<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1984-7114</journal-id>
<journal-title><![CDATA[Contrapontos]]></journal-title>
<abbrev-journal-title><![CDATA[Contrapontos]]></abbrev-journal-title>
<issn>1984-7114</issn>
<publisher>
<publisher-name><![CDATA[Univali]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1984-71142020000200486</article-id>
<article-id pub-id-type="doi">10.14210/contrapontos.v20n2.p486-507</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[MOVIMENTO CULTURAL ARTE MANHA: LUGAR DA ARTE, CORPO E MEMÓRIA AFRO-INDÍGENA NA ESCOLA, CARAVELAS, BA]]></article-title>
<article-title xml:lang="en"><![CDATA[THE ARTE MANHA CULTURAL MOVEMENT: THE PLACE OF ART, BODY AND AFRO-INDIGENOUS MEMORY IN SCHOOL, CARAVELAS, BA]]></article-title>
<article-title xml:lang="es"><![CDATA[MOVIMIENTO CULTURAL ARTE MANHA: LUGAR DE ARTE, CUERPO Y MEMORIA AFRO-INDÍGENA EN LA ESCUELA, CARAVELAS, BA]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ferreira]]></surname>
<given-names><![CDATA[Maria de Fátima de Andrade]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Carvalho]]></surname>
<given-names><![CDATA[Maria Rosário Gonçalves de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Estadual do Sudoeste da Bahia Departamento de Ciências Humanas, Educação e Linguagem ]]></institution>
<addr-line><![CDATA[Jequié BA]]></addr-line>
<country>Brasil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Federal da Bahia Programa de Pós-Graduação em Antropologia Social ]]></institution>
<addr-line><![CDATA[Salvador BA]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<volume>20</volume>
<numero>2</numero>
<fpage>486</fpage>
<lpage>507</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1984-71142020000200486&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1984-71142020000200486&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1984-71142020000200486&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: Neste artigo, apresento um recorte da etnografia realizada sobre relações interétnicas com um grupo de pessoas que se autodeclaram afro-indígena, em Caravelas, BA e pertence ao Movimento Arte Manha, criado em 1988, com objetivo de luta e resistência negra e indígena. Nele, procuro descrever o lugar da arte, corpo e memória afro-indígena no movimento e na escola, tratando de redes de sociabilidades, &#8220;encontros&#8221; e zonas de contato. A escolha do tema, como recorte para este trabalho, é o fato de que o grupo trouxe provocações, quando traz repertórios sócio-históricos de suas culturas de origem, a valorização das africanidades do legado africano e a cultura indígena e, por meio de estratégias, se apropria da arte, do corpo e da memória (BOSI,1994) como instrumentos de luta, resistência e práticas educativas. É assim que os afro-indígenas de Caravelas conduzem as teias da memória e a construção de um passado que, por sua vez, é também fruto de criação e de novas experiências subjetivas e afro-indígenas, focando o corpo como centro das políticas, no sentido de (des)racializar e pluralizar espaços sociais, arte, objetos e coisas e traçam esse percurso em busca da memória e da ancestralidade. Na escola, as ações dependem da &#8220;necessidade&#8221; do grupo, chamadas de interdisciplinares, como entalhe em madeira, desenhos, danças africanas indígenas, roda de conversa para discutir modos de vida afro-indígena. E a escola é espaço privilegiado à realização de ações artístico-culturais. O espaço de trocas de saberes e conhecimentos se estabeleciam entre os participantes de modo transversal.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This article presents an excerpt of the ethnography on inter-ethnic relations conducted with a group of self-declared Afro-indigenous, in Caravelas, BA, all of whom belong to the Arte Manha Movement, created in 1988 in the context of the Black and indigenous struggle and resistance. This article describes the place of art, body and Afro-indigenous memory in the movement and in schools, addressing social networks, &#8220;meetings&#8221; and contact zones. This theme was chosen as a cut-out for this work because the group brought provocations when it brings socio-historical repertoires of their cultures of origin, the appreciation of the Africanities of the African legacy and the indigenous culture and, through strategies, appropriates art, body and memory (BOSI, 1994) as instruments of struggle, resistance and educational practices. This is how the Afro-indigenous people of Caravelas lead the networks of memory and the construction of a past that, in turn, is also the result of creation and of new subjective Afro-indigenous experiences, focusing the body as the center of policies in the sense of (dis)racializing and pluralizing social spaces, art, objects and things, and trace this path in search of memory and ancestry. In the school, the actions depend on the &#8220;need&#8221; of the group, called interdisciplinary, such as wood carving, drawings, indigenous African dances, and conversations to discuss Afro-indigenous ways of life. The school is an ideal space for carrying out artistic-cultural actions. Thus, as space for exchanging knowledge was established between the participants in a transversal way.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: En este artículo presento un recorte de la etnografía realizada sobre las relaciones interétnicas con un grupo de personas que se autodenominan afro-indígenas, en Caravelas, BA y pertenecen al Movimiento Arte Manha, creado en 1988, con el objetivo de la lucha y resistencia negra e indígena. En él, trato de describir, el lugar del arte, el cuerpo y la memoria afro-indígena en el movimiento y en la escuela, tratando de redes de sociabilidad, «reuniones» y zonas de contacto. La elección del tema, como un recorte para este trabajo es el hecho de que el grupo mostró provocaciones cuando trajo repertorios sociohistóricos de sus culturas de origen, la valorización de las africanidades del legado africano y la cultura indígena y, a través de estrategias, se apropia de arte, cuerpo y memoria (BOSI, 1994) como instrumentos de lucha, resistencia y prácticas educativas. Así es como los pueblos afro-indígenas de Caravelas lideran redes de memoria y la construcción de un pasado que, a su vez, es también el resultado de la creación y nuevas experiencias subjetivas y afro-indígenas, enfocando al cuerpo como el centro de las políticas, en el sentido de (dis)racializar y pluralizar espacios sociales, arte, objetos y cosas y rastrear este camino en busca de memoria y ascendencia. En la escuela, las acciones dependen de la «necesidad» del grupo, llamada interdisciplinaria, como el tallado en madera, dibujos, danzas indígenas africanas, conversación para discutir formas de vida afro-indígenas y la escuela es un espacio privilegiado para llevar a cabo acciones artístico-culturales. El espacio de intercambio de saberes y conocimientos se establecieron entre los participantes de manera transversal.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Relações afro-indígenas]]></kwd>
<kwd lng="pt"><![CDATA[Arte-corpo]]></kwd>
<kwd lng="pt"><![CDATA[Práticas educativas]]></kwd>
<kwd lng="en"><![CDATA[Afro-indigenous relations]]></kwd>
<kwd lng="en"><![CDATA[Body-art]]></kwd>
<kwd lng="en"><![CDATA[Educational practices]]></kwd>
<kwd lng="es"><![CDATA[Relaciones afro-indígenas]]></kwd>
<kwd lng="es"><![CDATA[Arte-cuerpo]]></kwd>
<kwd lng="es"><![CDATA[Prácticas educativas]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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