<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1517-9702</journal-id>
<journal-title><![CDATA[Educação e Pesquisa]]></journal-title>
<abbrev-journal-title><![CDATA[Educ. Pesqui.]]></abbrev-journal-title>
<issn>1517-9702</issn>
<publisher>
<publisher-name><![CDATA[Faculdade de Educação da Universidade de São Paulo]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1517-97022023000100635</article-id>
<article-id pub-id-type="doi">10.1590/s1678-4634202349254031</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Filosofia trágica e pedagogia da escolha: imaginários cinematográficos sobre a afirmação da vida]]></article-title>
<article-title xml:lang="en"><![CDATA[Tragic philosophy and pedagogy of choice: cinematography imaginaries on life affirmation]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Almeida]]></surname>
<given-names><![CDATA[Rogério de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de São Paulo  ]]></institution>
<addr-line><![CDATA[São Paulo SP]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<volume>49</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1517-97022023000100635&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1517-97022023000100635&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1517-97022023000100635&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O vínculo entre a filosofia trágica (nada, acaso e convenção) e a afirmação da vida ( amor fati ), como estabelecido por Friedrich Nietzsche e Clément Rosset, é estudado neste artigo sob o método do perspectivismo hermenêutico e em diálogo com os filmes Lucky (2017), dirigido por John Carroll Lynch, Paterson (2016), de Jim Jarmush, e A árvore dos frutos selvagens (2018), de Nuri Bilge Ceylan. Os imaginários dessas três obras cinematográficas traduzem um processo de reflexão sobre a vida que culmina na aprovação trágica, revelada a partir da trajetória dos protagonistas e do caráter formativo de suas experiências, cujo saber ( páthei mathos ) conflui com a pedagogia da escolha em seus três movimentos: a suspensão da crença, pela qual se estabelece o jogo estético que permite ver o mundo por outra perspectiva; a estética da experiência, que valoriza o saber exercitado pelas obras de ficção; e, por fim, a constituição de itinerários de (auto)formação, que organizam as experiências formativas e possibilitam a escolha da afirmação trágica. As conclusões apontam que, em consonância com a continuidade da vida dos protagonistas dos filmes estudados, a afirmação incondicional da vida não é o resultado, a etapa final de uma escolha, mas um processo contínuo de aprovação, desde que se reconheça o caráter trágico da existência, do que é dado a viver.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The relationship between tragic philosophy (nothing, chance and convention) and the affirmation of life (amor fati), as established by Friedrich Nietzsche and Clément Rosset, is studied in this article under the method of hermeneutic perspectivism and in dialogue with the films Lucky (2017), directed by John Carroll Lynch, Paterson (2016), by Jim Jarmush, and The Wild Pear Tree (2018), by Nuri Bilge Ceylan. The imaginaries of these three cinematographic works reflect a process of reflection on life that culminates in approving tragical, revealed from the trajectory of the protagonists and the formative character of their experiences, whose knowledge (páthei mathos) converges with the pedagogy of choice in their three movements: the suspension of belief, through which the aesthetic game that allows seeing the world from another perspective is established; the aesthetics of experience, which values the knowledge exercised by works of fiction; and, finally, the constitution of (self)formation itineraries, which organize the formative experiences and enable the choice of the tragic statement. The conclusions reveals that, in line with the continuity of life of the protagonists of the studied films, the unconditional affirmation of life is not the result, the final step of a choice, but a continuous process of approval.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Filosofia da educação]]></kwd>
<kwd lng="pt"><![CDATA[Filosofia trágica]]></kwd>
<kwd lng="pt"><![CDATA[Cinema e educação]]></kwd>
<kwd lng="pt"><![CDATA[Pedagogia da escolha]]></kwd>
<kwd lng="en"><![CDATA[Philosophy of education]]></kwd>
<kwd lng="en"><![CDATA[Tragic philosophy]]></kwd>
<kwd lng="en"><![CDATA[Cinema and education]]></kwd>
<kwd lng="en"><![CDATA[Pedagogy of choice]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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