<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2178-4612</journal-id>
<journal-title><![CDATA[Conjectura: Filosofia e Educação]]></journal-title>
<abbrev-journal-title><![CDATA[Conjectura: filos. e Educ.]]></abbrev-journal-title>
<issn>2178-4612</issn>
<publisher>
<publisher-name><![CDATA[Universidade de Caxias do Sul]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2178-46122022000100206</article-id>
<article-id pub-id-type="doi">10.18226/21784612.v27.e022007</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Leituras e travessias pelas memórias afetivas e musicais: experiências subjetivas]]></article-title>
<article-title xml:lang="en"><![CDATA[Readings and travels through affective and musical memories: subjective experiences]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Carvalho]]></surname>
<given-names><![CDATA[Silvio Roberto Silva]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="A01">
<institution><![CDATA[,Universidade do Estado da Bahia  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<volume>27</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S2178-46122022000100206&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S2178-46122022000100206&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S2178-46122022000100206&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O presente artigo trata sobre experiências leitoras motivadas por canções, memórias autobiográficas e comentários publicados em plataformas digitais. Partindo-se do princípio de que a leitura é mais que uma simples atividade de decodificação, defende-se que, ao se deixar ler pelas canções e pela arte, o sujeito, involuntariamente, arma-se para produzir sentidos às marcas inscritas e reinscritas na sua própria história, reinventando-se e gerando novos processos de subjetivação. Os objetivos deste trabalho são: (1) construir uma compreensão sobre o lugar da canção no cenário artístico brasileiro, bem como sobre a sua capacidade de produzir efeitos nos sujeitos leitores; (2) narrar uma experiência de leitura, em que a canção atua como desveladora de demandas afetivas pessoais, que inspirou a série de vídeos Histórias de Maria; e (3) analisar leituras sobre as Histórias de Maria, imersas em comentários sobre essa série publicados nas plataformas digitais. Autores como Wisnik (2004; 1989), Rossi (2003), Neder (2008), Lima (2013), Agamben (2009), Martins (1986) e Jouve (2002) contribuem para a compreensão do lugar da canção no cenário artístico brasileiro, sua qualidade de objeto biográfico e dispositivo, sua potência em levar o corpo a produzir sentidos para marcas inscritas e reinscritas, através de diversos níveis de leitura, bem como para a análise das possíveis leituras imersas nos comentários recolhidos para este trabalho. Por fim, conclui-se que toda forma de ler vale a pena.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article deals with reader experiences motivated by songs, autobiographical memories and comments published on digital platforms. Assuming that reading is more than a simple decoding activity, it is argued that by allowing yourself to read by songs and art, the subject involuntarily allows himself to produce meanings for the marks inscribed and re-inscribed in his own history, reinventing himself and generating new processes of subjectification. The objectives of this work are: (1) to build an understanding of the place of the song in the Brazilian artistic scenario, as well as its capacity to reach the readers. (2) Narrating a reading experience, in which the song acts as an unveiling of personal affective demands, that inspired the video series Stories of Mary. (3) Analyze readings on the Stories of Mary, immersed in comments on the respective series, published on digital platforms. Authors such as Wisnik (2004; 1989), Rossi (2003) and Neder (2008) Lima (2013), Agamben (2009), Martins (1986) and Jouve (2002) contribute to the understanding of the song&#8217;s place in the Brazilian artistic scenario, its quality as a biographical object and device, as well as its power to lead the body to produce meanings for inscribed and re-inscribed marks, through different levels of reading, as well as the analysis of the possible readings immersed in the comments collected for this work. Ultimately, concluded that every way of reading is worthwhile.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Canções]]></kwd>
<kwd lng="pt"><![CDATA[Narrativas]]></kwd>
<kwd lng="pt"><![CDATA[Leituras]]></kwd>
<kwd lng="pt"><![CDATA[Histórias de Maria]]></kwd>
<kwd lng="en"><![CDATA[Songs]]></kwd>
<kwd lng="en"><![CDATA[Narratives]]></kwd>
<kwd lng="en"><![CDATA[Readings]]></kwd>
<kwd lng="en"><![CDATA[Stories of Mary]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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