<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1982-0305</journal-id>
<journal-title><![CDATA[Revista Teias]]></journal-title>
<abbrev-journal-title><![CDATA[Revista Teias]]></abbrev-journal-title>
<issn>1982-0305</issn>
<publisher>
<publisher-name><![CDATA[Programa de Pós-Graduação em Educação - ProPEd/UERJ]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1982-03052019000100231</article-id>
<article-id pub-id-type="doi">10.12957/teias.2019.34136</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[O GRUPO THE MANIFEST: (RE)INVENTANDO O HIP HOP]]></article-title>
<article-title xml:lang="en"><![CDATA[THE MANIFEST GROUP: (RE)INVENTING THE HIP HOP]]></article-title>
<article-title xml:lang="es"><![CDATA[EL GRUPO THE MANIFEST: (RE)INVENTANDO EL HIP HOP]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Bonfanti]]></surname>
<given-names><![CDATA[Bóris Ximendes]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Grupo de Pesquisa Philos Shopias  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>01</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>01</month>
<year>2019</year>
</pub-date>
<volume>20</volume>
<numero>56</numero>
<fpage>231</fpage>
<lpage>248</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1982-03052019000100231&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1982-03052019000100231&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1982-03052019000100231&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO O artigo surge de um Estudo de Caso desenvolvido na cidade de Bagé (RS), no ano de 2016, acerca da temática &#8220;Identidades juvenis e as novas configurações sociais do Hip Hop no contexto da globalização de mercado&#8221;. A análise das práticas discursivas e não discursivas de jovens integrantes do Grupo The Manifest que participaram da pesquisa indicaram descontinuidades quanto à compreensão das novas tecnologias como fator de visibilidade social e cultural e regularidades quanto à necessidade de manter certas tradições da cultura Hip Hop, evidenciando efeitos híbridos. A dança se constitui numa prática de resistência ao preconceito presente na região fronteiriça gaúcha. É nesse jogo de forças que o Hip Hop se constitui como arte da existência.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT The article emerges from a Case Study developed in the city of Bagé (RS), in the year 2016, on the theme "Youth identities and the new social and cultural configurations of Hip Hop in the context of globalization of Marketplace". The analysis of the discursive and non-discursive practices of young people members of The Manifest Group who participated in the survey indicated that discontinuities in the understanding of the new technologies as a factor of social and cultural visibility and regularities regarding the need to maintain certain traditions of Hip Hop culture, evidencing hybrid effects. The dance is constitutes a practice of resistance to prejudice in the region frontier of the state of Rio Grande do Sul. It is in this game of forces that Hip Hop becomes an art of existence.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN El artículo surge de un Estudio de Caso desarrollado en la ciudad de Bagé (RS), en el año de 2016, sobre la temática &#8220;Identidades juveniles y las nuevas configuraciones sociales y culturales del Hip Hop en el contexto de la globalización del mercado &#8220; El análisis de las practicas discursivas y no discursivas de los jóvenes integrantes del grupo The Manifest que participaron en la investigación indicaron discontinuidades en cuanto a la comprensión de las nuevas tecnologías como factor de visibilidad social y cultural y regularidades en cuanto a la necesidad de mantener ciertas tradiciones de la cultura Hip Hop, evidenciando efectos híbridos. La danza se constituye en una práctica de resistencia al preconcepto presente en la región fronteriza gaúcha. Es en ese juego de fuerzas que el Hip Hop se constituye como arte de la existencia.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Cultura]]></kwd>
<kwd lng="pt"><![CDATA[Hip Hop]]></kwd>
<kwd lng="pt"><![CDATA[Globalização]]></kwd>
<kwd lng="pt"><![CDATA[Identidades juvenis]]></kwd>
<kwd lng="en"><![CDATA[Culture.Hip Hop]]></kwd>
<kwd lng="en"><![CDATA[Globalization]]></kwd>
<kwd lng="en"><![CDATA[Youth Identities]]></kwd>
<kwd lng="es"><![CDATA[Cultura.Hip Hop]]></kwd>
<kwd lng="es"><![CDATA[La globalización]]></kwd>
<kwd lng="es"><![CDATA[Identidades juveniles]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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