<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1982-7199</journal-id>
<journal-title><![CDATA[Revista Eletrônica de Educação]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Elet. Educ.]]></abbrev-journal-title>
<issn>1982-7199</issn>
<publisher>
<publisher-name><![CDATA[Universidade Federal de São Carlos, Programa de Pós-Graduação em Educação]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1982-71992019000200401</article-id>
<article-id pub-id-type="doi">10.14244/198271993352</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Vagando na noite: encontros entre filosofia, educa&#1079;&#1075;o e m&#1098;sica, ao &#8220;som&#8221; de Derrida e Debussy]]></article-title>
<article-title xml:lang="en"><![CDATA[Roaming in the night: meetings between philosophy, education and music, to the &#8220;sound&#8221; of Derrida and Debussy]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Marin]]></surname>
<given-names><![CDATA[Andréia]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Castro]]></surname>
<given-names><![CDATA[Marcos Câmara de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de São Paulo  ]]></institution>
<addr-line><![CDATA[Ribeirão Preto SP]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade de São Paulo  ]]></institution>
<addr-line><![CDATA[Ribeirão Preto SP]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>05</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>05</month>
<year>2019</year>
</pub-date>
<volume>13</volume>
<numero>2</numero>
<fpage>401</fpage>
<lpage>416</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1982-71992019000200401&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1982-71992019000200401&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1982-71992019000200401&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo A presente escrita foi elaborada a partir de especulações sobre possíveis encontros entre filosofia, educação e música. Nas margens da música, onde a filosofia busca alguma penetração, o tema de uma suposta recusa à assimilação se anuncia, exigindo a retomada de questões como a permanência de uma zona de indeterminação não alcançada pelo esforço representacional. Essa opacidade incontornável do fenômeno musical desloca-o para uma dimensão noturna, destino comum a tudo que escapa aos interesses totalizantes de uma linguagem comprometida com a objetivação e nomeação das coisas e dos que, a partir dela própria, se convencionou chamar de outros. O noturno na filosofia e na música é objeto de reflexões de Derrida e de outros pensadores, a partir das quais é possível vislumbrar uma ampliação do mundo, justamente onde se evidencia o caráter meramente formal dos limites entre o que é dito e não dito, entre o que é humano ou não. O texto aqui apresentado inclui algumas dessas reflexões filosóficas, cotejadas com criações musicais que insinuam esse caráter noturno, como as de Debussy. Adicionalmente, são destacadas possíveis consequências do enfraquecimento da política representacional para processos de subjetivação e relações de alteridade, abrindo espaço para um pensamento sobre educação não comprometido com a centralidade do humano.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The present writing was elaborated from speculations about possible encounters between philosophy, education and music. On the margins of music, where philosophy seeks some penetration, the theme of a supposed refusal to assimilation is announced, demanding the resumption of questions such as the permanence of a zone of indetermination not reached by the representational effort. This unavoidable opacity of the musical phenomenon moves it to a nocturnal dimension, a common destiny to everything that escapes the totalizing interests of a language committed to the objectification and nomination of things and of those conventionally called other. The nocturnal in philosophy and in music is object of reflections of Derrida and other thinkers, from which it is possible to glimpse a widening of the world, just where it is evident the merely formal character of the limits between what is said and unsaid, between what is human and what&#8217;s not. The text presented here includes some of these philosophical reflections, compared to musical creations that insinuate this nocturnal character, like those of Debussy. Additionally, possible consequences of the weakening of representational politics to subjectivation processes and alterity relations are highlighted, opening space for a thought about an education not compromised with the centrality of the human.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Noturno]]></kwd>
<kwd lng="pt"><![CDATA[Música]]></kwd>
<kwd lng="pt"><![CDATA[Filosofia]]></kwd>
<kwd lng="pt"><![CDATA[Subjetivação]]></kwd>
<kwd lng="en"><![CDATA[Nocturne]]></kwd>
<kwd lng="en"><![CDATA[Music]]></kwd>
<kwd lng="en"><![CDATA[Philosophy]]></kwd>
<kwd lng="en"><![CDATA[Subjectivation]]></kwd>
</kwd-group>
</article-meta>
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