<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1982-0305</journal-id>
<journal-title><![CDATA[Revista Teias]]></journal-title>
<abbrev-journal-title><![CDATA[Revista Teias]]></abbrev-journal-title>
<issn>1982-0305</issn>
<publisher>
<publisher-name><![CDATA[Programa de Pós-Graduação em Educação - ProPEd/UERJ]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1982-03052018000100274</article-id>
<article-id pub-id-type="doi">10.12957/teias.2018.33183</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[A CONSTRUÇÃO DA IMAGEM DO DIABO NA LITERATURA INFANTIL: UMA LEITURA DO CONTO &#8220;O BOM DIABO&#8221;, DE MONTEIRO LOBATO]]></article-title>
<article-title xml:lang="en"><![CDATA[THE CONSTRUCTION OF THE DEVIL'S IMAGE IN CHILDREN'S LITERATURE: A READING OF THE STORY "THE GOOD DEVIL" BY MONTEIRO LOBATO]]></article-title>
<article-title xml:lang="es"><![CDATA[LA CONSTRUCCIÓN DE LA IMAGEN DEL DIABLO EN LA LITERATURA INFANTIL: UNA LECTURA DEL CUENTO "EL BUEN DIABLO", DE MONTEIRO LOBATO]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ferreira]]></surname>
<given-names><![CDATA[Yvonélio Nery]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Crozara]]></surname>
<given-names><![CDATA[Marília Simara]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af2">
<institution><![CDATA[,Universidade Federal do Acre Programa de Pós-graduação em Letras: Linguagem e Identidade ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidade Federal de Uberlândia Programa de Pós-graduação em Estudos Literários: Mestrado e doutorado ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>01</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>01</month>
<year>2018</year>
</pub-date>
<volume>19</volume>
<numero>52</numero>
<fpage>274</fpage>
<lpage>287</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1982-03052018000100274&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1982-03052018000100274&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1982-03052018000100274&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO: Na obra Contos da Tia Nastácia, publicada em 1937, uma antologia de historietas populares narradas pela personagem título a pedido de Pedrinho e da boneca Emília, podemos observar o entrecruzamento dos discursos religioso e folclórico, científico e popular. Nesse livro, a criada negra desfia os contos populares aos moradores do sítio, os quais, com postura crítica e interpelativa, tornam cada vez mais tensa a relação discursiva das histórias populares ouvidas. Ao resgatar folclores e crenças, Lobato procura desmitificá-los. Assim, no conto &#8220;O bom diabo&#8221;, o amansar da maldade e a relativização da bondade se compenetram a partir da simetria entre São Miguel e o Diabo, levando-nos a pensar em que medida esses sentimentos constituem o ser humano e a sociedade ocidental. Buscaremos, portanto, mostrar como se constituem os discursos religioso e folclórico na história infantil &#8220;O bom diabo&#8221;, de Monteiro Lobato. Para isso, refletiremos sobre a formação da literatura infantil e sobre a construção do imaginário da figura do diabo na cultura ocidental.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT: In A Tales Nastácia, published in 1937, an anthology of popular comic stories narrated by the title character at the request of Pedrinho and the Emília doll, we can observe the intertwining of religious and folkloric, scientific and popular discourses. In this book, the black maid slips the folktales from the locals, who, with a critical and interpersonal posture, make the discursive relation of popular stories heard increasingly tense. By rescuing folklore and beliefs, Lobato seeks to demystify them. Thus, in the story "The Good Devil," the taming of evil and the relativization of goodness are compenetrated from the symmetry between Saint Michael and the Devil, leading us to think to what extent these feelings constitute the human being and Western society . We will try, therefore, to show how the religious and folkloric discourses are constituted in the children's story "The good devil", by Monteiro Lobato. For this, we will reflect on the formation of children's literature and on the construction of the imaginary of the figure of the devil in Western culture.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN: En la obra Cuentos de la Tía Nastácia, publicada en 1937, una antología de historietas populares narradas por el personaje título a pedido de Pedrito y de la muñeca Emilia, podemos observar el entrecruzamiento de los discursos religioso y folclórico, científico y popular. En ese libro, la criada negra desata los cuentos populares a los habitantes del sitio, los cuales, con postura crítica e interpelativa, hacen cada vez más tensa la relación discursiva de las historias populares escuchadas. Al rescatar folclores y creencias, Lobato busca desmitificarlos. Así, en el cuento "El buen diablo", el amansar de la maldad y la relativización de la bondad se compenetran a partir de la simetría entre San Miguel y el Diablo, llevándonos a pensar en qué medida esos sentimientos constituyen el ser humano y la sociedad occidental . Buscaremos, por lo tanto, mostrar cómo se constituyen los discursos religioso y folclórico en la historia infantil "El buen diablo", de Monteiro Lobato. Para ello, reflexionamos sobre la formación de la literatura infantil y sobre la construcción del imaginario de la figura del diablo en la cultura occidental.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Literatura infantil]]></kwd>
<kwd lng="pt"><![CDATA[Discurso religioso]]></kwd>
<kwd lng="pt"><![CDATA[Cultura brasileira]]></kwd>
<kwd lng="pt"><![CDATA[Monteiro Lobato]]></kwd>
<kwd lng="en"><![CDATA[Child Literature]]></kwd>
<kwd lng="en"><![CDATA[Religious discourse]]></kwd>
<kwd lng="en"><![CDATA[Brazilian culture]]></kwd>
<kwd lng="en"><![CDATA[Monteiro Lobato]]></kwd>
<kwd lng="es"><![CDATA[Literatura infantil]]></kwd>
<kwd lng="es"><![CDATA[Discurso religioso]]></kwd>
<kwd lng="es"><![CDATA[Cultura brasileña]]></kwd>
<kwd lng="es"><![CDATA[Monteiro Lobato]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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