<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2238-121X</journal-id>
<journal-title><![CDATA[Comunicações]]></journal-title>
<abbrev-journal-title><![CDATA[Rev.Comunic]]></abbrev-journal-title>
<issn>2238-121X</issn>
<publisher>
<publisher-name><![CDATA[Universidade Metodista de Piracicaba]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2238-121X2016000300021</article-id>
<article-id pub-id-type="doi">10.15600/2238-121X/comunicacoes.v23n3p21-32</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Alegorias do contemporâneo: um diálogo entre Cosmopolis e Holy Motors]]></article-title>
<article-title xml:lang="es"><![CDATA[Alegrorías de contemporáneo: un diálogo entre Cosmopolis y Holy Motors]]></article-title>
<article-title xml:lang="en"><![CDATA[Allegories of contemporary: a dialogue between Cosmopolis and Holy Motors]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Almeida]]></surname>
<given-names><![CDATA[Rogério de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Maiorino]]></surname>
<given-names><![CDATA[Fabiana Tavolaro]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Camillo]]></surname>
<given-names><![CDATA[Simone de Oliveira]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de São Paulo  ]]></institution>
<addr-line><![CDATA[São Paulo SP]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Paulista  ]]></institution>
<addr-line><![CDATA[São Paulo SP]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Faculdade de Medicina da Fundação do ABC  ]]></institution>
<addr-line><![CDATA[Santo André SP]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2016</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2016</year>
</pub-date>
<volume>23</volume>
<numero>3</numero>
<fpage>21</fpage>
<lpage>32</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S2238-121X2016000300021&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S2238-121X2016000300021&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S2238-121X2016000300021&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo  Este artigo apresenta um di&#225;logo intertextual entre duas pel&#237;culas proeminentes no cen&#225;rio cinematogr&#225;fico contempor&#226;neo, Holy Motors e Cosmopolis. Destacaram-se temas recorrentes nas obras f&#237;lmicas, como a blindagem social na contemporaneidade, a ambival&#234;ncia entre o desejo de liberdade e a seguran&#231;a, al&#233;m da busca por mais prote&#231;&#227;o na era tecnol&#243;gica. Foram empreendidos recortes figurativos dos dois textos f&#237;lmicos para iluminar os fen&#244;menos do contempor&#226;neo, a partir da leitura de duas metr&#243;poles - Paris e Nova Iorque - na vis&#227;o de dois diretores, David Cronenberg e Leos Carax]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen  Este art&#237;culo presenta un dialogo intertextual entre dos pel&#237;culas prominentes en el escenario cinematogr&#225;fico contempor&#225;neo, Holy Motors y Cosmopolis. Fueran destacados temas recurrentes en las pel&#237;culas, como blindajes sociales promovidos en la &#233;poca contempor&#225;nea, la bivalencia entre el deseo de libertad y seguridad, y la b&#250;squeda de una mayor protecci&#243;n en la era tecnol&#243;gica. Fueran hechos recortes figurativos de los dos textos f&#237;lmicos para iluminar los fen&#243;menos de lo contempor&#225;neo, a partir de la lectura de dos ciudades - Par&#237;s y Nueva York - en la perspectiva de dos realizadores, David Cronenberg y Leos Carax.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract  This paper introduces a intertextual dialogue between two works of prominence in the contemporary film, Holy Motors and Cosmopolis. The highlights recurring themes in film works, such as shielding in contemporary social, the ambivalence between the desire for freedom and security, plus the search for a more protection in the technological era. The authors used figurative scenes and clippings of the two filmic texts to illuminate the phenomena of the contemporary, from the reading of two metropolises - Paris and New York - the intriguing vision of two directors, David Cronenberg and Leos Carax.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Análise Fílmica]]></kwd>
<kwd lng="pt"><![CDATA[Contemporâneo]]></kwd>
<kwd lng="pt"><![CDATA[Cinema]]></kwd>
<kwd lng="es"><![CDATA[Análisis Fílmico]]></kwd>
<kwd lng="es"><![CDATA[Contemporáneo]]></kwd>
<kwd lng="es"><![CDATA[Cine]]></kwd>
<kwd lng="en"><![CDATA[Film Analysis]]></kwd>
<kwd lng="en"><![CDATA[Contemporary]]></kwd>
<kwd lng="en"><![CDATA[Cinema]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[FAVARETTO]]></surname>
<given-names><![CDATA[Celso]]></given-names>
</name>
</person-group>
<article-title xml:lang="en"><![CDATA[Arte Contemporânea e educação.]]></article-title>
<source><![CDATA[Rev. IberoAmericana de Educácion]]></source>
<year></year>
<numero>53</numero>
<issue>53</issue>
<page-range>225-35</page-range></nlm-citation>
</ref>
</ref-list>
</back>
</article>
