<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1984-7114</journal-id>
<journal-title><![CDATA[Contrapontos]]></journal-title>
<abbrev-journal-title><![CDATA[Contrapontos]]></abbrev-journal-title>
<issn>1984-7114</issn>
<publisher>
<publisher-name><![CDATA[Univali]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1984-71142020000200259</article-id>
<article-id pub-id-type="doi">10.14210/contrapontos.v20n2.p259-273</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[EL CUERPO HABLA: INVESTIGACIÓN-CREACIÓN]]></article-title>
<article-title xml:lang="en"><![CDATA[EL CUERPO HABLA: RESEARCH-CREATION]]></article-title>
<article-title xml:lang="pt"><![CDATA[EL CUERPO HABLA: PESQUISA-CRIAÇÃO]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Brand]]></surname>
<given-names><![CDATA[Angela María Chaverra]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Antioquia Facultad de Artes ]]></institution>
<addr-line><![CDATA[Medelín Antioquia]]></addr-line>
<country>Colômbia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<volume>20</volume>
<numero>2</numero>
<fpage>259</fpage>
<lpage>273</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1984-71142020000200259&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1984-71142020000200259&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1984-71142020000200259&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: La investigación-creación que presentamos, aborda a partir de un acto de fabulación con la comunidad, a través de un dispositivo como la performance, el despliegue de un tema controversial en la historia del arte de occidente y es la propuesta de entender el arte como acontecimiento social y político, más que como obra de arte terminada; allí se presentan como lo propone Guattari, tres aspectos fundamentales: la ética, la estética y las producciones de subjetividad, mediante el levantamiento de una cartografía social como una estrategia artístico-política en la que interviene la comunidad en el rol de intercesor del proceso, lo que permite inferir en las dinámicas pedagógicas, sociales, políticas, creativas de la sociedad y hacer de la vida una obra de arte, como respuesta al malestar contemporáneo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The research-creation that we present here addresses, based on an act of fabulation with the community, through performance as a device, the unfolding of a controversial subject in the history of western art; the proposal is to understand art as a social and political event, rather than as a finished work. This is shown in three fundamental aspects proposed by Guattari: ethics, aesthetics and the productions of subjectivity, through the raising of a social cartography as an artistic-political strategy in which the community intervenes, in the role of intercessor of the process, allowing the pedagogical, social, political and creative dynamics of society to be inferred, and making life a work of art, in response to the contemporary malaise.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: A pesquisa-criação que apresentamos aborda, a partir de um ato de fabulação com a comunidade, por meio da performance como um dispositivo, o desdobrar de um tema controverso na história da arte ocidental; a proposta está em compreender a arte como acontecimento social e político, mais do que obra de arte finalizada. Isto se mostra em três aspectos fundamentais propostos por Guattari: a ética, a estética e as produções de subjetividade, por meio do levantamento de uma cartografia social como uma estratégia artístico-política na qual a comunidade intervém no papel de intercessora do processo, o que permite inferir nas dinâmicas pedagógicas, sociais, políticas e criativas da sociedade e fazer da vida uma obra de arte, como resposta ao mal-estar contemporâneo.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Acontecimiento]]></kwd>
<kwd lng="es"><![CDATA[Subjetivación]]></kwd>
<kwd lng="es"><![CDATA[Cartografía]]></kwd>
<kwd lng="en"><![CDATA[Event]]></kwd>
<kwd lng="en"><![CDATA[Subjectivation]]></kwd>
<kwd lng="en"><![CDATA[Cartography]]></kwd>
<kwd lng="pt"><![CDATA[Acontecimento]]></kwd>
<kwd lng="pt"><![CDATA[Subjetivação]]></kwd>
<kwd lng="pt"><![CDATA[Cartografia]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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