<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1988-3293</journal-id>
<journal-title><![CDATA[Comunicar: Revista Científica de Comunicacíon y Educacíon]]></journal-title>
<abbrev-journal-title><![CDATA[Comunicar]]></abbrev-journal-title>
<issn>1988-3293</issn>
<publisher>
<publisher-name><![CDATA[Grupo Comunicar]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1988-32932017000200073</article-id>
<article-id pub-id-type="doi">10.3916/C51-2017-07</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El rol del cine en versión original en el espacio digital europeo]]></article-title>
<article-title xml:lang="en"><![CDATA[The role of original version cinema into the European Digital Space]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ledo-Andión]]></surname>
<given-names><![CDATA[Margarita]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[López-Gómez]]></surname>
<given-names><![CDATA[Antía]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Castelló-Mayo]]></surname>
<given-names><![CDATA[Enrique]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Santiago de Compostela  ]]></institution>
<addr-line><![CDATA[Santiago de Compostela Galiza]]></addr-line>
<country>Spain</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad de Santiago de Compostela  ]]></institution>
<addr-line><![CDATA[Santiago de Compostela Galiza]]></addr-line>
<country>Spain</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidad de Santiago de Compostela  ]]></institution>
<addr-line><![CDATA[Santiago de Compostela Galiza]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2017</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2017</year>
</pub-date>
<volume>25</volume>
<numero>51</numero>
<fpage>73</fpage>
<lpage>82</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S1988-32932017000200073&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S1988-32932017000200073&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S1988-32932017000200073&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN El presente trabajo pormenoriza los resultados de la investigaci&#243;n &#171;edCinema: hacia el espacio digital europeo, el papel de las cinematograf&#237;as peque&#241;as en versi&#243;n original&#187; (CSO2012-35784), orientada al an&#225;lisis del rol que el cine en vo/vos desempe&#241;a en la consecuci&#243;n de la diversidad ling&#252;&#237;stica y cultural contemplada en la agenda digital europea, as&#237; como del encaje normativo de las cinematograf&#237;as de peque&#241;as dimensiones en el espacio digital europeo. la triangulaci&#243;n m&#250;ltiple del proyecto pivota sobre un planteamiento pluridisciplinar, basado en un intercambio transnacional de conocimientos dimanantes de un panel de 62 expertos europeos, as&#237; como en un pautado poliet&#225;pico que incluye: revisi&#243;n cr&#237;tica de la escasa literatura ensay&#237;stica y de la profusa normativa comunitaria, realizaci&#243;n de entrevistas en profundidad a expertos, dise&#241;o y aplicaci&#243;n de un cuestionario prospectivo delphi. Entre los resultados del estudio destaca el hecho parad&#243;jico de que, frente a la contrastada relevancia del acceso a contenidos en vo como complemento indispensable de la cohesi&#243;n cultural europea y de la consecuci&#243;n del ideal de diversidad ling&#252;&#237;stica, la uni&#243;n europea contin&#250;a implementando paquetes de medidas de car&#225;cter aleatorio, fragmentario y contingente que, en general, abocan a una sist&#233;mica ausencia de resultados. Consecuentemente, se recomienda una reorientaci&#243;n estrat&#233;gica del modelo audiovisual europeo a la explotaci&#243;n de sus 24 lenguas, en su condici&#243;n vern&#225;cula y no solo vehicular, como garantes del acceso fidedigno a vastos repertorios culturales o cient&#237;ficos. ]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[ABSTRACT This paper reports the results derived from the research project, entitled &#8220;EDCINEMA: Towards the European digital Space. The role of small cinemas in original version&#8221; (CSO2012-35784), which focused on the analysis of the role of movies in OV/OVS in achieving diversity of languages and cultures (as viewed from the European Digital Agenda) as well as Community policies on the promotion of small cinemas in the European Digital Space. The current study is based on a methodological triangulation, a transnational exchange of information between 62 European experts and a multistage organization, which included a critical review of the scarce essay writing and profuse Community rules, in-depth interviews with international experts and a design and implementation of a prospective Delphi questionnaire. One of the most remarkable research results is summarized as an indicator of the conflict between the clearly demonstrated OV influences to make progress towards achieving the ideal of a real language diversity, and Community-wide application of packages of random measures, which often leads to lack of expected results. Consequently, the study suggests a strategic reorientation of the European Audiovisual Model toward further exploitation of its 24 languages, on the role of vernacular and not just as vehicular languages, and eventually as guarantors in the process of reliable access to cultural and scientific repertoires.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Pequeñas Cinematografías]]></kwd>
<kwd lng="es"><![CDATA[Convergencia Europea]]></kwd>
<kwd lng="es"><![CDATA[Versión Original]]></kwd>
<kwd lng="es"><![CDATA[Diversidad Cultural]]></kwd>
<kwd lng="es"><![CDATA[Sociedad Digital]]></kwd>
<kwd lng="es"><![CDATA[Creación Audiovisual]]></kwd>
<kwd lng="es"><![CDATA[Industria Cultural]]></kwd>
<kwd lng="es"><![CDATA[Visión Crítica]]></kwd>
<kwd lng="en"><![CDATA[Small Cinemas]]></kwd>
<kwd lng="en"><![CDATA[European Convergence]]></kwd>
<kwd lng="en"><![CDATA[Original Version]]></kwd>
<kwd lng="en"><![CDATA[Cultural Diversity]]></kwd>
<kwd lng="en"><![CDATA[Digital Society]]></kwd>
<kwd lng="en"><![CDATA[Audiovisual Creation]]></kwd>
<kwd lng="en"><![CDATA[Cultural Industry]]></kwd>
<kwd lng="en"><![CDATA[Critical Vision]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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