<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1984-7114</journal-id>
<journal-title><![CDATA[Contrapontos]]></journal-title>
<abbrev-journal-title><![CDATA[Contrapontos]]></abbrev-journal-title>
<issn>1984-7114</issn>
<publisher>
<publisher-name><![CDATA[Univali]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1984-71142023000100125</article-id>
<article-id pub-id-type="doi">10.14210/contrapontos.v23n1.p125-142</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[REPRESENTAÇÕES FIADAS SOB O DÉDALO DA OBRA FÍLMICA &#8220;O SENHOR DO LABIRINTO&#8220; (2014)]]></article-title>
<article-title xml:lang="en"><![CDATA[SPUN REPRESENTATIONS UNDER THE DAEDALUS OF THE FILMIC WORK &#8220;THE LORD OF THE LABYRINTH&#8220; (2014)]]></article-title>
<article-title xml:lang="es"><![CDATA[REPRESENTACIONES HILADAS BAJO DÉDALO DE LA OBRA CINEMATOGRÁFICA &#8220;EL SEÑOR DEL LABERINTO&#8221; (2014)]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Teles]]></surname>
<given-names><![CDATA[Perolina Souza]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Santos]]></surname>
<given-names><![CDATA[Wolney Nascimento]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Zoboli]]></surname>
<given-names><![CDATA[Fabio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Secretaria Estadual de Educação de Sergipe  ]]></institution>
<addr-line><![CDATA[Aracaju SE]]></addr-line>
<country>Brasil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Federal de Sergipe  ]]></institution>
<addr-line><![CDATA[São Cristóvão SE]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>01</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>01</month>
<year>2023</year>
</pub-date>
<volume>23</volume>
<numero>1</numero>
<fpage>125</fpage>
<lpage>142</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1984-71142023000100125&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1984-71142023000100125&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1984-71142023000100125&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: O texto tem como objetivo estabelecer reflexões a partir da obra fílmica de Geraldo Motta Filho &#8220;O senhor do labirinto&#8221; (2014) com a alegoria mítica do &#8220;labirinto de Creta&#8221;. O filme retrata a obra e a vida de Arthur Bispo do Rosário, que foi considerado louco durante sua internação no manicômio da Colônia Juliano Moreira (RJ). Usando fios e madeira, Bispo conseguiu confeccionar e compor inúmeros artefatos de arte com seus bordados e conhecimento de carpintaria. Considerando a analogia do labirinto, o texto fia uma análise do filme a partir de sua poética e estética, bem como da relação do artista com o dispositivo manicomial. Conclui-se que, tanto na sua poética (aspectos da construção e produção) como na sua estética (representação visual e sonora), o filme se apresenta a partir do pressuposto labiríntico, na medida em que seu percurso e montagem foram traçados e percorridos por desvios e enganos. A obra e vida de Bispo, retratada na película, é a celebração da loucura enquanto poética de vida.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The text aims to offer reflections based Geraldo Motta Filho's filmic work &#8220;Lord of the Labyrinth&#8221; (2014) with the mythical allegory of the &#8220;labyrinth of Crete&#8221;. The film portrays the work and life of Arthur Bispo do Rosário, who was considered insane during his time a patient at the Colônia Juliano Moreira (RJ) mental institution. Using thread and wood, Bispo manages to create countless artifacts with his embroidery and knowledge of carpentry. Considering analogous to a labyrinth, the text provides an analysis of the film based on its poetics and aesthetics, and of the artist's relationship with the mental institution. It concludes that both in its poetics (construction and production aspects) and in its aesthetics (visual and sound representation), the film presents itself based on the labyrinthine premise, in that its path and editing are traced and traversed by detours and errors. Bispo&#8217;s work and life, portrayed in the film, is a celebration of madness as a poetics of life.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: El texto tiene como objetivo establecer reflexiones a partir de la obra fílmica de Geraldo Motta Filho &#8220;El señor del laberinto&#8221; (2014) con la mítica alegoría del &#8220;laberinto de Creta&#8221;. La película retrata la obra y la vida de Arthur Bispo do Rosário, que fue considerado loco durante su internación en el manicomio de la Colonia Juliano Moreira (RJ). Usando hilos y madera, Bispo logró hacer y componer innumerables artefactos de arte con sus conocimientos de bordado y carpintería. Considerando la analogía del laberinto, el texto hace un análisis de la película desde su poética y estética, así como la relación del artista con el dispositivo asilo. Se concluye que, tanto en su poética (aspectos de construcción y producción) como en su estética (representación visual y sonora), la película se presenta a partir de la suposición laberíntica de que su camino y montaje fueron trazados y cubiertos por desvíos y errores. La obra y la vida de Bispo, retratadas en la película, es una celebración de la locura como poética de la vida.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Arthur Bispo do Rosário]]></kwd>
<kwd lng="pt"><![CDATA[Filme &#8220;O Senhor do Labirinto&#8221; (2014)]]></kwd>
<kwd lng="pt"><![CDATA[Loucura]]></kwd>
<kwd lng="pt"><![CDATA[Labirinto]]></kwd>
<kwd lng="en"><![CDATA[Arthur Bispo do Rosário]]></kwd>
<kwd lng="en"><![CDATA[Film &#8220;Lord of the Labyrinth&#8221; (2014)]]></kwd>
<kwd lng="en"><![CDATA[Madness]]></kwd>
<kwd lng="en"><![CDATA[Labyrinth]]></kwd>
<kwd lng="es"><![CDATA[Arthur Bispo do Rosário]]></kwd>
<kwd lng="es"><![CDATA[Película &#8220;El señor del laberinto&#8221; (2014)]]></kwd>
<kwd lng="es"><![CDATA[Locura]]></kwd>
<kwd lng="es"><![CDATA[Laberinto]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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