<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1982-7806</journal-id>
<journal-title><![CDATA[Cadernos de História da Educação]]></journal-title>
<abbrev-journal-title><![CDATA[Cad. Hist. Educ.]]></abbrev-journal-title>
<issn>1982-7806</issn>
<publisher>
<publisher-name><![CDATA[EDUFU - Editora da Universidade Federal de Uberlândia]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1982-78062025000100407</article-id>
<article-id pub-id-type="doi">10.14393/che-v24-e2025-10</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[&#8220;Meu mestre é Deus nas alturas&#8221;: canções de Tião Carreiro &amp; Pardinho e a educação de uma sensibilidade familiar cristã durante a segunda metade do século XX]]></article-title>
<article-title xml:lang="es"><![CDATA[&#8220;Meu mestre é Deus nas alturas&#8221;: canciones de Tião Carreiro &amp; Pardinho y la educación de una sensibilidad familiar Cristiana durante la segunda mitad del siglo XX]]></article-title>
<article-title xml:lang="en"><![CDATA[&#8220;Meu mestre é Deus nas alturas&#8221;: Tião Carreiro &amp; Pardinho&#8217;s songs and the education of a Christian family sensibility during the second half of the 20th century]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Claras]]></surname>
<given-names><![CDATA[Lucas Fíngolo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Orlando]]></surname>
<given-names><![CDATA[Evelyn de Almeida]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Pontifícia Universidade Católica do Paraná  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brasil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade do Estado do Rio de Janeiro  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<volume>24</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1982-78062025000100407&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1982-78062025000100407&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1982-78062025000100407&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo As produções culturais são marcas de uma sociedade, o que lhes confere uma grande importância. No caso da cultura caipira, a música recebe maior atenção, e pensando justamente a partir disso, o presente artigo pretende analisar como canções produzidas por Tião Carreiro &amp; Pardinho desempenharam um papel formativo e de educação de uma sensibilidade familiar. A partir da veiculação de valores e representações, a dupla sertaneja de matriz caipira possibilitou um processo educativo num contexto de mudanças de paradigmas sociais. Nesse movimento, eles demonstravam a visão de seu público sobre as transformações e choques decorrentes do êxodo migratório e dos problemas que surgiam durante a segunda metade do século XX.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Las producciones culturales son señas de identidad de una sociedad, lo que les otorga gran importancia. En el caso de la cultura &#8220;caipira&#8221;, la música recibe mayor atención, y pensando precisamente desde ese punto de vista, este artículo tiene como objetivo analizar cómo las canciones producidas por Tião Carreiro &amp; Pardinho desempeñaron un papel formativo y educativo de las sensibilidades familiares. Al transmitir valores y representaciones el dúo de música caipira hizo posible un proceso educativo en un contexto de contexto de cambio de paradigmas sociales. En este movimiento, demostraron a su público la visión de las transformaciones y conmociones derivadas del éxodo y los problemas surgidos durante la segunda mitad del siglo XX.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The cultural productions are marks of a society, which gives them great importance. In the case of &#8220;caipira&#8221; culture, music receives a especial attention, and with that in mind, this article aims to analyze how songs produced by Tião Carreiro &amp; Pardinho had a formative role in educating family sensibilities. By conveying values and representations, the country music duo made an educational process possible in a context of context of changing social paradigms. In this movement, they demonstrated their audience's view of the transformations and shocks resulting from the exodus and the problems that arose during the second half of the 20th century.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Educação das Sensibilidades]]></kwd>
<kwd lng="pt"><![CDATA[Música Sertaneja de Matriz Caipira]]></kwd>
<kwd lng="pt"><![CDATA[Tião Carreiro &amp; Pardinho]]></kwd>
<kwd lng="pt"><![CDATA[Sensibilidades Familiares]]></kwd>
<kwd lng="pt"><![CDATA[Religião.]]></kwd>
<kwd lng="es"><![CDATA[Educación de la Sensibilidad]]></kwd>
<kwd lng="es"><![CDATA[Música Sertaneja de Matriz Caipira]]></kwd>
<kwd lng="es"><![CDATA[Tião Carreiro &amp; Pardinho]]></kwd>
<kwd lng="es"><![CDATA[Sensibilidades familiares]]></kwd>
<kwd lng="es"><![CDATA[Religión.]]></kwd>
<kwd lng="en"><![CDATA[Education of Sensibilities]]></kwd>
<kwd lng="en"><![CDATA[Sertanejo Music of Caipira Origin]]></kwd>
<kwd lng="en"><![CDATA[Tião Carreiro &amp; Pardinho]]></kwd>
<kwd lng="en"><![CDATA[Family Sensibilities]]></kwd>
<kwd lng="en"><![CDATA[Religion.]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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<source><![CDATA[Catecismo da Igreja Católica]]></source>
<year>1992</year>
<publisher-name><![CDATA[Cidade do Vaticano]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CARREIRO]]></surname>
<given-names><![CDATA[Tião]]></given-names>
</name>
<name>
<surname><![CDATA[CASTRO]]></surname>
<given-names><![CDATA[Luiz de.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Música: Feliz casamento.]]></article-title>
<source><![CDATA[Álbum: Em tempo de avanço]]></source>
<year>1969</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Gravadora Chantecler]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CARREIRO]]></surname>
<given-names><![CDATA[Tião]]></given-names>
</name>
<name>
<surname><![CDATA[NUNES]]></surname>
<given-names><![CDATA[Manuelito.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Música: Meu protesto.]]></article-title>
<source><![CDATA[Álbum: Estrela de ouro]]></source>
<year>1986</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Gravadora Chantecler]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CARREIRO]]></surname>
<given-names><![CDATA[Tião]]></given-names>
</name>
<name>
<surname><![CDATA[SANTOS]]></surname>
<given-names><![CDATA[Lourival dos.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Música: Minha esposa vale ouro.]]></article-title>
<source><![CDATA[Álbum: Em tempo de avanço]]></source>
<year>1969</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Gravadora Chantecler]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CARREIRO]]></surname>
<given-names><![CDATA[Tião.]]></given-names>
</name>
<name>
<surname><![CDATA[SANTOS]]></surname>
<given-names><![CDATA[Lourival dos]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Música: O pulo do gato.]]></article-title>
<source><![CDATA[Álbum: Esquina da saudade]]></source>
<year>1974</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Gravadora Chantecler]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CARREIRO]]></surname>
<given-names><![CDATA[Tião]]></given-names>
</name>
<name>
<surname><![CDATA[SANTOS]]></surname>
<given-names><![CDATA[Lourival dos.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Música: Chumbo grosso.]]></article-title>
<source><![CDATA[Álbum: Duelo de amor]]></source>
<year>1975</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Gravadora Chantecler]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CARREIRO]]></surname>
<given-names><![CDATA[Tião]]></given-names>
</name>
<name>
<surname><![CDATA[SANTOS]]></surname>
<given-names><![CDATA[Lourival dos.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Música: Na paz de Deus.]]></article-title>
<source><![CDATA[Álbum: Duelo de amor]]></source>
<year>1975</year>
<month>a</month>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Gravadora Chantecler]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CARREIRO]]></surname>
<given-names><![CDATA[Tião]]></given-names>
</name>
<name>
<surname><![CDATA[SANTOS]]></surname>
<given-names><![CDATA[Lourival dos.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Música: Rainha do lar.]]></article-title>
<source><![CDATA[Álbum: No som da viola]]></source>
<year>1983</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Gravadora Chantecler]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CARREIRO]]></surname>
<given-names><![CDATA[Tião]]></given-names>
</name>
<name>
<surname><![CDATA[SANTOS]]></surname>
<given-names><![CDATA[Lourival dos]]></given-names>
</name>
<name>
<surname><![CDATA[MACHADO]]></surname>
<given-names><![CDATA[Vicente P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Música: A vaca já foi pro brejo.]]></article-title>
<source><![CDATA[Álbum: Rancho do vale]]></source>
<year>1977</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Gravadora Chantecler]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CARREIRO]]></surname>
<given-names><![CDATA[Tião]]></given-names>
</name>
<name>
<surname><![CDATA[VIEIRA]]></surname>
<given-names><![CDATA[Teddy.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Música: Boiadeiro punho de aço.]]></article-title>
<source><![CDATA[Álbum: Modas de viola classe &#8220;A&#8221; vol. 2]]></source>
<year>1975</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Gravadora Chantercler]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[SANTOS]]></surname>
<given-names><![CDATA[Lourival dos]]></given-names>
</name>
<name>
<surname><![CDATA[SANTOS]]></surname>
<given-names><![CDATA[Moacyr dos]]></given-names>
</name>
<name>
<surname><![CDATA[CARREIRO]]></surname>
<given-names><![CDATA[Tião]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Música: Filhinho de papai.]]></article-title>
<source><![CDATA[Álbum: Hoje eu não posso ir]]></source>
<year>1972</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Gravadora Chantecler]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[SETTANNI]]></surname>
<given-names><![CDATA[Victor]]></given-names>
</name>
<name>
<surname><![CDATA[MACHADO]]></surname>
<given-names><![CDATA[Vicente P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Música: O filho que não volta.]]></article-title>
<source><![CDATA[Álbum: Rancho do vale]]></source>
<year>1977</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Gravadora Chantecler]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
