<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1984-5987</journal-id>
<journal-title><![CDATA[Childhood & Philosophy]]></journal-title>
<abbrev-journal-title><![CDATA[child.philo]]></abbrev-journal-title>
<issn>1984-5987</issn>
<publisher>
<publisher-name><![CDATA[Universidade do Estado do Rio de Janeiro]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1984-59872022000100012</article-id>
<article-id pub-id-type="doi">10.12957/childphilo.2022.64742</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[el gesto quínico. por una filosofía de la insolencia]]></article-title>
<article-title xml:lang="en"><![CDATA[the kynical gesture. for a philosophy of insolence]]></article-title>
<article-title xml:lang="pt"><![CDATA[o gesto cínico. Por uma filosofia da insolência]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[hurtado-alvarado]]></surname>
<given-names><![CDATA[johan]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[vargas]]></surname>
<given-names><![CDATA[ingrid]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[espinel-bernal]]></surname>
<given-names><![CDATA[oscar]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,instituto caro y cuervo  ]]></institution>
<addr-line><![CDATA[bogota ]]></addr-line>
<country>Colombia</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,uniminuto  ]]></institution>
<addr-line><![CDATA[bogota ]]></addr-line>
<country>Colombia</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,universidad pedagógica y tecnológica de colombia  ]]></institution>
<addr-line><![CDATA[tunja ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>01</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>01</month>
<year>2022</year>
</pub-date>
<volume>18</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1984-59872022000100012&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1984-59872022000100012&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1984-59872022000100012&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[resumen La filosofía entregada al saber sacro de Atenea ha sufrido una castración innegable en la modernidad, pues, siguiendo a Sloterdijk, se ha emparentado con el cínico, subyugándose a la apariencia. Por esta razón, la literatura alemana diferencia entre Kynismus y Zynismus. El kynismós con &#8220;k&#8221; hace referencia a los sabios perros del ágora y el Zynismus al papillón sin dientes. Bajo las claves de la modernidad, la filosofía se camufla en la moderación, el buen decir y la etiqueta de salón, abandonando con ello la estridencia, sarcasmo y desafío que la escuela de Diógenes practicó; pero ¿En qué consistía esa insolencia? ¿Cuál era su discurso? ¿Cuáles eran sus gestos? Son algunas de las preguntas abordadas en el presente artículo; por ello, la reflexión en torno a la figura del quínico, de la mano del autor de la Crítica de la razón cínica, ha sido central para elucidar algunas de estas cuestiones y, porque no, oscurecerlas, después de todo, los intersticios de las palabras son más profundos. Por motivos metodológicos el texto se divide en tres apartados: primero, Resonancias de un concepto suplantado, en él se indaga el vínculo entre la insolencia y lo quínico; segundo, Gestos filosóficos, donde se trazan las muecas de un pensamiento impertinente y tercero, Conclusiones.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[abstract The philosophy devoted to the sacred knowledge of Athena has suffered an undeniable castration in modernity, because, following Sloterdijk, it has been related to the cynic, subjugation to appearance. For this reason, German literature differentiates between Kynismus and Zynismus. The kynysmós with "k" refers to the wise dogs of the agora and the Zynismus to the toothless Papillon. Under the keys of modernity, philosophy is camouflaged in moderation, good saying and salon etiquette, thereby abandoning the stridency, sarcasm and challenge that the school of Diogenes practiced; but what was that insolence? What was his speech? What were his gestures? These are some of the questions addressed in this article; therefore, the reflection on the figure of the cynic, by the hand of the author of Critique of Cynical Reason, has been central to elucidate some of these questions and, why not, obscure them, after all, the interstices of the words are deeper. For methodological reasons, the text is divided into three sections: first, Resonances of a supplanted concept, in which the link between insolence and the cynical is investigated; second, Philosophical gestures, where the grimaces of an impertinent thought are drawn and third, Conclusions.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[resumo A filosofia entregue ao saber sagrado de Atena sofreu uma inegável castração na modernidade, pois, seguindo Sloterdijk, passou a se relacionar com o cínico, subjugando-se à aparência. Por esta razão, a literatura alemã diferencia entre Kynismus e Zynismus. O kynismós com &#8220;k&#8221; refere-se aos cães sábios da ágora e o Zynismus ao papillon desdentado. Sob as chaves da modernidade, a filosofia camufla-se na moderação, no bom discurso e na etiqueta de salão, abandonando assim a estridência, o sarcasmo e o desafio que a escola de Diógenes praticava; mas o que foi essa insolência? Qual foi o seu discurso? Quais foram seus gestos? Estas são algumas das questões abordadas neste artigo; por isso, a reflexão sobre a figura do cínico, do autor da Crítica da Razão Cínica, tem sido central para elucidar algumas dessas questões e, por que não, obscurecê-las, afinal, os interstícios das palavras são mais profundos Por razões metodológicas, o texto está dividido em três seções: primeiro, Ressonâncias de um conceito suplantado, em que se investiga a ligação entre a insolência e o cínico; segundo, Gestos filosóficos, onde se traçam as caretas de um pensamento impertinente e terceiro, Conclusões.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[quínico]]></kwd>
<kwd lng="es"><![CDATA[cínico]]></kwd>
<kwd lng="es"><![CDATA[filosofía]]></kwd>
<kwd lng="es"><![CDATA[sloterdijk]]></kwd>
<kwd lng="es"><![CDATA[gesto.]]></kwd>
<kwd lng="en"><![CDATA[kynical]]></kwd>
<kwd lng="en"><![CDATA[cynical]]></kwd>
<kwd lng="en"><![CDATA[philosophy]]></kwd>
<kwd lng="en"><![CDATA[sloterdijk]]></kwd>
<kwd lng="en"><![CDATA[gesture.]]></kwd>
<kwd lng="pt"><![CDATA[quínico]]></kwd>
<kwd lng="pt"><![CDATA[cínico]]></kwd>
<kwd lng="pt"><![CDATA[filosofia]]></kwd>
<kwd lng="pt"><![CDATA[sloterdijk]]></kwd>
<kwd lng="pt"><![CDATA[gesto.]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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