CDATA[mundo.]]></kwd>
<kwd lng="es"><![CDATA[educación infantil]]></kwd>
<kwd lng="es"><![CDATA[imaginación poética]]></kwd>
<kwd lng="es"><![CDATA[dibujar]]></kwd>
<kwd lng="es"><![CDATA[experiencia de lenguaje]]></kwd>
<kwd lng="es"><![CDATA[mundo.]]></kwd>
<kwd lng="en"><![CDATA[early childhood education]]></kwd>
<kwd lng="en"><![CDATA[poetic imagination]]></kwd>
<kwd lng="en"><![CDATA[drawing]]></kwd>
<kwd lng="en"><![CDATA[language experience]]></kwd>
<kwd lng="en"><![CDATA[world.]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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