<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1982-9949</journal-id>
<journal-title><![CDATA[Reflexão e Ação]]></journal-title>
<abbrev-journal-title><![CDATA[Rev.Reflex]]></abbrev-journal-title>
<issn>1982-9949</issn>
<publisher>
<publisher-name><![CDATA[Editora da Universidade de Santa Cruz do Sul - EDUNISC]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1982-99492015000300104</article-id>
<article-id pub-id-type="doi">10.17058/rea.v23i3.6083</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Corpo surdo e suas singularidades]]></article-title>
<article-title xml:lang="en"><![CDATA[The deaf body and its singularities]]></article-title>
<article-title xml:lang="es"><![CDATA[Cuerpo sordo y sus singularidades]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rodrigues]]></surname>
<given-names><![CDATA[Aline]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Munhoz]]></surname>
<given-names><![CDATA[Angélica Vier]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Hattge]]></surname>
<given-names><![CDATA[Morgana Domênica]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Unidade Integrada Vale do Taquari de Ensino Superior  ]]></institution>
<addr-line><![CDATA[Lajeado RS]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>09</month>
<year>2015</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>09</month>
<year>2015</year>
</pub-date>
<volume>23</volume>
<numero>3</numero>
<fpage>104</fpage>
<lpage>124</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1982-99492015000300104&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1982-99492015000300104&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1982-99492015000300104&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[O presente artigo refere-se a um recorte da disserta&#231;&#227;o de mestrado realizada no Centro Universit&#225;rio Univates no per&#237;odo de julho de 2013 a julho de 2015. Em meio a teoriza&#231;&#245;es de fil&#243;sofos da diferen&#231;a, entre eles Deleuze e Barthes, toma-se o seguinte problema de pesquisa: Como um corpo surdo &#233; pungido por outras vias que n&#227;o a representa&#231;&#227;o? Tal problema desdobra-se nos seguintes objetivos: compreender os modos pelos quais alguns corpos surdos se singularizam e como potencializam sua vida; carto(foto)grafar os afetos produzidos pelo corpo surdo em encontros com a fotografia. Estas carto(foto)grafias foram realizadas em momentos distintos, com tr&#234;s sujeitos surdos nas cidades de Lajeado/RS e Estrela/RS, a partir de trajetos percorridos com o uso da c&#226;mera fotogr&#225;fica. O encontro com a obra "Caminhando", de Lygia Clark (1964) serviu para que o percurso fosse pensado enquanto obra que se realiza no ato. Por vezes, um corpo inacabado, em movimento de constante recusa &#224; fixa&#231;&#227;o. Em muitas outras, apenas um corpo capturado por linhas estratificadas. Ao finalizar a pesquisa, percebe-se que a entrega do corpo &#233; sempre algo dif&#237;cil, de modo que fixa-se mais na objetividade e brevidade, do que naquilo que um corpo &#233; capaz de produzir enquanto singularidade.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[This article refers to a section of a master dissertation held at Univates University Center from July 2013 to July 2015. Among the theories of philosophers of difference, including Deleuze and Barthes, the following research problem was taken: How a deaf body is pierced by different means other than the representation? Such a problem unfolds on the following objectives: understanding the ways in which some deaf bodies are unique and how they empower their lives; carto(photo)graphing the affects produced by the encounter between a deaf body and the photography. These carto(photo)graphs were held at different times, with three deaf people in the cities of Lajeado / RS and Estrela / RS, from paths which were traveled using a camera. The encounter with the work "Walking" by Lygia Clark (1964) served to think the route as a work that takes place in the act. In some cases, an unfinished body in motion of constant refusal to fix in many others, only one body captured by stratified lines. At the end of the survey, it's possible to see that the body's release is always difficult, so that it is more fixed in the objectivity and brevity, rather than in what a body is capable of producing as uniqueness.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[El presente art&#237;culo se refiere a un recorte de disertaci&#243;n de m&#225;ster realizado en el Centro Universit&#225;rio Univates en el per&#237;odo de julio de 2013 a julio de 2015. En medio a teorizaciones de fil&#243;sofos de la diferencia, entre ellos Deleuze y Barthes, se toma el siguiente problema de investigaci&#243;n: &#191;C&#243;mo un cuerpo sordo sufre estimulaci&#243;n por otras v&#237;as que no la representaci&#243;n? Tal problema se desdobla en los siguientes objetivos: comprender los modos por los cuales algunos cuerpos sordos se singularizan y c&#243;mo potencializan su vida; Carto(foto)graf&#237;a los afectos producidos por el cuerpo sordo en encuentros con la fotograf&#237;a. Estas carto(foto)grafias fueron realizadas en momentos distintos, con tres sujetos sordos en las ciudades de Lajeado/RS y Estrela/RS, partiendo de trayectos recurridos con el uso de la c&#225;mara fotogr&#225;fica. El encuentro con la obra "Caminando", de Lygia Clark (1964) sirvi&#243; para que el recorrido fuese pensado mientras la obra se realiza en el acto. Por veces, un cuerpo inacabado, en movimiento de constante rechazo a la fijaci&#243;n. En muchas otras, s&#243;lo un cuerpo capturado por l&#237;neas estratificadas. Al finalizar la investigaci&#243;n, se percibi&#243; que la entrega del cuerpo es siempre algo dif&#237;cil, de modo que se fija m&#225;s en la objetividad y brevedad, de aquello que un cuerpo es capaz de producir mientras sea singular.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Corpo Surdo]]></kwd>
<kwd lng="pt"><![CDATA[Punctum]]></kwd>
<kwd lng="pt"><![CDATA[Carto(foto)grafia]]></kwd>
<kwd lng="en"><![CDATA[Deaf Body]]></kwd>
<kwd lng="en"><![CDATA[Punctum]]></kwd>
<kwd lng="en"><![CDATA[Carto(photo)graph]]></kwd>
<kwd lng="es"><![CDATA[Cuerpo Sordo]]></kwd>
<kwd lng="es"><![CDATA[Punctum]]></kwd>
<kwd lng="es"><![CDATA[Carto(foto)grafía]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[PEREIRA]]></surname>
<given-names><![CDATA[Michele Quinhones]]></given-names>
</name>
<name>
<surname><![CDATA[MAROSTEGA]]></surname>
<given-names><![CDATA[Vera Lucia]]></given-names>
</name>
</person-group>
<article-title xml:lang="en"><![CDATA[Perspectivas pedagógicas na escola de surdos de Santa Maria.]]></article-title>
<source><![CDATA[Revista Cadernos Educação Especial]]></source>
<year></year>
<numero>20</numero>
<issue>20</issue>
<publisher-loc><![CDATA[Santa Maria ]]></publisher-loc>
<publisher-name><![CDATA[UFSM]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
