<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0104-026x</journal-id>
<journal-title><![CDATA[Revista Estudos Feministas]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Estud. Fem.]]></abbrev-journal-title>
<issn>0104-026x</issn>
<publisher>
<publisher-name><![CDATA[Centro de Filosofia e Ciências Humanas e Centro de Comunicação e Expressão da Universidade Federal de Santa Catarina]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0104-026x2022000200211</article-id>
<article-id pub-id-type="doi">10.1590/1806-9584-2022v30n276548</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[A poesia de terror em Paul Éluard, Julia Hartwig e Anne Sexton]]></article-title>
<article-title xml:lang="en"><![CDATA[The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne Sexton]]></article-title>
<article-title xml:lang="es"><![CDATA[La poesía de terror en Paul Éluard, Julia Hartwig y Anne Sexton]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Kempinska]]></surname>
<given-names><![CDATA[Olga Donata Guerizoli]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal Fluminense  ]]></institution>
<addr-line><![CDATA[Niterói RJ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>05</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>05</month>
<year>2022</year>
</pub-date>
<volume>30</volume>
<numero>2</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S0104-026x2022000200211&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S0104-026x2022000200211&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S0104-026x2022000200211&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: Ao indagar a complexa relação estética que se tece entre a poética do gótico e a poética do surrealismo, assegurada pelas experiências da crise do mito, do informe, e em consequência, do terror e do horror, neste artigo, proponho a leitura de alguns poemas que encenam essa difícil articulação. Paul Éluard, Julia Hartwig e Anne Sexton buscam, com efeito, os procedimentos aptos à encenação do doloroso desamparo subjetivo, que diz respeito, também, à questão dos limites do gênero. O regime da negatividade característico da poética gótica leva à recusa da busca por novos mitos e por novas imagens da criatividade feminina, típica do romantismo. Ao valorizar a representação do espaço, o gótico preparou o caminho da crítica, poética e feminista, dos discursos da psicanálise e da fenomenologia.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: In analysing the complex aesthetic relationship established between the poetics of Gothic and the poetics of Surrealism, based on the experiences of the crisis of myth, of the formless, and consequently, of terror and horror, the paper proposes the reading of some poems that stage this difficult articulation. Paul Éluard, Julia Hartwig and Anne Sexton seek, in fact, the procedures capable of representing the painful subjective helplessness, which also concerns the issue of gender limits. The regime of negativity characteristic of Gothic poetics leads to the refusal of the search for new myths and new images of female creativity, typical of romanticism. By valuing the representation of space, Gothic prepared the path of criticism, poetic and feminist, of the discourses of psychoanalysis and phenomenology.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Al analizar la compleja relación estética que se teje entre la poética del gótico y la poética del surrealismo, asegurada por las experiencias de la crisis del mito, del informe y, en consecuencia, del terror y del horror, el artículo propone la lectura de algunos poemas que representan esta difícil articulación. Paul Éluard, Julia Hartwig y Anne Sexton buscan, de hecho, los procedimientos capaces de poner en escena la dolorosa impotencia subjetiva, que también se refiere a la cuestión de los límites de género. El régimen de negatividad característico de la poética gótica conduce al rechazo de la búsqueda de nuevos mitos y nuevas imágenes de la creatividad femenina, típica del romanticismo. Al valorar la representación del espacio, el gótico preparó el camino de la crítica, poética y feminista, los discursos del psicoanálisis y de la fenomenología.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[surrealismo]]></kwd>
<kwd lng="pt"><![CDATA[gótico]]></kwd>
<kwd lng="pt"><![CDATA[gênero]]></kwd>
<kwd lng="pt"><![CDATA[terror]]></kwd>
<kwd lng="pt"><![CDATA[subjetividade]]></kwd>
<kwd lng="en"><![CDATA[Surrealism]]></kwd>
<kwd lng="en"><![CDATA[Gothic]]></kwd>
<kwd lng="en"><![CDATA[Gender]]></kwd>
<kwd lng="en"><![CDATA[Terror]]></kwd>
<kwd lng="en"><![CDATA[Subjectivity]]></kwd>
<kwd lng="es"><![CDATA[surrealismo]]></kwd>
<kwd lng="es"><![CDATA[gótico]]></kwd>
<kwd lng="es"><![CDATA[género]]></kwd>
<kwd lng="es"><![CDATA[terror]]></kwd>
<kwd lng="es"><![CDATA[subjetividade]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[WILLIAMS]]></surname>
<given-names><![CDATA[Anne]]></given-names>
</name>
</person-group>
<source><![CDATA[Art of Darkness. A Poetics of Gothic]]></source>
<year>1995</year>
<publisher-loc><![CDATA[Chicago ]]></publisher-loc>
<publisher-name><![CDATA[The University of Chicago Press]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
