<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1984-6444</journal-id>
<journal-title><![CDATA[Educação UFSM]]></journal-title>
<abbrev-journal-title><![CDATA[Educação. Santa Maria]]></abbrev-journal-title>
<issn>1984-6444</issn>
<publisher>
<publisher-name><![CDATA[Universidade Federal de Santa Maria]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1984-64442023000100235</article-id>
<article-id pub-id-type="doi">10.5902/1984644467931</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[A autoria e o romance da escuta em Quase de verdade, de Clarice Lispector]]></article-title>
<article-title xml:lang="en"><![CDATA[The authorship and aural novel in Quase de verdade by Clarice Lispector]]></article-title>
<article-title xml:lang="es"><![CDATA[La autoría y el romance de la escucha en Quase de verdade, de Clarice Lispector]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Scorsolini-Comin]]></surname>
<given-names><![CDATA[Fabio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Pacífico]]></surname>
<given-names><![CDATA[Soraya Maria Romano]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de São Paulo  ]]></institution>
<addr-line><![CDATA[Ribeirão Preto SP]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade de São Paulo  ]]></institution>
<addr-line><![CDATA[Ribeirão Preto SP]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<volume>48</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1984-64442023000100235&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1984-64442023000100235&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1984-64442023000100235&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO Este estudo trabalha com a noção de autoria a partir da recepção auditiva, tal como proposto por Marília Librandi em seu conceito de romance da escuta. A partir desse posicionamento teórico, o objetivo é discutir a construção do romance de escuta no livro infantil Quase de verdade, publicado originalmente em 1978, após a morte de Clarice Lispector (1920-1977). O livro é narrado pelo cachorro Ulisses e a autora se posiciona como quem pode escutar e interpretar a linguagem canina para que a escrita ocorra.A obra pode ser considerada um romance da escuta pela duplicação da autoria (Ulisses-Clarice), por ser construída à medida que é lida e por se tratar de uma ficção aberta que convoca o leitor a participar dessa escrita por meio da escuta e do ato criativo.Em termos práticos, aventa-se que esse conceito pode contribuir para a discussão sobre a construção da autoria com jovens leitores, em diálogo com a literatura infantil.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT This study works with the notion of authorship from the listening reception, as proposed by MaríliaLibrandi in her concept of aural novel. From this theoretical position, the aim is to discuss the construction of the aural novel in the children&#8217;s book Quase de verdade, originally published in 1978, after the death of Clarice Lispector (1920-1977). The book is narrated by the dog Ulisses and the author positions herself as the one who can listen and interpret the canine language for the writing to take place. The work can be considered an aural novel because of the duplication of authorship (Ulisses-Clarice), because it is constructed as it is read, and because it is an open fiction that invites the reader to participate in this writing through listening and the creative act. In practical terms, this concept can contribute to the discussion about the construction of authorship with young readers, in dialogue with children&#8217;s literature.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN Este estudio trabaja con la noción de autoría a partir de la recepción de la escucha, propuesta por Marília Librandi en su concepto de romance de escucha. A partir de esta posición teórica, el objetivo es discutir la construcción del romance de escucha en el libro infantil Quase de verdade, publicado originalmente en 1978, después de la muerte de Clarice Lispector (1920-1977). El libro es narrado por el perro Ulises y la autora se posiciona como quien puede escuchar e interpretar el lenguaje canino para que la escritura tenga lugar. La obra puede considerar se un romance de escucha por la duplicidad de autoría (Ulises-Clarice), porque se construye a medida que se lee y porque es una ficción abierta que invita al lector a participar en esta escritura a través de la escucha y el acto creativo. En términos prácticos, se sugiere que este concepto puede contribuir a la discusión sobre la construcción de la autoría con jóvenes lectores, en diálogo con la literatura infantil.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Autoria]]></kwd>
<kwd lng="pt"><![CDATA[Romance de escuta]]></kwd>
<kwd lng="pt"><![CDATA[Literatura infantil]]></kwd>
<kwd lng="pt"><![CDATA[Clarice Lispector]]></kwd>
<kwd lng="en"><![CDATA[Authorship]]></kwd>
<kwd lng="en"><![CDATA[Aural novel]]></kwd>
<kwd lng="en"><![CDATA[Children&#8217;s literature]]></kwd>
<kwd lng="en"><![CDATA[Clarice Lispector]]></kwd>
<kwd lng="es"><![CDATA[Autoría]]></kwd>
<kwd lng="es"><![CDATA[Romance de escucha]]></kwd>
<kwd lng="es"><![CDATA[Literatura infantil]]></kwd>
<kwd lng="es"><![CDATA[Clarice Lispector]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[BALDOINO]]></surname>
<given-names><![CDATA[Adriana Morais de Sousa]]></given-names>
</name>
<name>
<surname><![CDATA[TABAK]]></surname>
<given-names><![CDATA[Fani Miranda]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Fabulação e formação de leitores: uma aventura em O mistério do coelho pensante, de Clarice Lispector]]></article-title>
<source><![CDATA[Linha D&#8217;Água]]></source>
<year>2022</year>
<volume>35</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>59-80</page-range><publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CARDOSO]]></surname>
<given-names><![CDATA[L. M]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A problemática do narrador: da literatura ao cinema]]></article-title>
<source><![CDATA[Lumina]]></source>
<year>2003</year>
<volume>6</volume>
<numero>1/2</numero>
<issue>1/2</issue>
<page-range>57-72</page-range><publisher-loc><![CDATA[Juiz de Fora ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[FIGUEIREDO]]></surname>
<given-names><![CDATA[Carolina Dantas]]></given-names>
</name>
<name>
<surname><![CDATA[BARRETTO]]></surname>
<given-names><![CDATA[Anderson Gomes Paes]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A Hora da Estrela Virtual: leitura, literatura, reapropriação e remix de Clarice Lispector nas redes sociais]]></article-title>
<source><![CDATA[Revista Brasileira de História da Mídia]]></source>
<year>2015</year>
<volume>4</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>89-98</page-range></nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[GOTLIB]]></surname>
<given-names><![CDATA[Nádia Battella]]></given-names>
</name>
</person-group>
<source><![CDATA[Clarice: uma vida que se conta]]></source>
<year>2009</year>
<edition>6ª</edition>
<page-range>656</page-range><publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[EDUSP]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[JERONIMO]]></surname>
<given-names><![CDATA[Thiago Cavalcante]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Benjamin Moser, a voz corrente dos boatos e do infundamentado como verdade: uma leitura crítica acerca dos recentes equívocos do biógrafo norte-americano]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[CUNHA]]></surname>
<given-names><![CDATA[Maria Zilda]]></given-names>
</name>
<name>
<surname><![CDATA[RUIZ]]></surname>
<given-names><![CDATA[Regina Célia]]></given-names>
</name>
</person-group>
<source><![CDATA[Clarice Lispector: os mistérios da estrela]]></source>
<year>2020</year>
<page-range>111-22</page-range><publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[FFLCH/USP]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[LISPECTOR]]></surname>
<given-names><![CDATA[Clarice]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Quase de verdade]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[LISPECTOR]]></surname>
<given-names><![CDATA[Clarice]]></given-names>
</name>
</person-group>
<source><![CDATA[O mistério do coelho pensante e outros contos]]></source>
<year>2010</year>
<page-range>51-65</page-range><publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[Rocco Jovens Leitores]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[LISPECTOR]]></surname>
<given-names><![CDATA[Clarice]]></given-names>
</name>
</person-group>
<source><![CDATA[Um sopro de vida (Pulsações)]]></source>
<year>1999</year>
<page-range>160</page-range><publisher-loc><![CDATA[Rocco ]]></publisher-loc>
<publisher-name><![CDATA[Rio de Janeiro]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[LIBRANDI]]></surname>
<given-names><![CDATA[Marília]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Escritas de ouvido na literatura brasileira]]></article-title>
<source><![CDATA[Literatura e Sociedade]]></source>
<year>2015</year>
<volume>19</volume>
<page-range>131-48</page-range><publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[LIBRANDI]]></surname>
<given-names><![CDATA[Marília]]></given-names>
</name>
</person-group>
<source><![CDATA[Escrever de ouvido: Clarice Lispector e os romances da escuta]]></source>
<year>2020</year>
<page-range>304</page-range><publisher-loc><![CDATA[Belo Horizonte ]]></publisher-loc>
<publisher-name><![CDATA[Relicário]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MARCHEZAN]]></surname>
<given-names><![CDATA[Renata Coelho]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A noção de autor na obra de M. Bakhtin e a partir dela]]></article-title>
<source><![CDATA[Bakhtiniana]]></source>
<year>2015</year>
<volume>10</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>186-204</page-range><publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MARTINS]]></surname>
<given-names><![CDATA[Noilma Alves]]></given-names>
</name>
<name>
<surname><![CDATA[PACÍFICO]]></surname>
<given-names><![CDATA[Soraya Maria Romano]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Criatividade, autoria e argumentação na escola: subjetividade em discurso]]></article-title>
<source><![CDATA[Educação &amp; Realidade]]></source>
<year>2020</year>
<volume>45</volume>
<numero>1</numero>
<issue>1</issue>
<publisher-loc><![CDATA[Porto Alegre ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MENDES]]></surname>
<given-names><![CDATA[Maria dos Prazeres]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Clarice Lispector: roteiros de leitura]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[CUNHA]]></surname>
<given-names><![CDATA[Maria Zilda]]></given-names>
</name>
<name>
<surname><![CDATA[RUIZ]]></surname>
<given-names><![CDATA[Regina Célia]]></given-names>
</name>
</person-group>
<source><![CDATA[Clarice Lispector: os mistérios da estrela]]></source>
<year>2020</year>
<page-range>12-20</page-range><publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[FFLCH/USP]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MOSER]]></surname>
<given-names><![CDATA[Benjamin]]></given-names>
</name>
</person-group>
<source><![CDATA[Clarice, uma biografia]]></source>
<year>2017</year>
<page-range>554</page-range><publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Companhia das Letras]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[NANCY]]></surname>
<given-names><![CDATA[Jean-Luc]]></given-names>
</name>
</person-group>
<source><![CDATA[À escuta]]></source>
<year>2014</year>
<publisher-loc><![CDATA[Belo Horizonte ]]></publisher-loc>
<publisher-name><![CDATA[Edições Chão de Feira]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[OLIVEIRA]]></surname>
<given-names><![CDATA[SayonaraAmaral de]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#8220;Clarice Lispector curtiu uma publicação em que você foi marcado&#8221;: leitores-fãs e as transformações do literário no campo da mídia digital.]]></article-title>
<source><![CDATA[Revista Araticum]]></source>
<year>2018</year>
<volume>17</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>96-110</page-range></nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[SCORSOLINI-COMIN]]></surname>
<given-names><![CDATA[Fabio]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A autora e os bichos: a vida íntima de Ulisses]]></article-title>
<source><![CDATA[Psicologia em Estudo]]></source>
<year>2023</year>
<volume>28</volume>
<publisher-loc><![CDATA[Maringá ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[SCORSOLINI-COMIN]]></surname>
<given-names><![CDATA[Fabio]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Cartas para Clarice: oficina de escrita com alunos do ensino fundamental]]></article-title>
<source><![CDATA[Revista do NUFEN]]></source>
<year>2023</year>
<volume>15</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>1-12</page-range><publisher-loc><![CDATA[Belém ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[SCORSOLINI-COMIN]]></surname>
<given-names><![CDATA[Fabio]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Suprimir os fatos e privilegiar as sensações: a emergência da criança-autora em Clarice Lispector]]></article-title>
<source><![CDATA[Revista do SELL]]></source>
<year>2021</year>
<volume>10</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>135-54</page-range><publisher-loc><![CDATA[Uberaba ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[SCORSOLINI-COMIN]]></surname>
<given-names><![CDATA[Fabio]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A infância clandestina em Clarice Lispector]]></article-title>
<source><![CDATA[Revista do SELL]]></source>
<year>2019</year>
<volume>8</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>185-203</page-range><publisher-loc><![CDATA[Uberaba ]]></publisher-loc>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
