<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2178-4612</journal-id>
<journal-title><![CDATA[Conjectura: Filosofia e Educação]]></journal-title>
<abbrev-journal-title><![CDATA[Conjectura: filos. e Educ.]]></abbrev-journal-title>
<issn>2178-4612</issn>
<publisher>
<publisher-name><![CDATA[Universidade de Caxias do Sul]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2178-46122020000100113</article-id>
<article-id pub-id-type="doi">10.18226/21784612.v25.e020018</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Reflexões sobre a experiência e o ensino de arte: o conceito benjaminiano de &#8220;perda da aura&#8221; como parâmetro para a análise]]></article-title>
<article-title xml:lang="en"><![CDATA[Reflections on experience and art teaching: the Benjamin concept of &#8220;loss of aura&#8221; as a parameter for analysis]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Sousa]]></surname>
<given-names><![CDATA[Rui Bragado]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Costa]]></surname>
<given-names><![CDATA[Diego Silva Rodrigues da]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Sanches]]></surname>
<given-names><![CDATA[Eduardo Oliveira]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="A01">
<institution><![CDATA[,UEM UEM Fael]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<aff id="A02">
<institution><![CDATA[,UCS UEM ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<aff id="A03">
<institution><![CDATA[,UEM Unesp ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<volume>25</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S2178-46122020000100113&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S2178-46122020000100113&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S2178-46122020000100113&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Com a análise conceitual da arte e da expressão artística, este artigo situa a discussão do ensino de arte em síntese aos pressupostos críticos de Walter Benjamin. Busca-se, primeiramente, o sentido da arte no contexto de seu surgimento, sua valorização cultural e sua função social, para, posteriormente, mediante pressupostos da Teoria Crítica da Sociedade, verificar-se as contradições com sua desintegração na atualidade, apropriada pela indústria cultural como valor de mercadoria. Nesse trajeto, a reprodução técnica da obra de arte tornase o fundamento categórico para a crítica e o desnudamento das formas decadentes sob as quais a arte é &#8220;visualizada&#8221; na modernidade. A redução das formas estéticas de percepção da arte expressa-se no desaparecimento da experiência, na incapacidade de narrar, na crise da transmissão, enfim, no ensino de arte.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract From the conceptual analysis of art and artistic expression, this article aims to situate the discussion of art teaching in synthesis to the critical assumptions of Walter Benjamin. Firstly, the meaning of the birth of art, itscultural valorization and its social function are rescued, so that, later, with the assumptions of the Critical Theory, it is possible to verify the contradictions with its disintegration today, appropriated by the Cultural Industry as a commodity value. In this way, the technical reproduction of the work of art becomes the categorical foundation for the critique and denudation of the decaying forms that art is &#8220;visualized&#8221; in modernity. The reduction of aesthetic forms of perception of art is expressed in the decay of experience, the ability to narrate, in the transmission crisis, in short, in art teaching.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Teoria Crítica da Sociedade]]></kwd>
<kwd lng="pt"><![CDATA[Indústria Cultural]]></kwd>
<kwd lng="pt"><![CDATA[Arte]]></kwd>
<kwd lng="pt"><![CDATA[Ensino de Arte]]></kwd>
<kwd lng="en"><![CDATA[Critical Theory]]></kwd>
<kwd lng="en"><![CDATA[Cultural Industry]]></kwd>
<kwd lng="en"><![CDATA[Art]]></kwd>
<kwd lng="en"><![CDATA[Art Teaching]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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<year>2011</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Editora Unesp]]></publisher-name>
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<ref id="B32">
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<person-group person-group-type="author">
<name>
<surname><![CDATA[WITTE]]></surname>
<given-names><![CDATA[Bernd]]></given-names>
</name>
<name>
<surname><![CDATA[Freitas]]></surname>
<given-names><![CDATA[Romero]]></given-names>
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</person-group>
<source><![CDATA[Walter Benjamin: uma biografia]]></source>
<year>2017</year>
<publisher-loc><![CDATA[Belo Horizonte ]]></publisher-loc>
<publisher-name><![CDATA[Autêntica]]></publisher-name>
</nlm-citation>
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</back>
</article>
