<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0104-026x</journal-id>
<journal-title><![CDATA[Revista Estudos Feministas]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Estud. Fem.]]></abbrev-journal-title>
<issn>0104-026x</issn>
<publisher>
<publisher-name><![CDATA[Centro de Filosofia e Ciências Humanas e Centro de Comunicação e Expressão da Universidade Federal de Santa Catarina]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0104-026x2022000200212</article-id>
<article-id pub-id-type="doi">10.1590/1806-9584-2022v30n276463</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Autonomia da mulher duplicada e sedução do estranho no Solaris, de Tarkovsky]]></article-title>
<article-title xml:lang="es"><![CDATA[Autonomía de la mujer duplicada y la seducción de lo extraño en Solaris, de Tarkovsky]]></article-title>
<article-title xml:lang="en"><![CDATA[Autonomy of the Duplicate Woman and the Seduction of the Strange in Tarkovsky&#8217;s Solaris]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Lima e Silva]]></surname>
<given-names><![CDATA[Jason de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal de Santa Catarina Centro de Ciências da Educação Departamento de Metodologia de Ensino]]></institution>
<addr-line><![CDATA[Florianópolis SC]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>05</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>05</month>
<year>2022</year>
</pub-date>
<volume>30</volume>
<numero>2</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S0104-026x2022000200212&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S0104-026x2022000200212&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S0104-026x2022000200212&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: Solaris, de Tarkovsky, converte a ficção científica de Stanislaw Lem em um drama trágico: um problema da consciência, mas um dilema também da ação. Se há um anti-herói dramático, Kris Kelvin, há também uma heroína trágica, Hary, e ambos são formas antagônicas e complementares de uma mesma consciência. Alguns efeitos se desdobram de tal hipótese, na ordem sucessiva da experiência do estranho: o pavor, a sedução e a familiaridade na relação com o duplo. Mas há um grau superior no caráter fantástico dessa história: a autonomia da mulher duplicada, seu discurso e sua decisão no desfecho, atitudes a partir das quais é possível fazer uma interpretação feminista do filme. O discurso de Hary representa uma crítica da condição histórica e existencial da mulher, e Hary, em contrapartida, encarna o drama de uma subjetividade inautêntica, conforme o pensamento de Simone de Beauvoir.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Solaris, de Tarkovsky, hace de la ciencia ficción de Stanislaw Lem un drama trágico: un problema no solo de la conciencia, pero también un dilema de la acción. Si hay un antihéroe dramático, Kris Kelvin, igualmente hay una heroína trágica, Hary, ambos formas antagónicas y complementarias de la misma conciencia. Algunos efectos se desarrollan de esta hipótesis, en orden sucesivo de la experiencia de lo extraño: el pavor, la seducción y la familiaridad en relación con el doble. Pero hay un grado aún superior en el carácter fantástico de esta historia: la autonomía de la mujer duplicada, su discurso y su decisión en el desenlace. Actitudes en razón de las cuales es posible proponer una interpretación feminista de la película. El discurso de Hary representa una crítica de la condición histórica y existencial de la mujer, y Hary, en cambio, encarna el drama de una subjetividad inesencial, según el pensamiento de Simone de Beauvoir.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: Tarkovsky&#8217;s Solaris converts Stanislaw Lem&#8217;s science fiction into a tragic drama: not only a problem of conscience, but also a dilemma of action. If there is a dramatic antihero, Kris Kelvin, there is also a tragic heroine, Hari, and both are antagonistic and complementary forms of the same conscience. Some effects of this hypothesis unfold, in successive order of the experience of the strange: the dread, the seduction, and the familiarity in the relationship with the double. However, there is a higher degree in the fantastic character of this drama: the autonomy of the duplicate woman, her discourse as well as her decision in the outcome, attitudes which permit a feminist interpretation of the film. Hari&#8217;s speech represents a critique of the historical and existential condition of woman, and Hari, on the other hand, embodies an inauthentic subjectivity according to Simone de Beauvoir&#8217;s thinking.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[mulher]]></kwd>
<kwd lng="pt"><![CDATA[consciência trágica]]></kwd>
<kwd lng="pt"><![CDATA[estranho]]></kwd>
<kwd lng="pt"><![CDATA[Tarkovsky]]></kwd>
<kwd lng="pt"><![CDATA[Solaris]]></kwd>
<kwd lng="es"><![CDATA[mujer]]></kwd>
<kwd lng="es"><![CDATA[conciencia trágica]]></kwd>
<kwd lng="es"><![CDATA[extraño]]></kwd>
<kwd lng="es"><![CDATA[Tarkovsky]]></kwd>
<kwd lng="es"><![CDATA[Solaris]]></kwd>
<kwd lng="en"><![CDATA[Woman]]></kwd>
<kwd lng="en"><![CDATA[Tragic Conscience]]></kwd>
<kwd lng="en"><![CDATA[Strange]]></kwd>
<kwd lng="en"><![CDATA[Tarkovsky]]></kwd>
<kwd lng="en"><![CDATA[Solaris]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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