<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1982-0305</journal-id>
<journal-title><![CDATA[Revista Teias]]></journal-title>
<abbrev-journal-title><![CDATA[Revista Teias]]></abbrev-journal-title>
<issn>1982-0305</issn>
<publisher>
<publisher-name><![CDATA[Programa de Pós-Graduação em Educação - ProPEd/UERJ]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1982-03052022000300099</article-id>
<article-id pub-id-type="doi">10.12957/teias.2022.67438</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[A ESCRITORA ANILDA LEÃO NO CONTEXTO CULTURAL DE ALAGOAS]]></article-title>
<article-title xml:lang="en"><![CDATA[THE WRITER ANILDA LEÃO IN THE CULTURAL CONTEXT OF ALAGOAS]]></article-title>
<article-title xml:lang="es"><![CDATA[LA ESCRITORA ANILDA LEÃO EN EL CONTEXTO CULTURAL DE ALAGOAS]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Sena]]></surname>
<given-names><![CDATA[Fabiana]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Santos]]></surname>
<given-names><![CDATA[Ângela Maria dos]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,UFPB/PPGE  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<aff id="Af2">
<institution><![CDATA[,UFPB/PPGE  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>07</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>07</month>
<year>2022</year>
</pub-date>
<volume>23</volume>
<numero>70</numero>
<fpage>99</fpage>
<lpage>113</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1982-03052022000300099&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1982-03052022000300099&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1982-03052022000300099&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Historicamente a mulher foi vista de acordo com a sua inserção na sociedade local onde estava inserida. No século XIX, a história registrou a participação da mulher no âmbito do trabalho assalariado, o que posteriormente desencadeou movimentos por melhores condições de trabalho, gerando embates entre os que divergiam de opinião quanto aos papéis possíveis à mulher na sociedade. Nesse período, a narrativa desses embates, da defesa ou do rechaço a esses papéis não foi feita por elas, e sim por homens. Homens que teceram as representações do feminino na literatura, nos jornais e em seus poemas. Não obstante, conforme a mudança do cenário estrutural do corpo social na passagem do século XIX para o XX, a mulher conseguiu marcar presença, mesmo sofrendo repressões, nos mesmos espaços dominados pelos considerados doutos. Com base nessas asserções, apresentamos este estudo, orientado pela perspectiva da História Cultural, a fim de buscar, com base nas categorias de representação e de redes de sociabilidade, dar visibilidade à escritora Anilda Leão Moliterno (1923-2012). Essa mulher alagoana que trouxe em seus escritos muito de si, das mazelas sociais e do desafio de ser mulher em uma sociedade tomada pelo machismo. Destarte, a visibilidade que é dada à Anilda Leão no campo da história do feminino, na atualidade, faz com que reconheçamos suas atuações e que ela seja inserida no rol da escrita da história.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Historically, the woman was seen according to her insertion in the local society where she was inserted. In the 19th century, history recorded the participation of women in the field of paid work, which later triggered movements for better working conditions, generating clashes between those who differed in opinion about the possible roles of women in society. In this period, the narrative of these clashes, of the defense or rejection of these roles was not made by women, but by men. Men who wove the representations of the feminine in literature, in newspapers, and in their poems. Nevertheless, according to the change in the structural scenario of the social body in the passage from the nineteenth to the twentieth century, women managed to mark their presence, even suffering repression, in the same spaces dominated by those considered to be doctors. Based on these assertions, we present this study, guided by the Cultural History perspective, in order to seek, based on the categories of representation and networks of sociability, to give visibility to the writer Anilda Leão Moliterno (1923-2012). This woman from Alagoas, who brought in her writings much of herself, the social ills and the challenge of being a woman in a society taken by machismo. Thus, the visibility that is given to Anilda Leão in the field of women's history, nowadays, makes us recognize her performances and that she is inserted in the roll of history writing.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Históricamente, las mujeres eran vistas en función de su inserción en la sociedad local en la que estaban insertadas. En el siglo XIX, la historia registra la participación de las mujeres en el trabajo remunerado, lo que posteriormente desencadenó movimientos para mejorar las condiciones de trabajo, generando enfrentamientos entre quienes tenían opiniones diferentes sobre el posible papel de las mujeres en la sociedad. En este período, la narración de estos enfrentamientos, de la defensa o el rechazo de estos roles no fue hecha por las mujeres, sino por los hombres. Hombres que tejieron las representaciones de lo femenino en la literatura, en los periódicos y en sus poemas. Sin embargo, de acuerdo con el cambio en el escenario estructural del cuerpo social en el paso del siglo XIX al XX, las mujeres lograron marcar su presencia, incluso sufriendo la represión, en los mismos espacios dominados por los considerados médicos. A partir de estas afirmaciones, presentamos este estudio, guiado por la perspectiva de la Historia Cultural, para buscar, a partir de las categorías de representación y redes de sociabilidad, dar visibilidad a la escritora Anilda Leão Moliterno (1923-2012). Esta mujer de Alagoas que trajo en sus escritos mucho de sí misma, los males sociales y el desafío de ser mujer en una sociedad tomada por el machismo. Por lo tanto, la visibilidad que se le da a Anilda Leão en el campo de la historia de las mujeres, hoy en día, hace que reconozcamos sus actuaciones y que se inserte en el rollo de la escritura de la historia.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Anilda Leão]]></kwd>
<kwd lng="pt"><![CDATA[representação]]></kwd>
<kwd lng="pt"><![CDATA[redes de sociabilidades]]></kwd>
<kwd lng="en"><![CDATA[Anilda Leão]]></kwd>
<kwd lng="en"><![CDATA[representation]]></kwd>
<kwd lng="en"><![CDATA[networks of sociabilities]]></kwd>
<kwd lng="es"><![CDATA[Anilda Leão]]></kwd>
<kwd lng="es"><![CDATA[representación]]></kwd>
<kwd lng="es"><![CDATA[redes de sociabilidad]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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