<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1984-7114</journal-id>
<journal-title><![CDATA[Contrapontos]]></journal-title>
<abbrev-journal-title><![CDATA[Contrapontos]]></abbrev-journal-title>
<issn>1984-7114</issn>
<publisher>
<publisher-name><![CDATA[Univali]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1984-71142020000200274</article-id>
<article-id pub-id-type="doi">10.14210/contrapontos.v20n2.p274-288</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[CORPO-SIGNO: DIÁLOGOS ENTRE LABAN E BAKHTIN NO ENSINO SUPERIOR EM ARTES CÊNICAS]]></article-title>
<article-title xml:lang="en"><![CDATA[SIGN-BODY: DIALOGS BETWEEN LABAN AND BAKHTIN ON HIGHER EDUCATION IN THE PERFORMING ARTS]]></article-title>
<article-title xml:lang="es"><![CDATA[CUERPO-SIGNO: DIÁLOGOS ENTRE LABAN Y BAKHTIN EN LA ENSEÑANZA SUPERIOR EN ARTES ESCÉNICAS]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Gonçalves]]></surname>
<given-names><![CDATA[Jean Carlos]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Castilho]]></surname>
<given-names><![CDATA[Thais]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal do Paraná Programa de Pós-Graduação em Educação ]]></institution>
<addr-line><![CDATA[Curitiba PR]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<volume>20</volume>
<numero>2</numero>
<fpage>274</fpage>
<lpage>288</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1984-71142020000200274&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1984-71142020000200274&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1984-71142020000200274&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: O presente artigo é fruto de um estudo sobre as reverberações das práticas de Ballet Clássico no ensino superior em Artes Cênicas, que promoveu a triangulação entre as pesquisas em dança, o Pensamento Labaniano e a perspectiva dialógica de Bakhtin e o Círculo. Neste trabalho, o objetivo consiste em discutir a noção de corpo-signo. Como resultados, compreendeu-se o corpo como uma instância viva, que mergulha na cultura imaterial de sua sociedade para incorporar e enviesar esteticamente os signos nela pulsantes, por isso, é considerado um corpo-signo, o qual profere enunciados-dançados carregados de múltiplas vozes, impregnados de sentido, sendo capaz de transformar constantemente seu horizonte plástico-valorativo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This article is the result of a study on the repercussions of Classical Ballet practices in higher education in the Performing Arts, which prompted a triangulation of studies on dance, Labanian Thought, and the dialogical perspective of Bakhtin and the Circle. This work discusses the notion of &#8220;sign-body&#8221;. It concludes by understanding the body as a living instance, which dives into the immaterial culture of its society to incorporate and aesthetically arrange the signs pulsating within it; thus, it is considered a sign-body, which utters enunciation-dancing loaded with multiple voices, impregnated with meaning and capable of expanding its plastic and evaluative horizon.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Este artículo es el resultado de un estudio sobre las reverberaciones de las prácticas de ballet clásico en la educación superior en artes escénicas, que promueve la triangulación entre las investigaciones de la danza, el Pensamiento Labaniano y la perspectiva dialógica, por Bakhtin y el Círculo. En este trabajo, el objetivo es discutir la idea del «cuerpo-signo». Como resultado, entendemos el cuerpo como una instancia viva, que se submerge en la cultura no material de su sociedad para incorporar y organizar estéticamente los signos que palpitan en ella, por lo tanto, se considera un cuerpo-signo, que pronuncia enunciados-bailados cargados de múltiplas voces, impregnados de sentidos, que es capaz de ampliar su horizonte plástico y de valoración.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Corpo-Signo]]></kwd>
<kwd lng="pt"><![CDATA[Enunciado-Dançado]]></kwd>
<kwd lng="pt"><![CDATA[Ensino Superior em Artes Cênicas]]></kwd>
<kwd lng="en"><![CDATA[Sign-Body]]></kwd>
<kwd lng="en"><![CDATA[Enunciation-Dancing]]></kwd>
<kwd lng="en"><![CDATA[Higher Education in the Performing Arts]]></kwd>
<kwd lng="es"><![CDATA[Cuerpo-Signo]]></kwd>
<kwd lng="es"><![CDATA[Enunciado-Bailado]]></kwd>
<kwd lng="es"><![CDATA[Educación Superior en Artes Escénicas]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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