<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0100-3143</journal-id>
<journal-title><![CDATA[Educação e Realidade]]></journal-title>
<abbrev-journal-title><![CDATA[Educ. Real.]]></abbrev-journal-title>
<issn>0100-3143</issn>
<publisher>
<publisher-name><![CDATA[Universidade Federal do Rio Grande do Sul - Faculdade de Educação]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0100-31432020000100209</article-id>
<article-id pub-id-type="doi">10.1590/2175-623690280</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[A Hora das Crianças: infância, estética e política em Benjamin]]></article-title>
<article-title xml:lang="en"><![CDATA[Children&#8217;s Time: childhood, aesthetics and politics in Benjamin]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Sanches]]></surname>
<given-names><![CDATA[Eduardo Oliveira]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ramos]]></surname>
<given-names><![CDATA[Estéfani Dutra]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Silva]]></surname>
<given-names><![CDATA[Divino José da]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Estadual de Maringá  ]]></institution>
<addr-line><![CDATA[Maringá PR]]></addr-line>
<country>Brasil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Estadual Paulista Júlio de Mesquita Filho  ]]></institution>
<addr-line><![CDATA[Presidente Prudente SP]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<volume>45</volume>
<numero>1</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S0100-31432020000100209&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S0100-31432020000100209&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S0100-31432020000100209&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO: Em seus escritos sobre modernidade, técnica e reprodutibilidade técnica Benjamin propõe uma visada teórica sobre a arte reprodutível que dialoga com as exigências da nova temporalidade. Se os modos de produção artística são ampliados pelos avanços tecnológicos redimensionando o seu campo de atuação para formas de expressão mais modernas como o rádio, por exemplo; há aqui uma nova relação experimental entre o público e a obra, além de uma nova função intermediadora. A preocupação com o uso da técnica para fins totalitários, entretanto, fez o autor formular a exigência de uma politização da arte. Essa politização está presente em seu trabalho radiofônico com crianças que se articula ao compromisso do uso do aparato para o esclarecimento.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT: In his writings on modernity, technique and technical reproducibility, Benjamin proposes a theoretical view of reproducible art that dialogues with the demands of the new temporality. If the modes of artistic production are expanded by technological advances, resizing their field of action to more modern forms of expression such as radio, for example, there is here a new experimental relationship between the public and the work, in addition to a new intermediary function. The concern with the use of technique for totalitarian purposes, however, made the author formulate the demand for a politicization of art. This politicization is present in his radio work with children that is linked to the commitment to use the apparatus for enlightenment.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Reprodutibilidade Técnica]]></kwd>
<kwd lng="pt"><![CDATA[Política]]></kwd>
<kwd lng="pt"><![CDATA[Rádio]]></kwd>
<kwd lng="pt"><![CDATA[Infância]]></kwd>
<kwd lng="pt"><![CDATA[Esclarecimento]]></kwd>
<kwd lng="en"><![CDATA[Technical Reproducibility]]></kwd>
<kwd lng="en"><![CDATA[Politics]]></kwd>
<kwd lng="en"><![CDATA[Radio]]></kwd>
<kwd lng="en"><![CDATA[Childhood]]></kwd>
<kwd lng="en"><![CDATA[Enlightenment]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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