<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0104-026x</journal-id>
<journal-title><![CDATA[Revista Estudos Feministas]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Estud. Fem.]]></abbrev-journal-title>
<issn>0104-026x</issn>
<publisher>
<publisher-name><![CDATA[Centro de Filosofia e Ciências Humanas e Centro de Comunicação e Expressão da Universidade Federal de Santa Catarina]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0104-026x2022000200213</article-id>
<article-id pub-id-type="doi">10.1590/1806-9584-2022v30n276531</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Joe Goldberg: Arquetipo de pragmática masculina del control y mito del romanticismo]]></article-title>
<article-title xml:lang="en"><![CDATA[Joe Goldberg: The archetype of the male pragmatics of control and the Romantic myth]]></article-title>
<article-title xml:lang="pt"><![CDATA[Joe Goldberg: Arquétipo da Pragmática de Controle Masculino e Mito do Romantismo]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Gómez Montero]]></surname>
<given-names><![CDATA[Eva-Luisa]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Rey Juan Carlos Departamento de Ciencias de la Comunicación ]]></institution>
<addr-line><![CDATA[Madrid ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>05</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>05</month>
<year>2022</year>
</pub-date>
<volume>30</volume>
<numero>2</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S0104-026x2022000200213&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S0104-026x2022000200213&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S0104-026x2022000200213&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Este artículo pretende manifestar las distintas formas de normalización y jerarquización de la masculinidad, a través del análisis audiovisual del discurso y de la representación de la primera temporada de la serie You. El análisis estructural con relación a aspectos narratológicos y semióticos ayuda a comprender la construcción del relato y del personaje, mientras que el análisis de contenido vislumbra cómo se construyen las nuevas masculinidades desde el mito del amor romántico y la pragmática masculina del control utilizando recursos narrativos, estéticos y simbólicos. Joe Goldberg es un varón que ejerce violencia y control sobre las mujeres. A pesar de estar representado como un psicópata, utiliza estrategias del mito del amor romántico que justifican la violencia y control ejercidos contra las mujeres, convirtiéndose en un nuevo arquetipo machista.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The aim of this article is to manifest the different forms of normalization and hierarchization of masculinity, through the analysis of the discourse and the representation of the first season of You. The structural analysis in relation to narratological and semiotic aspects helps to understand the construction of the story and the character, and the content analysis glimpses how new masculinities are constructed from the myth of romantic love and the male pragmatics of control using narrative, aesthetic, and symbolic resources. Joe Goldberg is a male who exercises violence and control over women. Despite being represented as a psychopath, he uses strategies from the myth of romantic love that justify the violence and control exerted against women, becoming a new macho archetype.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: Este artigo tenta manifestar as diferentes formas de normalização e hierarquização da masculinidade, por meio da análise audiovisual do discurso e da representação da primeira temporada da série You. A análise estrutural em relação aos aspectos narratológicos e semióticos ajuda a entender a construção da história e do personagem, enquanto a análise de conteúdo vislumbra como novas masculinidades são construídas a partir do mito do amor romântico e da pragmática masculina de controle, usando recursos narrativos, estéticos e simbólicos. Joe Goldberg é um homem que exerce violência e controle sobre as mulheres. Apesar de representado como psicopata, ele utiliza estratégias do mito do amor romântico que justificam a violência e o controle exercido contra as mulheres, tornando-se um novo arquétipo macho.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[estudios de género]]></kwd>
<kwd lng="es"><![CDATA[masculinidades]]></kwd>
<kwd lng="es"><![CDATA[mito del romanticismo]]></kwd>
<kwd lng="es"><![CDATA[pragmática masculina del control]]></kwd>
<kwd lng="es"><![CDATA[Joe Goldberg]]></kwd>
<kwd lng="en"><![CDATA[Gender studies]]></kwd>
<kwd lng="en"><![CDATA[Masculinities]]></kwd>
<kwd lng="en"><![CDATA[Romantic myth]]></kwd>
<kwd lng="en"><![CDATA[male pragmatics of control]]></kwd>
<kwd lng="en"><![CDATA[Joe Goldberg]]></kwd>
<kwd lng="pt"><![CDATA[estudos de género]]></kwd>
<kwd lng="pt"><![CDATA[masculinidades]]></kwd>
<kwd lng="pt"><![CDATA[mito do romantismo]]></kwd>
<kwd lng="pt"><![CDATA[pragmática de controle masculino]]></kwd>
<kwd lng="pt"><![CDATA[Joe Goldberg]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[ARGULLOL]]></surname>
<given-names><![CDATA[Rafael]]></given-names>
</name>
</person-group>
<source><![CDATA[El héroe y el único]]></source>
<year>1999</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Acantilado]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[ARRANZ]]></surname>
<given-names><![CDATA[Fátima]]></given-names>
</name>
<name>
<surname><![CDATA[CALLEJO]]></surname>
<given-names><![CDATA[Javier]]></given-names>
</name>
<name>
<surname><![CDATA[PARDO]]></surname>
<given-names><![CDATA[Pilar]]></given-names>
</name>
<name>
<surname><![CDATA[PARÍS]]></surname>
<given-names><![CDATA[Inés]]></given-names>
</name>
</person-group>
<source><![CDATA[Cine y género en España]]></source>
<year>2010</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Ediciones Cátedra]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[BONINO]]></surname>
<given-names><![CDATA[Luis]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Masculinidad hegemónica e identidad masculina]]></article-title>
<source><![CDATA[Dossiers feministes]]></source>
<year>2003</year>
<volume>6</volume>
<page-range>7-36</page-range><publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[BOURDIEU]]></surname>
<given-names><![CDATA[Pierre]]></given-names>
</name>
</person-group>
<source><![CDATA[La dominación masculina]]></source>
<year>2000</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Anagrama]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[BOURDIEU]]></surname>
<given-names><![CDATA[Pierre]]></given-names>
</name>
<name>
<surname><![CDATA[PASSERON]]></surname>
<given-names><![CDATA[Jean Claude]]></given-names>
</name>
</person-group>
<source><![CDATA[Les héritiers]]></source>
<year>1985</year>
<publisher-loc><![CDATA[Paris ]]></publisher-loc>
<publisher-name><![CDATA[Ed. de Minuit]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CAPARRÓS]]></surname>
<given-names><![CDATA[LERA]]></given-names>
</name>
<name>
<surname><![CDATA[Manuel]]></surname>
<given-names><![CDATA[Juan]]></given-names>
</name>
</person-group>
<source><![CDATA[Guía del espectador de cine]]></source>
<year>2007</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Alianza Editorial S. A.]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[COLAIZZI]]></surname>
<given-names><![CDATA[Giulia]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The cinematic act: Image ideology and gender issue]]></article-title>
<source><![CDATA[Semiótica]]></source>
<year>2004</year>
<volume>148</volume>
<page-range>361-77</page-range></nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CONNELL]]></surname>
<given-names><![CDATA[Robert W.]]></given-names>
</name>
</person-group>
<source><![CDATA[Masculinities. Knowledge, Power and Social Change]]></source>
<year>1995</year>
<publisher-loc><![CDATA[Berkeley ]]></publisher-loc>
<publisher-name><![CDATA[University of California Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[DOANE]]></surname>
<given-names><![CDATA[Mary Ann]]></given-names>
</name>
</person-group>
<source><![CDATA[The desire to desire. The woman of the 1940s]]></source>
<year>1987</year>
<publisher-loc><![CDATA[Basingstoke ]]></publisher-loc>
<publisher-name><![CDATA[Macmillan]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[DUQUE]]></surname>
<given-names><![CDATA[Elena]]></given-names>
</name>
</person-group>
<source><![CDATA[Aprendiendo para el amor o para la violencia. Las relaciones en las discotecas]]></source>
<year>2006</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Le Roure]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[DUTTON]]></surname>
<given-names><![CDATA[Donald G.]]></given-names>
</name>
<name>
<surname><![CDATA[GOLAND]]></surname>
<given-names><![CDATA[Susan K.]]></given-names>
</name>
</person-group>
<source><![CDATA[El golpeador: Un perfil psicológico]]></source>
<year>1997</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Paidós]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[EGRI]]></surname>
<given-names><![CDATA[Lajos]]></given-names>
</name>
</person-group>
<source><![CDATA[The art of dramatic writting. Its basis in the creative interpretation of human movies]]></source>
<year>1946</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Touchstone Book]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[ESTEBAN GALARZA]]></surname>
<given-names><![CDATA[Mari Luz]]></given-names>
</name>
<name>
<surname><![CDATA[MEDINA DOMÉNECH]]></surname>
<given-names><![CDATA[Rosa]]></given-names>
</name>
<name>
<surname><![CDATA[TÁVORA RIVERO]]></surname>
<given-names><![CDATA[Ana]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[¿Por qué analizar el amor? Nuevas posibilidades para el estudio de las desigualdades de género]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[DÍEZ MINTEGUI]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
<name>
<surname><![CDATA[GREGORIO GIL]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Cambios culturales y desigualdades de género en el marco local-global actual]]></source>
<year>2005</year>
<page-range>207-23</page-range></nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[ESTEBAN GALARZA]]></surname>
<given-names><![CDATA[Mari Luz]]></given-names>
</name>
<name>
<surname><![CDATA[TÁVORA RIVERO]]></surname>
<given-names><![CDATA[Ana]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[El amor romántico y la subordinación social de las mujeres: revisiones y propuestas]]></article-title>
<source><![CDATA[Anuario de Psicología]]></source>
<year>2008</year>
<volume>39</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>59-73</page-range><publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[FIRESTONE]]></surname>
<given-names><![CDATA[Shulamith]]></given-names>
</name>
</person-group>
<source><![CDATA[La dialéctica del sexo: En defensa de la revolución feminista]]></source>
<year>1976</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Editorial Kairós]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[GAINES]]></surname>
<given-names><![CDATA[Jane]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Green like me]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[STOKES]]></surname>
<given-names><![CDATA[Melvyn]]></given-names>
</name>
<name>
<surname><![CDATA[MALTBY]]></surname>
<given-names><![CDATA[Richard]]></given-names>
</name>
</person-group>
<source><![CDATA[Hollywood Spectatorship: Changing Perceptions of Cinema Audiences]]></source>
<year>2000</year>
<page-range>24-51</page-range><publisher-loc><![CDATA[London ]]></publisher-loc>
<publisher-name><![CDATA[British Film Institute]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[GIL]]></surname>
<given-names><![CDATA[Eva Patricia]]></given-names>
</name>
<name>
<surname><![CDATA[LLORET]]></surname>
<given-names><![CDATA[Imma]]></given-names>
</name>
</person-group>
<source><![CDATA[La violencia de género]]></source>
<year>2007</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Editorial UOC]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[GILMORE]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
</person-group>
<source><![CDATA[Manhood in the Making]]></source>
<year>1990</year>
<publisher-loc><![CDATA[Londres ]]></publisher-loc>
<publisher-name><![CDATA[Yale University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[GÓMEZ]]></surname>
<given-names><![CDATA[Jesús]]></given-names>
</name>
</person-group>
<source><![CDATA[El amor en la sociedad del riesgo]]></source>
<year>2004</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Le Roure]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[GUIL BOZAL]]></surname>
<given-names><![CDATA[Ana]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[El papel de los arquetipos en los actuales estereotipos sobre la mujer]]></article-title>
<source><![CDATA[Comunicar]]></source>
<year>1998</year>
<volume>11</volume>
<page-range>95-100</page-range><publisher-loc><![CDATA[Huelva ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[HARTMAN]]></surname>
<given-names><![CDATA[Reinhard]]></given-names>
</name>
</person-group>
<source><![CDATA[Contrastive Textology. Comparative Discourse Analysis in Applied Linguistics by R.R.K. Hartmann (Studies in Descriptive Linguistics)]]></source>
<year>1980</year>
<publisher-loc><![CDATA[Heidelberg ]]></publisher-loc>
<publisher-name><![CDATA[Groos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[KAPLAN]]></surname>
<given-names><![CDATA[E. Ann]]></given-names>
</name>
</person-group>
<source><![CDATA[Women and film: both sides of the camera]]></source>
<year>1983</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Methuen]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[KAPLAN]]></surname>
<given-names><![CDATA[E. Ann]]></given-names>
</name>
</person-group>
<source><![CDATA[Representing the Woman: Psychoanalysis and Cinema]]></source>
<year>1997</year>
<publisher-loc><![CDATA[London ]]></publisher-loc>
<publisher-name><![CDATA[Macmillan]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[KAPLAN]]></surname>
<given-names><![CDATA[E. Ann]]></given-names>
</name>
</person-group>
<source><![CDATA[Las mujeres y el cine. A ambos lados de la cámara]]></source>
<year>1998</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Cátedra]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[KIMMEL]]></surname>
<given-names><![CDATA[Michael S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Invisible masculinity]]></article-title>
<source><![CDATA[Society]]></source>
<year>1993</year>
<volume>30</volume>
<numero>6</numero>
<issue>6</issue>
<page-range>28-35</page-range></nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[KIMMEL]]></surname>
<given-names><![CDATA[Michael S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Homofobia, temor, vergüenza y silencio en la identidad masculina]]></article-title>
<source><![CDATA[Masculinidad/es. Poder y crisis]]></source>
<year>1997</year>
<volume>24</volume>
<page-range>49-63</page-range></nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[KUHN]]></surname>
<given-names><![CDATA[Annette]]></given-names>
</name>
</person-group>
<source><![CDATA[Cine de Mujeres. Feminismo y Cine]]></source>
<year>1991</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Cátedra]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[LAGUARDA]]></surname>
<given-names><![CDATA[Paula]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Cine y estudios de género: Imagen, representación e ideología. Notas para un abordaje crítico]]></article-title>
<source><![CDATA[La aljaba]]></source>
<year>2006</year>
<volume>10</volume>
<page-range>141-56</page-range><publisher-loc><![CDATA[La Palma ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[LAPSLEY]]></surname>
<given-names><![CDATA[Robert]]></given-names>
</name>
<name>
<surname><![CDATA[WESTLAKE]]></surname>
<given-names><![CDATA[Michael]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[From Casablanca to Pretty Woman: the politics of romance]]></article-title>
<source><![CDATA[Screen]]></source>
<year>1992</year>
<volume>33</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>27-49</page-range><publisher-loc><![CDATA[Glasgow ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[LORENTE]]></surname>
<given-names><![CDATA[Miguel]]></given-names>
</name>
</person-group>
<source><![CDATA[Los nuevos hombres nuevos. Los miedos de siempre en tiempos de igualdad]]></source>
<year>2009</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Destino]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MARTÍN LUCAS]]></surname>
<given-names><![CDATA[Belén]]></given-names>
</name>
</person-group>
<source><![CDATA[Violencias (in)visibles. Intervenciones feministas frente a la violencia patriarcal]]></source>
<year>2010</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Icaria]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MULVEY]]></surname>
<given-names><![CDATA[Laura]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Placer visual y cine narrativo]]></article-title>
<source><![CDATA[Revista Screen]]></source>
<year>1975</year>
<volume>16</volume>
<numero>3</numero>
<issue>3</issue>
<publisher-loc><![CDATA[Glasgow ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MULVEY]]></surname>
<given-names><![CDATA[Laura]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Afterthoughts on visual pleasure and narrative cinema]]></article-title>
<source><![CDATA[Framework: The Journal of Cinema and Media]]></source>
<year>1981</year>
<volume>15/17</volume>
<page-range>12-5</page-range><publisher-loc><![CDATA[Wayne ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[NEALE]]></surname>
<given-names><![CDATA[Steve]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The big romance or Something Wild?: Romantic comedy today]]></article-title>
<source><![CDATA[Screen]]></source>
<year>1992</year>
<volume>33</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>284-99</page-range><publisher-loc><![CDATA[Glasgow ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[OLAVARRIA]]></surname>
<given-names><![CDATA[José]]></given-names>
</name>
<name>
<surname><![CDATA[PARRINI]]></surname>
<given-names><![CDATA[Rodrigo]]></given-names>
</name>
</person-group>
<source><![CDATA[Masculinida/es]]></source>
<year>2000</year>
<publisher-loc><![CDATA[Santiago de Chile ]]></publisher-loc>
<publisher-name><![CDATA[Flacso]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[PASCUAL FERNÁNDEZ]]></surname>
<given-names><![CDATA[Alicia]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sobre el mito del amor romántico. Amores cinematográficos y educación]]></article-title>
<source><![CDATA[Dedica Revista de educación y humanidades]]></source>
<year>2016</year>
<volume>10</volume>
<page-range>63-78</page-range><publisher-loc><![CDATA[Granada ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[PUJAL]]></surname>
<given-names><![CDATA[Mariergot]]></given-names>
</name>
</person-group>
<source><![CDATA[El feminisme]]></source>
<year>2005</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[UOC]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[QUIN]]></surname>
<given-names><![CDATA[Robyn]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Enfoques sobre el estudio de los medios de comunicación: la enseñanza de los temas de representación de estereotipos]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[APARICI]]></surname>
<given-names><![CDATA[Roberto]]></given-names>
</name>
</person-group>
<source><![CDATA[La revolución de los medios audiovisuales: educación y nuevas tecnologías]]></source>
<year>1996</year>
<page-range>225-32</page-range><publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Ediciones de la Torre]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B39">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[SAMBADE]]></surname>
<given-names><![CDATA[Iván]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La pragmática masculina del control: del gobierno de sí mismo hacia la violencia contra las mujeres]]></article-title>
<source><![CDATA[Nomadías]]></source>
<year>2010</year>
<volume>11</volume>
<page-range>42-68</page-range><publisher-loc><![CDATA[Chile ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B40">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[SAMBADE]]></surname>
<given-names><![CDATA[Iván]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sobre las contradicciones de la razón moderna y la constitución de la subjetividad masculina]]></article-title>
<source><![CDATA[Prisma Social: revista de investigación social]]></source>
<year>2014</year>
<volume>13</volume>
<page-range>787-851</page-range><publisher-loc><![CDATA[Madrid ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B41">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[SÁNCHEZ ESCALONILLA]]></surname>
<given-names><![CDATA[Antonio]]></given-names>
</name>
</person-group>
<source><![CDATA[Estrategias de guion cinematográfico]]></source>
<year>2001</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Editorial Ariel Cine]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B42">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[SEIDLER]]></surname>
<given-names><![CDATA[Victor]]></given-names>
</name>
</person-group>
<source><![CDATA[Male Orders]]></source>
<year>1992</year>
<publisher-loc><![CDATA[Londres ]]></publisher-loc>
<publisher-name><![CDATA[Routledge]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B43">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[SERRA]]></surname>
<given-names><![CDATA[Jenny Cubells]]></given-names>
</name>
<name>
<surname><![CDATA[MADURGA]]></surname>
<given-names><![CDATA[Andrea Calsamiglia]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[El repertorio del amor romántico y las condiciones de posibilidad para la violencia machista]]></article-title>
<source><![CDATA[Universitas psychologica]]></source>
<year>2015</year>
<volume>14</volume>
<numero>5</numero>
<issue>5</issue>
<page-range>1681-94</page-range><publisher-loc><![CDATA[Bogotá ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B44">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[SIEGA]]></surname>
<given-names><![CDATA[Marcos]]></given-names>
</name>
<name>
<surname><![CDATA[GIROLAMO]]></surname>
<given-names><![CDATA[Gina]]></given-names>
</name>
<name>
<surname><![CDATA[MORGENSTEIN]]></surname>
<given-names><![CDATA[Leslie]]></given-names>
</name>
<name>
<surname><![CDATA[SCHECHTER]]></surname>
<given-names><![CDATA[Sarah]]></given-names>
</name>
<name>
<surname><![CDATA[GAMBLE]]></surname>
<given-names><![CDATA[Sera]]></given-names>
</name>
<name>
<surname><![CDATA[BERLANTI]]></surname>
<given-names><![CDATA[Greg]]></given-names>
</name>
<name>
<surname><![CDATA[TOLAND]]></surname>
<given-names><![CDATA[Lee]]></given-names>
</name>
<name>
<surname><![CDATA[TREE]]></surname>
<given-names><![CDATA[Silver]]></given-names>
</name>
<name>
<surname><![CDATA[FOLEY]]></surname>
<given-names><![CDATA[Michael]]></given-names>
</name>
</person-group>
<source><![CDATA[You]]></source>
<year>2018</year>
<publisher-name><![CDATA[Netflix]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B45">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[YELA GARCÍA]]></surname>
<given-names><![CDATA[Carlos]]></given-names>
</name>
</person-group>
<source><![CDATA[El Amor desde la psicología social: ni tan libres, ni tan racionales]]></source>
<year>2000</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Pirámide]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B46">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[ZURBANO]]></surname>
<given-names><![CDATA[Belén]]></given-names>
</name>
<name>
<surname><![CDATA[LIBERIA]]></surname>
<given-names><![CDATA[Irene]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Revisión teórico-conceptual de La violencia de género y de su representación en el discurso mediático. Una propuesta de resignificación]]></article-title>
<source><![CDATA[ZER Revista de Estudios de Comunicación]]></source>
<year>2014</year>
<volume>36</volume>
<page-range>121-43</page-range><publisher-loc><![CDATA[País Vasco ]]></publisher-loc>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
